J.Reynolds JBJ245 5-String Banjo features Sapele Resonator, 24 Brackets, Remo Weatherking Banjo Head, Chrome Hardware in Gloss 2-Tone Sunburst Finish. Features: Model: JBJ245 Type: 5-String Banjo with Resonator Finish: 2-Tone Sunburst Gloss Frets: 22 Brackets: 24 Neck: Nato with Techwood Fingerboard Resonator & Rim: Sapele Bridge: Maple & Blackwood Head: Remo Weatherking Banjo Head Hardware (Brackets & Tailpiece): Zinc Alloy in Chrome finish Tuning Machines: Covered with Pearl White Plastic Buttons
J.Reynolds JBJ305 5-String Banjo features Sapele Resonator, 30 Brackets, Remo Weatherking Banjo Head, Chrome Hardware in Gloss 2-Tone Sunburst Finish. Features: Model: JBJ305 Type: 5-String Banjo with Resonator Finish: 2-Tone Sunburst Gloss Frets: 22 Brackets: 30 Neck: Nato with Techwood Fingerboard Resonator & Rim: Sapele Bridge: Maple & Blackwood Head: Remo Weatherking Banjo Head Hardware (Brackets & Tailpiece): Zinc Alloy in Chrome finish Tuning Machines: Covered with Pearl White Plastic Buttons
The JBJ186 6 String Banjo features a Sapele Resonator & Rim, 18 Brackets, Remo Banjo Head, Nato Neck & Chrome Hardware. Finished in High Gloss 2 Tone Sunburst. Features: Model: JBJ186 Type: 6-String Banjo with Resonator Finish: 2-Tone Sunburst Gloss Frets: 21 Brackets: 18 Neck: Nato with Techwood Fingerboard Resonator & Rim: Sapele Bridge: Maple & Blackwood Head: Remo Weatherking Banjo Head Hardware (Brackets & Tailpiece): Zinc Alloy in Chrome finish Tuning Machines: Sealed with Chrome Tuners
J.Reynolds JBJ245CR DELUXE 5-String Banjo features Sapele Resonator, Planetary Tuners, 24 Brackets, Remo Weatherking Banjo Head, Chrome Hardware in Gloss Tobacco Burst Finish. Features: Model: JBJ245CR Type: 5-String Banjo with Resonator Finish: Tobacco Burst Gloss Frets: 22 Brackets: 24 Neck: Nato with Techwood Fingerboard Resonator & Rim: Sapele Bridge: Maple & Blackwood Head: Remo Weatherking Banjo Head Hardware (Brackets & Tailpiece): Metal in Chrome finish Tuning Machines: Planetary Tuners with Pearl White Buttons
The Mandolin Twin Fusion does not require any permanent alteration to your instrument. The pickups attach to the inside of the mandolin with double-sided adhesive tape, while the carpenter jack remains on the outside of the instrument. It provides the exact same sound quality as the Mandolin Twin Internal because the pickups are mounted in the same positions. The Mandolin Twin Fusion can easily be installed by the musician. A comprehensive step-by-step installation manual descibes the process in detail. Special installation tools are provided. With acoustic amps, both Mandolin Twins work very well in passive mode. To connect to a PA system, we recommend a suitable preamp like the Pure Preamp or the Pure XLR Preamp. Mandolin Twin Fusion Cable length: 11" Pickup size: 16.5 x 23mm Impedance: High ohmic Jack: Stereo TRSS endpin jack wired mono Made in USA.
The K&K Sound Banjo Twin is designed to reproduce the true banjo sound with very natural tone quality and with very little effect on the acoustic tone. The Banjo Twin works well in passive mode, especially if acoustic amps are used. If a preamp should be necessary, we recommend our Pure Preamp. Technical Specs Cable length: 10" Pickup size: 27mm diameter Impedance: High ohmic Jack: Stereo TRSS endpin jack wired mono Installation Notes The Banjo Twin does not require any alteration to your instrument. All the components are installed with special double-sided tape or self-adhesive fasteners. These will not harm the finish of your instrument and residue can be removed with WD-40. The two pickups are installed on the inside of the banjo head using a removable self-adhesive fastening system, specially designed for the installation on the banjo head. This adhesive is affixed to the two outer edges of the pickups only. We call this the "Catamaran" mounting technique. Using this technique, the center portion of the pickup is free-floating, enhancing response while reducing the adhesive surface by about 40% and therefore having only very little effect on the acoustic sound. The Banjo Twin system is equipped with a multi-use endpin jack. This jack can be mounted three ways: on the outside of the banjo (see photo), mounted with internal drill-through installation, or installed in a slot of the outer rim. For the external-mount, the jack is attached with K&K's self-adhesive dual-lock system (similar to Velcro but much stronger). It can be indefinitely opened and closed without wear and tear and guarantees super holding power with absolutely no mechanical noise. This way, the jack can be temporarily removed to fit your instrument into a carrying case.
The Definity System is a brand-new solution that delivers K&K's natural pickup power to a variety of difficult to amplify acoustic instruments. Definity is designed for floating bridge instrument, semi-acoustic electric guitars with Tune-o-matic bridges, Banjo, Cello, Double Bass and many ethnic or folk instruments like Bouzouki, Saz, etc. The pickup is only 6/1000 of an inch thin and measures 1 3/4” x 3/4” total. They call it a “compression pickup” because it is especially suited for “wedged” applications under a floating bridge. However, the pickup element is capable of transmitting sound like soundboard transducers as well. In fact, we found that the best tone is achieved if the pickup is mounted so it is partially “wedged” and partially open on the soundboard. The Definity pickup reaches its true potential with a matched preamp (included in the price!). The Definity Preamp, which features a phase switch, adjustable mid and treble controls (via trimpots), and a 1/4” line out, makes the package complete.
The Definity System is a brand-new solution that delivers K&K's natural pickup power to a variety of difficult to amplify acoustic instruments. Definity is designed for floating bridge instrument, semi-acoustic electric guitars with Tune-o-matic bridges, Banjo, Cello, Double Bass and many ethnic or folk instruments like Bouzouki, Saz, etc. The pickup is only 6/1000 of an inch thin and measures 1 3/4” x 3/4” total. They call it a “compression pickup” because it is especially suited for “wedged” applications under a floating bridge. However, the pickup element is capable of transmitting sound like soundboard transducers as well. In fact, we found that the best tone is achieved if the pickup is mounted so it is partially “wedged” and partially open on the soundboard. The Definity pickup reaches its true potential with a matched preamp (included in the price!). The Definity Preamp, which features a phase switch, adjustable mid and treble controls (via trimpots), and a 1/4” line out, makes the package complete.
The Definity System is a brand-new solution that delivers K&K's natural pickup power to a variety of difficult to amplify acoustic instruments. Definity is designed for floating bridge instrument, semi-acoustic electric guitars with Tune-o-matic bridges, Banjo, Cello, Double Bass and many ethnic or folk instruments like Bouzouki, Saz, etc. The pickup is only 6/1000 of an inch thin and measures 1 3/4” x 3/4” total. They call it a “compression pickup” because it is especially suited for “wedged” applications under a floating bridge. However, the pickup element is capable of transmitting sound like soundboard transducers as well. In fact, we found that the best tone is achieved if the pickup is mounted so it is partially “wedged” and partially open on the soundboard. The Definity pickup reaches its true potential with a matched preamp (included in the price!). The Definity Preamp, which features a phase switch, adjustable mid and treble controls (via trimpots), and a 1/4” line out, makes the package complete.
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