THE L-20R The Portable Mixer/Recorder That Does it All The Zoom LiveTrak™ L-20R is a rack-mountable digital mixer that allows musicians to control their live mix right from the stage with the use of an iPad. With wireless control, 20 discrete channels, 22 tracks of recording and six custom monitor mixes, the L-20R offers a complete solution for any venue. Portable and Powerful Featuring 16 mono mic/line inputs and two stereo inputs, the L-20R can handle the most demanding stages. The L-20R offers two EFX busses and each channel includes a 3-band EQ, pan controls and compressor. 22 Tracks of Recording During your live performance, record 20 channels plus a stereo mix directly to an SD card, then transfer your tracks to your DAW for your final edit. *Effects, EQ, overdub, audio interface, and fader modes A-F are not available in 96 kHz. It’s Your Monitor Make It Your Mix With six independent monitor outputs, the L-20R enables musicians to create their own custom mix. A dedicated output enables the FOH engineer to easily switch between monitoring the main and sub mixes. iPad Control With iPads, the FOH engineer and 6 musicians can control their own mix from anywhere in the venue. *Compatible with all iPad Air models, iPad Mini 2 and later, iPad Pro, and iPad (2017), running iOS 10.3.3 or newer. “In the New York City club scene, the L-20R’s size and features make my life a lot easier. It’s got plenty of inputs. It’s got wireless control. It’s got all I need.” Dennis McCalla Engineer , The Kennedy Administration Scene Recall With the LiveTrak L-20R’s Scene Recall feature, you can instantly recall up to nine different scenes with monitor mixes, EQ settings, effects, and more. Accessible The L-20R’s versatile design provides easy access for plugging in your cables. A Robust Audio Interface The L-20R is a 22-in/4-out USB audio interface. Route inputs to any DAW, streaming software, or iOS device*—even while recording to an SD card. *Apple Lightning to USB Camera Adapter required. What's in the Box Included with the L-20R LiveTrak L-20R AD-19 AC Adapter BTA-1 Bluetooth Adapter Rack Ears Quick Guide Optional Accessories FS01 Momentary Footswitch Features: ● 20 discrete channels (16 mono plus 2 stereo) with XLR or ¼-inch connectivity ● 22-track simultaneous recording, 20-track playback ● 22-in/4-out USB audio interface connectivity ● Records up to 24bit/96kHz audio to SD card ● Built-in compression control (Channels 1-16) ● Main outputs plus 6 customizable monitor outputs ● Dedicated headphone output for sound engineer ● Scene saving function, up to 9 scenes saved at a time ● 20 built-in chorus, delay and reverb effects with adjustable parameters ● Compatible with Remote Mixer app for iPad SPECS NUMBER OF INPUT AND OUTPUT CHANNELS Inputs: Mono (MIC/LINE): 16 Stereo (LINE): 2 Output: MASTER OUT: 1 MONITOR OUT: 6 PHONES : 1 INPUTS 1-16 Mono (MIC/LINE): Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT) Input gain PAD OFF: +16 – +60dB PAD ON: − 10 – +34 dB Hi-Z ON: +6 – +50 dB Input impedance XLR: 3 k Ω TRS: 10 k Ω /1 M Ω (when Hi-Z ON) Maximum input level PAD OFF: 0 dBu (at 0 dBFS) PAD ON: +26 dBu (at 0 dBFS) Phantom power +48 V Stereo (LINE): Type: TS phone/RCA pin (unbalanced) jacks Maximum input level : +10 dBu OUTPUTS MASTER OUT: Type: XLR jacks (balanced) Maximum output level :+14.5 dBu Output impedance: 100 Ω MONITOR OUT A–F (with balanced output) connected to monitor speakers: Type: TRS phone jacks (balanced) Maximum output level: +14.5 dBu Output impedance: 100 Ω MONITOR OUT A– F (with unbalanced output) connected to headphones: Type: Standard stereo phone jacks Maximum output level: 42 mW + 42 mW at 60 Ω Output impedance: 100 Ω PHONES: Type: Standard stereo phone jacks Maximum output level: 42 mW + 42 mW at 60 Ω Output impedance: 100 Ω BUSES MASTER: 1 MONITOR: 6 SEND EFX: 2 CHANNEL STRIP COMP: LOW CUT: 40–600 Hz, 12dB/OCT EQ: HIGH: 10 kHz, ± 15 dB, shelving MID: 100 Hz – 8 kHz, ± 15 dB, peaking LOW: 100 Hz, ± 15 dB, shelving PHASE: LEVEL METERS Level segments: 12 SEND EFFECTS Effects: 20 types: EFX 1 Hall 1 (Reverb) Hall 2 (Reverb) Room 1 (Reverb) Plate (Reverb) Church (Reverb) DrumAmb (Reverb) GateRev (Reverb) Vocal 1 (Delay + Hall Reverb) Vocal 2 (Delay + Mono Reverb) Vocal 3 (Delay + Plate Reverb) EFX 2 Hall 3 (Reverb) Room 2 (Reverb) Spring (Reverb) Delay (Delay) Analog (Delay) P-P Dly (Delay) Vocal 4 (Delay + Room Reverb) Chorus 1 (Stereo Chorus) Chorus 2 (Mono Chorus) Cho+Dly (Chorus + Delay) RECORDER Maximum simultaneous recording tracks: 22 at 44.1/48/96 kHz Maximum simultaneous playback tracks: 20 Recording format: WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo Recording media: 4 GB – 32 GB SDHC cards (Class 10 or higher) 64 GB – 512 GB SDXC cards (Class 10 or higher) AUDIO INTERFACE 44.1/48 kHz: Recording: 22 channels Playback: 4 channels Bit depth: 24-bit Interface: USB 2.0 SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE Windows: OS： Windows® 7 SP1 or later / 8.1 / 10 (32bit/64bit) CPU: Intel® Core i3 or faster* USB: USB 3.0/USB 2.0** * Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD. ** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards. Mac: OS： Mac® OS X 10.11 / 10.12 / 10.13 / 10.14 CPU: Intel® Core i3 or faster USB: USB 3.0/USB 2.0* * Operation is not guaranteed when used with USB hubs or expansion cards. iPhone/iPad: OS： iOS 9 / 10 / 11 * Apple Lightning-to-USB Camera Adapter required. CARD READER Class: Class USB HOST Class: USB 2.0 High Speed Sampling frequency: 44.1/48/96 kHz Frequency characteristics: 44.1 kHz: −1.0 dB, 20 Hz – 20 kHz 96 kHz: −3.0 dB, 20 Hz – 40 kHz Equivalent input noise: Actual measurements: −128dB EIN (IHF-A) at +60dB/150Ω input Display: LCD with backlight (128×64 resolution) Power: AD-19 AC adapter (DC12V 2A) Power consumption: 24 W maximum External dimensions: 445 mm (W) × 388.4 mm (D) × 82.6 mm (H) Weight (main unit only): 3.71 kg
