The ZOOM LIVETRAK L-8 Podcasting, Music and Beyond The Board for Creators Creators are evolving—and so are we. Zoom LiveTrak L-8 makes it easier than ever to mix, monitor and record professional-sounding podcasts and music performances in one portable, affordable package. Power to the Podcast Podcast creators are a special breed. They require a unique set of audio features, along with the flexibility of a proper mixing console. The LiveTrak L-8 combines Zoom’s famous audio performance with features made for podcasters. Sound Pad Magic Just press a button to play intros, outros, jingles, ads and sound effects. With 6 easily-assignable Sound Pads, the right sound is at your fingertips. First-Time Caller, Long-Time Listener Remote interviews are a snap with the L-8; just connect your phone via the provided TRRS cable. The Mix-Minus function automatically prevents echo and feedback to and from the caller. Or use the USB connection to route audio from Skype, Facetime, Hangouts, Slack and more. Freedom of Speech Zoom’s preamps are famous for a good reason: they’re transparent, powerful and ultra-reliable. The L-8 features six independent Zoom preamps, built to handle anything from a whisper to a raucous debate. A Track for Everyone The pros know that when you record everyone on their own separate track it just sounds better and provides more flexibility in the edit. The L-8 records separate tracks directly to your SD card, enabling you to edit them later. Hear Yourself Talk If you can’t hear yourself, how are you supposed to speak your mind? The L-8 is equipped with four headphone outputs, so that each participant can clearly hear what is going on. On Air, On the Move The Zoom LiveTrak L-8 can run up to 1 ½ hours with just four AA batteries, or on a USB battery, so you can podcast from anywhere. Record Twice, Once Used as an audio interface, the L-8 can record full episodes directly to your computer and an SD card simultaneously. You can also live stream while recording. L-8 is class compliant, enabling connection with iOS devices. Apple Lightning to USB Camera Adapter required. Save Settings.Save Time. Once you’ve dialed in your mix…save it! The L-8 lets you save up to 7 show “scenes” that can be saved and instantly recalled at the press of a button "The L-8 is a game-changer for podcasters." Ming Chen A Shared Universe Podcast Studio, Podcaster, Entrepreneur and Creator The Board for Musicians Small in Size Big on Sound From singer-songwriters to small bands, the L-8 is the ideal mixer and recorder for musicians who may be small in number, but big on sound. Coming Through Loud & Clear The L-8 features six high performance preamps each with phantom power, a low noise floor (-121dBU EIN), and maximum input gain of +54dB. Additionally there are two each Hi-Z, line-level and USB inputs. You can also fine-tune each channel with EQ and onboard effects. True Multi-Track Recording The L-8 lets you record up to 10 discrete tracks plus a stereo mix directly to an SD card at resolutions up to 24-bit/96 kHz*. You can punch-in and overdub with ease, then transfer your work to your favorite DAW for fine tuning. *Effects, EQ, overdub, and audio interface are not available in 96 kHz. Go Out & Play No outlet? No worries. Get up to 1 ½ hours of power from just four AA batteries. You can also power using a USB battery, and with the L-8’s unique USB connection design, you never have to worry about accidentally disconnecting. Individual Monitor Mixes Never settle for that “compromise” monitor mix again. The L-8 provides three custom monitor mixes, so no matter where you are on stage, you hear exactly what you need. WHAT'S INCLUDED LiveTrak L-8 Mixer/Recorder TRRS Cable USB Cable AD-17 AC Adapter Quick Guide Features: 8-channel mixer (6 combo, plus 2 TS) 12-track simultaneous recording, 10-track playback Mix-Minus function preventing audio feedback from dial-in guests TRRS connection and included TRRS cable for phone connectivity 6 assignable Sound Pads, with 13 preset sounds 4 headphone outputs, consisting of 3 