Choose from 55 classic effects and famous amps With the size and weight of a typical single stompbox, the MS-50G includes a thorough lineup of high-quality effects types. It features 47 stompbox effects and 8 amp models. Along with distortion, reverb, modulation and other classic effects, its amp models simulate some of the most prized pieces of live and studio gear. Intuitive, easy to use user interface We have further refined the simple user interface that was revolutionary in our G3 and G5. The LCD shows the current effect in use, while the scrolling function allows you to easily view the flow of your effects chain. With this intuitive, easy-to-use interface, creating amazing sounds is a breeze. Use up to six effects all at once The MS-50G allows you to utilize up to six effects simultaneously, as well as arrange them in any combination. This gives you the ability to craft classic sounds, as well as lush, complex tones. Leave the rules you learned behind and enjoy creative freedom with the MS-50G. Add 55 effects to your pedalboard Cut down the size of your pedalboard by adding in MS-50G to the mix. From a single pedal, you'll have 55 effects types waiting at your feet to be called-up no matter have often you need them. Tweak your settings with ease The MS-50G's front panel features three parameter knobs, which also function as buttons. These buttons can be used to open various menus, where you can then use the parameter knobs to tweak your effects settings to your liking. Remove and/or rearrange effect units, turn the AUTO-SAVE function ON and OFF, recall patches and more with ease and efficiency. Realistic, high-quality audio design The cutting-edge ZFX-IV DSP processor can execute sophisticated algorithms using 32-bit floating-point calculations. A sigmoid curve clipper helps create the smoothly clipped waveform characteristics of tubes, providing the most realistic modeling sounds and richest harmonic components to date. Onboard auto-chromatic guitar tuner Hold the footswitch down to activate the built-in chromatic tuner in an instant. Even on stage during a performance, all you need to do is move your foot to enable tuning. You can choose between a BYPASS mode that turns all the effects off and a MUTE mode that allows you to tune silently Tap the tempo using the footswitch Use the Tap Tempo feature to set the tempo in real-time to the rhythm of a song as you play guitar. You can also use it to for delay times and modulation effect frequencies. * The tuner cannot be used when the tap tempo function is active. Program the order of your patches With the MS-50G, you can program which patches are recalled and the order in which they appear. For example, you could select three patches-(Ａ) CLEAN TONE, (B) HEAVY RIFF and (C) LEAD SOLO-so that you can cycle through them each time you press the footswitch. You can create and save up to 50 original tones in this way. Presets that are available right out of the box The MS-50G includes 30 preset patches that can be used to get great guitar tones the moment you open the box. These patches offer a wide variety of guitar sounds that use famous stompbox/amp models and settings. You can use these. Support for line recording In addition to the 8 amp models from the G3 and G5, studio-level compressor and reverb effects are also built in to the MS-50G. The pedal's stereo output jacks allow you to use line connections for direct recording of its powerful guitar sounds. Output modes for stage and studio Different output modes for the amp modeling function allow you to optimize the MS-50G's tones based on how you connect it to your rig. In addition to having modes for the front inputs of combo and stack amps, the MS-50G can be used as a preamp when connected to a power amp input. You can also achieve realistic amp sounds optimal for recording by selecting the direct mode for line connections. 7 hours operation on batteries Using two AA alkaline batteries, you can operate the MS-50G for up to 7 hours continuously. From rehearsal to the main stage, you can use the MS-50G with confidence. Power the pedal via AC adapter (sold separately) or USB bus, if you want to use it longer without worrying about battery life. Stay up to date via USB When connected to your computer and Zoom's website via USB, you can perform system firmware updates to keep the functions of your MS-50G on the cutting-edge.
Choose from 58 classic bass effects and famous amps With the size and weight of a typical single stompbox, the MS-60B includes a thorough lineup of high-quality bass effects types. It features 52 stompbox effects and 6 amp models. Along with distortion, reverb, modulation and other classic effects, its amp models simulate some of the most prized pieces of live and studio bass gear. Intuitive easy to use user interface We have further refined the simple user interface that was revolutionary in our B3. The LCD shows the current effect in use, while the scrolling function allows you to easily view the flow of your effects chain. With this intuitive, easy-to-use interface, creating amazing sounds is a breeze. Use up to four effects all at once The MS-60B allows you to utilize up to four effects simultaneously, as well as arrange them in any combination. This gives you the ability to craft classic sounds, as well as lush, complex tones. Leave the rules you learned behind and enjoy creative freedom with the MS-60B. Add 58 effects to your pedalboard Cut down the size of your pedalboard by adding in MS-60B to the mix. From a single pedal, you'll have 58 effects types waiting at your feet to be called-up no matter have often you need them. Tweak your settings with ease The MS-60B's front panel features three parameter knobs, which also function as buttons. These buttons can be used to open various menus, where you can then use the parameter knobs to tweak your effects settings to your liking. Remove and/or rearrange effect units, turn the AUTO-SAVE function ON and OFF, recall patches and more with ease and efficiency. Realistic, high-quality audio design The cutting-edge ZFX-IV DSP processor can execute sophisticated algorithms using 32-bit floating-point calculations. A sigmoid curve clipper helps create the smoothly clipped waveform characteristics of tubes, providing the most realistic modeling sounds and richest harmonic components to date. Onboard auto-chromatic bass tuner Hold the footswitch down to activate the built-in chromatic tuner in an instant. Even on stage during a performance, all you need to do is move your foot to enable tuning. You can choose between a BYPASS mode that turns all the effects off and a MUTE mode that allows you to tune silently. Tap the tempo using the footswitch Use the Tap Tempo feature to set the tempo in real-time to the rhythm of a song as you play the bass. You can also use it to for delay times and modulation effect frequencies.** The tuner cannot be used when the tap tempo function is active. Program the order of your patches With the MS-60B, you can program which patches are recalled and the order in which they appear. For example, you could select three patches-(Ａ) ROCK BASS, (B) FUNKY SLAP and (C) BASS SYNTH-so that you can cycle through them each time you press the footswitch. You can create and save up to 50 original tones in this way. * You can program the recall order of up to 26 patches (A-Z). Presets that are available right out of the box Right out-of-the-box, the MS-60B allows you to create and store up to 50 of your original patches. To get you started, 30 of these patches are preprogrammed and form a versatile collection of bass sounds that include some of the most popular stompbox and amp effects, as well as patches personally designed by some of the world's top bassists. Support for line recording In addition to the 6 amp models from the B3, studio-level compressor and reverb effects are also built in to the MS-60B. The pedal's stereo output jacks allow you to use line connections for direct recording of its powerful bass guitar sounds. 7 Hours operation on batteries Using two AA alkaline batteries, you can operate the MS-60B for up to 7 hours continuously. From rehearsal to the main stage, you can use the MS-60B with confidence. Power the pedal via AC adapter (sold separately) or USB bus, if you want to use it longer without worrying about battery life. Stay up to date via USB When connected to your computer and Zoom's website via USB, you can perform system firmware updates to keep the functions of your MS-60B on the cutting-edge.
It's all here From a warm, vintage sound to a clear, modern tone, the MS-70CDR can do it all. Its powerful line-up of 86 diverse effects includes 16 chorus, 26 delay and 29 reverbs, including classic models from famous brands. In addition, there are more than a dozen flangers, tremolos, vibratos, phasers and other modulation effects-everything you'll ever need, all in one stompbox. Intuitive and easy to use. Every MultiStomp pedal features an easy-to-use graphic interface with a large LCD, a single footswitch, and analog-style parameter knobs that double as buttons. This intuitive design makes creating, saving and rearranging effects and effects chains a breeze and allows easy navigation in both live and studio settings. Stacking and Chaining With the MS-70CDR, you can use up to six effects simultaneously and arrange them in any order you like. This gives you the freedom to build complex tones, as well as the ability to bring individual effects in and out of the chain as desired. 1 Pedal, 86 Effects Cut down the size of your pedalboard by adding an MS-70CDR. From a single pedal, you'll have 86 effects waiting at your feet, ready to be called up whenever you need them. Tweak away The MS-70CDR's three parameter knobs double as selection buttons. These can be used to open various menus, which allow you to tweak effects settings to your heart's content and to easily remove and/or rearrange effect parameters, turn the AUTO-SAVE function ON and OFF, recall patches, and more. Natural reverb tails Our unique Tail function allows delay or reverb effects to fade away naturally, even through the next played phrase. For example, after playing a solo using a delay effect, even if you switch to a rhythm tone without delay, you'll continue to hear the sound of the solo delay fading away. Bring the studio to the stage Our cutting-edge ZFX-IV DSP microchip uses 32-bit floating-point calculations, giving it the ability to create sophisticated studio-quality effects such as rich, dense reverbs and realistic spatial simulations. Getting in tune Simply hold the footswitch down to instantly activate the built-in chromatic tuner, even in the middle of a performance. You can choose between a BYPASS mode that turns all the effects off and a MUTE mode that allows you to tune silently. Tap the Tempo Use the Tap Tempo feature to set the tempo in real time to the rhythm of the song you're playing. Tap Tempo can also be used to set delay times and modulation effect frequencies.* The tuner cannot be used when the tap tempo function is active. Presets galore The MS-70CDR allows you to create and store up to 50 of your original patches. There are also 30 preprogrammed patches which form a versatile collection that includes some of the most popular guitar stompbox sounds, as well as effects personally designed by some of the world's top musicians. Bring order to your patches Want to be able to cycle through selected effects each time you press the footswitch? No problem: The MS-70CDR gives you the ability to program the order in which patches appear. You can create and save up to 50 original chains this way. Stereo line-level output and input Stereo output jacks allow you to record the MS-70CDR's many sounds via line-level connectors. In addition, stereo inputs enable you to use the pedal with not only guitars, but also stereo instruments such as synthesizers and samplers, as well as other effects devices. Long battery life = confidence onstage The MS-70CDR can operate for up to 7 hours continuously on two AA alkaline batteries, allowing you to use it with confidence from rehearsal to the main stage. Alternatively, you can power the pedal via an AC adapter (sold separately) or USB bus. Stay up to date via USB When connected to your computer and Zoom's website via USB, system updates can easily be performed to ensure that your MS-70CDR is always operating with the very latest firmware.
The PodTrak P4 Podcast Recorder The Ultimate Recorder for Podcasting Compact, affordable, and loaded with features, the PodTrak™ P4 makes it easy to capture professional audio wherever you’re recording your podcasts. High Quality Mic Inputs The P4’s mic inputs feature Zoom’s professional quality preamps. Providing up to 70dB of gain, the P4 can be used with the most demanding microphones. Headphones for Everyone With 4 independent headphone outputs, each with a dedicated volume control, everyone can hear it all. Call-In Guests You and your guests are not always together. That’s why the P4 makes it easy to incorporate remote interviews. Just connect your phone to the P4 with a TRRS cable. Or connect your computer via USB, using your favorite conferencing software. With the P4’s built-in mix-minus feature, distracting echo and feedback will automatically be eliminated. Wireless Connectivity You can also use the optional Zoom BTA-2* Bluetooth Receiver to wirelessly connect your phone to record remote guests. *BTA-2 available separately. Produce Like a Pro The P4’s customizable Sound Pads can instantly trigger music, ads, jingles, and even pre-recorded interviews. Easily load your own sounds or choose from 11 pre-recorded presets. Go Where the Story Takes You The P4 operates up to 4 hours on 2 AA batteries, or you can also use a USB battery for extended recording time. Audio Interface The P4 can serve as a 2-input, 2-output audio interface, allowing you to record directly to your computer, Android or iOS* device. With the P4 you can also live-stream your podcast. * Apple Lightning to USB camera adapter required. What’s in the Box • PodTrak P4• AA Batteries (x2)• Quick Start Guide PodTrak P4 Features Four mic inputs with XLR connectors Four headphone outputs with individual volume control Gain control knobs and mute buttons for each input Phantom power for all XLR inputs Automatically prevent feedback from call audio using the Mix-Minus function Easily connect your phone using the TRRS connection Trigger sound effects using four assignable Sound Pads with 11preset sounds All input sources can be recorded on separate tracks 16-bit /44.1kHz audio WAV Records directly to SD, SDHC and SDXC cards up to 512 GB 2-input, 2-output USB audio interface Class-compliant mode for iOS compatibility Up to four hours of use with just two AA batteries or a USB power supply Specs INPUTS & OUTPUTS Number of input channels: 4 (mono/stereo) Number of output channels: 1 (headphone x 4) CONNECTORS MIC XLR jacks (2: HOT) Smartphone connection jack TRRS mini jack (4 contacts, TIP: L, RING1: R,RING2: GND, SLEEVE: MIC) USB USB Type-C (audio interface and mass storage functions) Note: Use a USB cable that supports data transfer. USB bus power is supported. DC 5 V USB Type-C (for power supply) Headphones 3.5 mm stereo mini PHANTOM POWER Phantom power +48 V RECORDER Recorder Formats: WAV 44.1 kHz, 16-bit, mono/stereo Recording media: 4 GB−32 GB SDHC-compliant cards (Class 10 or higher); 64 GB−512 GB SDXC-compliant cards (Class 10 or higher) AUDIO INTERFACE Audio interface 44.1 kHz, 16-bit, 2-in/2-out SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE Windows OS: Windows® 10 Version 1703 or later (32bit, 64bit) CPU: Intel® Core i3 or faster* USB: USB 3.0 / 2.0** * Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD. ** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards. Mac OS： macOS 10.13 ~ 11 CPU: Intel® Core i3 or faster USB: USB 3.0/USB 2.0* * Operation is not guaranteed when used with USB hubs or expansion cards. iPhone / iPad OS： iOS 12 ~ 14 * Apple Lightning-to-USB Camera Adapter required. Android OS： Android OS 7 / 8 / 9 / 10 * Please refer to the compatible android device list. POWER Power 2 AA batteries (alkaline, NiMH or lithium) • We recommend using NiMH AC adapter (ZOOM AD-17): DC 5 V/1 A (USB bus power is supported.) Est. continuous operation time using batteries Recording 44.1 kHz/16-bit/4ch audio to SD card (when 48 V is OFF and headphone impedance is 63 Ω) Alkaline batteries: about 4 hours NiMH batteries (1900 mAh): about 4.5 hours Lithium batteries: about 9 hours • The above values are approximate. • Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions. MISC. External dimensions 112 mm (W) × 155 mm (D) × 47 mm (H) Weight (unit only) 290 g
PodTrak P8 SET IT. EDIT. CAST. SIMPLE. Podcasting Simplified The Zoom PodTrak P8 is easy to use and can handle the most ambitious podcasts. With all the functions you need to record, edit and mix, the PodTrak P8 is your complete podcast studio. Touchscreen Controls The color touchscreen interface makes monitoring, adjusting and onboard editing seamless. Everything you need is a touch away. Mic Preamp Slider The Mic Preamp Slider allows you to dial in the level or gain of each mic. Make adjustments until the signal is peaking in the “Good Range”. Peaking in the “Over Range” section can cause distortion in your sound. Limiter The Limiter is used to prevent distortion if the volume suddenly gets too loud. Low Cut The Low Cut reduces low frequency noise that is present in almost any recording environment, whether it’s air conditioning, street sounds, vibrations, and other sources. Tone Adjustment The Tone Adjustment can make your voice darker or brighter, for that perfect podcast voice. Compressor/DeEsser Compressor/DeEsser enables your voice to have more presence for that perfect studio podcast sound. Noise Reduction In the On Air screen select Noise Reduction to decrease background noise by automatically turning down the mic levels for tracks not in use. It Speaks Your Language The P8’s touchscreen display can be set to any one of six languages. Choose from English, French, German, Spanish, Italian or Japanese Color-Coded The P8’s color-coded inputs, outputs, and controls make on-the-fly adjustments a breeze, keeping you focused on the discussion. Crystal-Clear Recording The PodTrak P8 features six of Zoom’s best-sounding mic inputs, providing pristine audio for you and your guests. With up to 70dB of gain the P8 can handle the most demanding microphones.* *Including the Shure® SM7B and Heil® PR 40. This Call Will Be Recorded The P8 features a dedicated channel for recording phone calls. Channel six can be switched to USB mode to record your guests from your computer. Both options include a Mix-Minus feature to prevent echo and feedback for the caller. On Air Button When a channel’s ON AIR is disabled, you can still hear the tracks through your headphones, but they won’t be recorded, or go through speakers or USB. Helpful when having sidebar conversations or prepping your guests during breaks. Wireless Connectivity Use the optional Zoom BTA-2* Bluetooth Adapter to wirelessly connect your phone to record remote guests. *BTA-2 available separately. Added Production Value Make your podcast sound professional by triggering sound effects, intro music, jingles, pre-recorded interviews and more, with nine multi-colored sound pads. Choose from 13 pre-loaded sounds or load your own. Create up to four banks of sounds for a total of 36 sound clips at your fingertips. Outputs For Every Occasion The P8 features six independent headphone outputs, each with individual volume control. For professional playback, the P8’s main outputs allow you to connect your studio monitors. Editing Options With the P8’s onboard editing, easily trim, split and fade audio clips to produce a finished episode. You can also transfer track files to your computer for a final mix. Take Your Studio With You When recording outside the studio, the P8 provides up to two hours of recording with four AA batteries, or connect a USB power supply for extended use. Audio Interface A USB-C port allows the PodTrak P8 to function as an audio interface when connected to a computer for recording and live streaming. What’s in the Box Here’s what you’ll find in the box: PodTrak P8 AD-14 AC Adapter Quick Guide Features · Full-colour LCD touchscreen display · Record up to 13 tracks simultaneously · Six mic inputs with XLR connectors and optional phantom power · Individual volume sliders, mute buttons and "on air” indicators for each channel · Dedicated channel for recording phone interviews · Optional BTA-2 Bluetooth enables wireless call recording · Mix-Minus function automatically prevents echo and feedback from call audio · Nine assignable Sound Pads with four banks · 13 pre-loaded sounds including applause, laugh track and more · Six headphone outputs with individual volume controls let everyone hear clearly · Onboard editing · 13-input, 2-output USB audio interface · Class-compliant mode for iOS compatibility · Battery power provides up to two hours of use with four AA batteries · Records directly to SD, SDHC and SDXC cards up to 512GB · Up to 16-bit /44.1kHz audio in BWF-compliant WAV or a variety of MP3 formats Specs INPUTS & OUTPUTS NUMBER OF INPUT CHANNELS: Mic inputs: 6 (mono) Smartphone input: 1 (stereo) NUMBER OF OUTPUT CHANNELS: 2 (6 headphones and L/R speaker outputs) CONNECTORS MIC: Type XLR jacks (2: HOT) Input gain 0 + 70 dB Input impedance XLR：3 kΩ Maximum input level +5 dBu (@0dBFS) Phantom power +48 V SMARTPHONE CONNECTION JACK: Type TRRS mini jack (4 contacts, TIP: L, RING 1: R, RING 2: GND, SLEEVE: MIC) Input impedance 3 kΩ Maximum input level +2.5 dBu USB: USB Type-C (audio interface and mass storage functions). • Use a USB cable that supports data transfer. USB bus power is supported. HEADPHONES: Type 3.5mm stereo mini Maximum output level 20 mW + 20 mW @32 Ω Output impedance 27 Ω SPEAKER OUTPUT: Type TRS jacks (balanced) Maximum output level +5.5 dBu Output impedance 320 Ω AC ADAPTER Power supply connector for AD-14 AUDIO INTERFACE Audio interface 44.1 kHz、16-bit、6 in / 2 out SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE Windows OS: Windows® 10 Version 1703 ~ 11 (32bit, 64bit) CPU: Intel® Core i3 or faster* USB: USB 3.0 / 2.0** * Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD. ** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards. Mac OS： macOS 10.13 ~ 11 CPU: Intel® Core i3 or faster USB: USB 3.0/USB 2.0* * Operation is not guaranteed when used with USB hubs or expansion cards. iPhone / iPad OS： iOS 12 ~ 14 * Apple Lightning-to-USB Camera Adapter required. Android OS： Android OS 7 / 8 / 9 / 10 * Please refer to the compatible android device list. Format WAV 44.1kHz, 16-bit, mono/stereo Recording media 4–32 GB cards compatible with the SDHC specification (class 10 or higher) 64–512 GB cards compatible with the SDXC specification (class 10 or higher) Frequency response -1.0 dB: 20 Hz ～ 20 kHz @44.1 kHz Equivalent input noise EIN -124 dBu (IHF-A) @+70 dB, 150 Ω input Display 4.3" (480×272) full-color touchscreen LCD Power supply 4 AA batteries (alkaline, lithium, or rechargeable NiMH) AC adapter (ZOOM AD-14): DC 5 V/1 A (supports USB bus power) Estimated continuous operation time using batteries Recording 44.1kHz/16-bit/4ch audio to SD card (when +48 V is OFF and headphone impedance is 32 Ω)Alkaline batteries: about 2 hoursNiMH batteries (1900 mAh): about 3.5 hoursLithium batteries: about 6.5 hours• The above values are approximate. Power consumption 5 W External dimensions 295 mm (W) × 248 mm (D) × 61 mm (H) Weight (unit only) 1.43 kg
THE ULTIMATE CAMERA FOR MUSICIANS The Zoom Q2n Handy Video Recorder If you’re an aspiring musician, video plays an important role in helping you reach a wider fan base. It’s a digital world and that means an inspiring performance can take the Internet by storm. But you can’t capture your music with just any camera. You need one that records incredible audio. The Zoom Q2n gives you a fast and easy way to create HD videos with high-impact audio. The built-in X/Y microphones capture sound with beautiful stereo imaging. And the 160-degree wide-angle lens excels in an array of lighting conditions—whether you’re filming at home, in a rehearsal space, or at a club. Experience Legendary Sound As the camera for musicians, the Q2n gives legends like Steve Gadd the ability to get up close and personal with his fans. The Q2n’s audio and video quality make it simple for Steve to capture the essence of his performances so fans can enjoy them time and time again... A Portable Camera ThatSounds Great High-resolution 24-bit/96 kHz audio delivers studio-quality recording, no matter where you’re filming. And the camera’s built-in X/Y microphones can handle sound pressure levels up to 120 dB SPL, for distortion-free recording. It Can Handle the Pressure Since the Q2n can handle high sound pressure levels, it records loud music without distortion or clipping. Famed drummer Dave Weckl relies on his Q2n to capture full and beautifully balanced snare, bass, tom, and cymbal detail. Capture Your Best Momentsin Any Lighting Ten "Scene" presets allow you to record in a wide range of environments, including low-light locations where the Q2n is designed to thrive. The presets range from "Concert Light"—which automatically adjusts for changing lighting conditions—to "Concert Lo-Lit" for dimly lit rooms. And there are scene settings tailored specifically for filming in jazz clubs and rehearsal studios, as well as outdoors. Up Close and Personal The Q2n features a 160-degree wide-angle lens that captures stunning video. And it records in 720p or 1080p HD resolution, using the same 24 fps or 30 fps frame rate used in film. An F2.0 aperture makes the Q2n perfect for musicians who perform in a wide variety of lighting environments. Capture the full band or focus on an individual performer using five field of view (FOV) settings. Plus, a color LCD screen makes it easy to create the perfect shot or review your videos. Small Enough to Go Everywhere The Q2n is small enough to carry anywhere, so you’ll always be prepared to capture impromptu performances or record new ideas. It records up to two hours of footage on two standard AA batteries, providing more than enough juice for concerts, rehearsals, jam sessions, and more. Capture the Essence of Your Music For an acoustic guitarist, nothing's more important than mic placement. Placing the Q2n ten feet away from your guitar achieves beautiful stereo sound. For more nuanced string sound and finger/neck detail, place the Q2n within three feet of your guitar. Don’t Let TechnologyGet in Your Way Intuitive controls and simple one-button recording make the Q2n easy to use. Just power it up and start recording. RecordAudio Only The Q2n is also capable of recording audio only. Simply use the ‘Camera Off’ setting to capture demos or live performances in stereo sound using the built-in X/Y mics. Enjoy the Clarity of Sound If you’re like renowned pianist Kenneth Crouch, you strive for clarity in your videos. The Q2n captures a full range of frequencies—from delicate to more thunderous sounds—so fans can re-experience your performances with the same detail and accuracy as if they were hearing them live. Connectand Listen The Q2n features a 1/8" stereo input jack that lets you connect external mics and other audio devices. And the 1/8” stereo output jack makes it simple to listen to audio with headphones or on your home stereo. Play it Back on TV To view your video recording in high definition, you can connect to an HDMI TV using the HDMI micro Type D video output. A USB port allows for connection to any computer or iOS device* so you can use the Q2n as a web camera for live streaming, as a USB microphone for podcasts, or as a card reader to transfer recordings**. * iPad Camera Connection Kit or Lightning to USB Camera Adapter required (sold separately)** Computer connection only Files Types and Recording Times Video and audio file typesVideo (with audio) is recorded as MPEG-4 (MOV) files. When using “Audio Recording” mode (without video), audio data is saved in uncompressed WAV (up to 24-bit/96 kHz) format. Extended recording timesThe Q2n records directly to micro SD/SDHC/SDXC cards up to 128 GB. It’s perfect for podcasts, blogs, and capturing performances. Features at a Glance... High-quality 160° wide-angle lens (F2.0/16.6 mm) 10 "Scene" options for use in different lighting environments,plus ‘Auto’ setting for automatically adjusting how the cameracaptures specific scene conditions Built-in X/Y stereo microphones capable of handling soundlevels up to 120 dB SPL Can be used as standalone audio recorder, with data savedin WAV format, up to 24-bit/96 kHz 5 field of view (FOV) settings Records directly to micro SD/SDHC/SDXC cards up to 128 GBfor extended recording times Easy one-button recording Color LCD Support for two HD video modes, 720p and 1080p Video bitrates up to 24 Mbps for improved image quality Frame rates: 1080p/30fps HD, 1080p/24fps HD, 720p/30fps HD,720p/24fps HD HDMI video output for connection to HDTVs, selectable betweenNTSC and PAL Records video (with audio) in MOV format Analog-style level control with onscreen level metering and2-color status LCD on lens Auto Gain function automatic control over audio input level Stereo input for use with external devices plus support forplug-in power Headphone/line-level for fast audio monitoring Low-cut filter for the elimination of low-frequency noiseand rumble USB interface for live streaming and data transfer Compatible with USTREAM Producer, Flash Live Media Encoder,Skype, and other popular streaming applications Webcam and USB mic function (with direct monitoring) whenused with computers and iOS devices (Apple Camera Connection Kitor Lightning to USB Camera Adapter required for use with iOS devices) Operates with two AA batteries for approximately two hours Built-in standard tripod mount Accessories Here's what’s included with the Q2n: 2 x AA batteries Operation manual Optional Q2n accessories: WSU-1 universal hairy windscreen HS-1 hot shoe mount MA-2 tripod to mic stand adapter for Handy Recorders Zoom AD-17 AC adapter LHQ-2n lens hood and lens cover Q2n Accessory Package(APQ-2n)* includes: WSU-1 Universal Hairy Windscreen Lens hood Lens cover 3-prong action camera mount adapter USB to mini-USB cable Padded-shell case MA-2 mic clip adapter *Q2n Accessory Package sold separately
The Q8 marries high-definition video with high-resolution audio, making it the perfect camera for music and video creators everywhere. Its 160 degree wide-angle lens and digital zoom ensure that you'll always capture the complete picture. Combine that with ZOOM's groundbreaking interchangeable mic capsule system and two XLR-TRS combo inputs, and you have a world of audio options. Recording Media: SD/SDHC/SDXC card (up to 128GB) Imaging Sensor: 1/3-inch 3-megapixels CMOS sensor Optics Lens: Fixed Focus (36cm to ∞), F2.0, Focal distance about 16.6 mm (35 mm equivalent) Video Format: MPEG-4 AVC / H.264（MOV） Video Resolution: 3M HD (2304 x 1296) 30fps, HD1080p 30fps, HD720p 60fps, HD720p 30fps, WVGA 60fps, WVGA 30fps Audio Formats: WAV (Quantization: 16/24bit, Sampling Frequency: 44.1/48/96kHz) AAC (Bit Rate: 64 to 320kbps, Sampling Frequency: 48kHz) Audio Function: Lo-cut filter (80Hz, 120Hz, 160Hz), Dynamics control (Limiter, Compressor, Leveler) Image Function Display: Digital zoom (5 steps), Scene selection (Auto / Concert Lighting / Night), Self timer (off / 3sec / 5sec / 10sec) 2.7" wide full-color LCD, Touch screen Built-in Mic: X/Y stereo mic (XYQ-8) 120° XY stereo format Maximum sound pressure input: 140dB SPL Input gain: -∞ to 52dB Input 1/2: TRS/XLR combo jacks Input gain (PAD off): -∞ to 55dB Input gain (PAD on): -∞ to 35dB Input impedance: 1.8 kΩ or more Maximum input level: +22 dBu (PAD on) Phantom power: +12 / +24 / +48V Equivalent input noise: -120 dBu or less Output Connector: Combined line/headphones stereo mini jack microHDMI (Type D) Built-in Speaker: 400mW 8Ω, monaural speaker USB: Mini B type [Operation as mass storage] Class: USB2.0 High Speed [Operation as audio interface] Class: USB2.0 Full Speed, 16-bit/44.1kHz [Operation as webcam] WVGA/720p video size, 16-bit/48kHz audio Note: Operation as audio interface and mass storage supported with iPad (Apple Camera Connection Kit required) Note: USB bus power supported Power Supply: Lithium-ion battery DC 4.2V maximum voltage DC 3.7V nominal voltage 1700mAh capacity Battery Recharging Times: USB: 4 hours, 30 minutes (approximate) AC adapter: 2 hours, 45 minutes (approximate) Battery Operation Time: More than 2 hours (when recording 720p/30fps) AC Adaptor: ZOOM AD-17, sold separately: DC 5V/1A Dimensions: Mic lowered: 158mm (L) x 48mm (W) x 69mm (H) Mic raised: 158mm (L) x 48mm (W) x 119mm (H) X/Y mic (XYQ-8): 50mm (L) x 37mm (W) x 32mm (H) Weight: Recorder (including battery): 300g XYQ-8 capsule: 40g) Included Accessories: Detachable stereo X/Y microphone capsule (XYQ-8), Foam windscreen, Rechargeable Li-ion battery(BT-03), USB cable (1m), Tripod to three-prong action camera mount adapter, Lens cover, Lens hood, Strap, Operation manual Optional Accessories: XYH-5 X/Y mic capsule, XYH-6 X/Y mic capsule, MSH-6 Mid-Side mic capsule, SGH-6 Shotgun mic capsule, SSH-6 Stereo Shotgun mic capsule
Recorder Simultaneous Recording of 2 tracks and playback of 8 tracks. The R8 is the perfect tool for capturing audio on-the-go. Record live music performances, rehearsals, songwriting sessions or even audio for film and video. Playback up to eight tracks of audio at up to 24-bit/48kHz resolution as WAV files. If you make a mistake, use the UNDO/REDO function to cancel the last recording operation and restore the previous state. You can even mix down completed songs inside the R8 and save a mix for each project. Interface Audio interface supports 2 inputs and 2 outputs When combined with your computer, the R8 becomes a powerful audio interface. Connect the R8 to your computer via USB, launch your favorite DAW or use the included Cubase LE software and start laying down your tracks. Simultaneous 2-in/2-out capability allows you to record up to 24-bit/96kHz high definition audio. If you use the 44.1kHz sampling rate, the internal DSP effects of the R8 are also available for your computer tracks. A dedicated control lets you adjust the mixing balance between the DAW playback sound and the direct sound for monitoring. Controller Control surface functions for most DAW software Transport and mixing operations of the DAW software can be controlled using the R16. This gives you greater control and a better feel for mixing. In Mackie Control emulation mode, major DAW applications such as Cubase, Logic, and Sonar are supported. Sampler 8 Voice sampler with 8 pads The built-in sampler functions allow you to loop audio data on any track. You can play the pads in real-time and combine loops to create a performance for an entire song. When setting loop intervals, you can see the waveforms for visual confirmation. Time-stretching, which allows you to change the tempo without changing the pitch, and trimming the unneeded parts of loops, is also possible. You can use the sampler and recorder functions together seamlessly to play back loop tracks while recording instrumental performances on other tracks. 500 MB of drum loops inside The included 2GB SD card contains 500 MB of drum loops from Big Fish Audio, one of the top producers of sample libraries. With an emphasis on rock, the collection of standard drum phrases can be used to create professional-sounding rhythm tracks just by lining them up. Create your own beats with powerful rhythm machine The R8's rhythm machine includes 10 types of drum kits that use linear PCM audio samples. Use the touch-sensitive drum pads to program up to 511 of your own beats, and use the rhythm patterns that you create just like audio loops. Use the R8's pads to start playback of patterns and use the R8's sequencer to arrange them into songs. You can start fast with the 472 preset patterns, which include intros, fills, endings and other phrase variations. Built in stereo microphones The built-in high-sensitivity stereo microphones are convenient for recording sketches of musical phrases and melodies as they come to mind. Use these mics for clear recordings of vocals and acoustic instruments. Over 140 DSP effects including guitar amp modelling The DSP effects, which include 146 types and 370 patches, can be used for recording, mixing and mastering. Insert effects are comprised of seven modules and include algorithms for guitars, basses, vocals and other sounds. One insert effect can be used simultaneously with the two types of send-return effects. 18 types of guitar amplifier models from our best-selling G2Nu and 6 types of bass amp models are included, so you can re-create a realistic amp sound simply by connecting a guitar or bass directly to the R8. Supports SDHC cards up to 32GB The R8 uses compact and readily-available SD and SDHC memory cards as recording media. Unlike tape and disk recorders, this unit has no motor, making it more resistant to physical interference and concerns about mechanical noise. Locate functions make editing easy Set up to 100 markers and directly move to them whenever you want. Also, use the A-B repeat function to play or re-record a designated interval and use auto punch-in and punch-out for efficient editing. Versatile inputs for guitars, mics and line sources The two balanced XLR-1/4-inch combination inputs can provide phantom power, so you can use studio-class condenser microphones to make professional-level recordings. One channel also includes a Hi-Z switch, allowing guitars, basses and other high-impedance instruments to be recorded. Tuner and metronome functions The R8's built-in tuner is great for quickly tuning instruments and checking vocal pitch. The metronome can provide a click track for a drummer during recording and is also useful in practice settings. The metronome can also be sent to just the headphones. This allows you to play along to backing tracks previously recorded on the R8. Powered by an AC adapter, batteries or USB bus power Power options provide flexibility for different situations. Power the R8 on its own in one of two ways-with the included AC adapter or four alkaline AA batteries. The R8 operates for over 5 hours on batteries, plenty of time for most field recordings. When using the audio interface or control surface functions, the R8 can be powered by the computer's USB bus. Rapid file transfer with H-Speed USB 2.0 The R8's Hi-Speed USB 2.0 port allows WAV-format audio files recorded on the R8 to be sent to a computer smoothly and rapidly. Use the R8 with a computer for additional music production, including editing with DAW software, creating original CDs and importing WAV files. Easy hands-free operation Using a ZOOM FS01 footswitch (sold separately), you can control the recorder transport (play, stop, rewind), punch-in for recording and change effect patches with your foot. With the R8, you can easily record without ever taking your hands off your guitar. Cubase LE 4 Bundle Software Cubase LE 4 is a powerful music production system that can handle recording, editing, and mixing tasks both for audio and for MIDI. It incorporates the same audio engine as the multi-award winning, higher-level version Cubase 4, and is ideal as an entry into computer-based music production. Supported OS: Windows XP/Vista/7 Mac OS X 10.5.8 or later
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