custom monitor mixes, plus one main mix 3-band EQ and a low-cut function 7 scene memories for storing mixes 12-in / 4-out USB audio interface Class-compliant mode (for iOS compatibility) Battery operated with four AA batteries or a USB power supply Record up to 24-bit/96kHz, record up to 48kHZ to computer and SD card simultaneously INPUTS AND OUTPUTS / NUMBER OF CHANNELS Inputs: MIC/LINE : 6 LINE : 2Output: MASTER OUT : 1 MASTER OUT (PHONES) : 1 MONITOR OUT (PHONES) : 3 INPUTS MIC/LINE: Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT) Input gain: +10 – +54 dB/–3 – +41 dB (when Hi-Z ON) Input impedance: XLR: 3 kΩ Input impedance: TRS: 3 kΩ/1 MΩ (when Hi-Z ON) Maximum input level: –2 dBu when –26dB switch OFF (at 0 dBFS) Maximum input level: +24 dBu when –26dB switch ON (at 0 dBFS) Phantom power: +48 VLINE: Type: TS phone jack Input impedance: 10 kΩ Maximum input level: +3 dBuSmartphone connection jack: Type: TRRS mini jack (4-contact/TIP: L, RING 1: R, RING 2: GND, SLEEVE: MIC) Input impedance: 10 kΩ Maximum input level: +3 dBu OUTPUT MASTER OUT: Type: XLR jacks (balanced) Maximum output level: +14.5 dBu Output impedance: 100 ΩMASTER OUT (PHONES): Type: Standard stereo phone jack Maximum output level: 10 mW + 10 mW (60Ω load) Output impedance: 10 ΩMONITOR OUT (PHONES): Type: Standard stereo phone jack Maximum output level: 10 mW + 10 mW (60Ω load) Output impedance: 10 Ω BUSES MASTER: 1MONITOR: 3SEND EFX: 1 CHANNEL STRIP LOW CUT: 75 Hz, 12 dB/OCTEQ: HIGH: 10 kHz, ±15 dB, shelving MID: 2.5 kHz, ±15 dB, peaking LOW: 100 Hz, ±15 dB, shelving Level meter: 9 segmentsSend effects: 8 types RECORDER Maximum simultaneous recording tracks: 12 at 44.1/48/96 kHzMaximum simultaneous playback tracks: 10Recording format: WAV 44.1/48/96 kHz, 16/24-bit, mono/stereoRecording media: 4GB–32GB SDHC-compliant cards (Class 10 or higher) 64GB–512GB SDXC-compliant cards (Class 10 or higher) AUDIO INTERFACE 44.1/48 kHz: Recording: 12 channels Playback: 4 channelsBit depth: 24-bitInterface: USB 2.0
THE L-20R The Portable Mixer/Recorder That Does it All The Zoom LiveTrak™ L-20R is a rack-mountable digital mixer that allows musicians to control their live mix right from the stage with the use of an iPad. With wireless control, 20 discrete channels, 22 tracks of recording and six custom monitor mixes, the L-20R offers a complete solution for any venue. Portable and Powerful Featuring 16 mono mic/line inputs and two stereo inputs, the L-20R can handle the most demanding stages. The L-20R offers two EFX busses and each channel includes a 3-band EQ, pan controls and compressor. 22 Tracks of Recording During your live performance, record 20 channels plus a stereo mix directly to an SD card, then transfer your tracks to your DAW for your final edit. *Effects, EQ, overdub, audio interface, and fader modes A-F are not available in 96 kHz. It’s Your Monitor Make It Your Mix With six independent monitor outputs, the L-20R enables musicians to create their own custom mix. A dedicated output enables the FOH engineer to easily switch between monitoring the main and sub mixes. iPad Control With iPads, the FOH engineer and 6 musicians can control their own mix from anywhere in the venue. *Compatible with all iPad Air models, iPad Mini 2 and later, iPad Pro, and iPad (2017), running iOS 10.3.3 or newer. “In the New York City club scene, the L-20R’s size and features make my life a lot easier. It’s got plenty of inputs. It’s got wireless control. It’s got all I need.” Dennis McCalla Engineer , The Kennedy Administration Scene Recall With the LiveTrak L-20R’s Scene Recall feature, you can instantly recall up to nine different scenes with monitor mixes, EQ settings, effects, and more. Accessible The L-20R’s versatile design provides easy access for plugging in your cables. A Robust Audio Interface The L-20R is a 22-in/4-out USB audio interface. Route inputs to any DAW, streaming software, or iOS device*—even while recording to an SD card. *Apple Lightning to USB Camera Adapter required. What's in the Box Included with the L-20R LiveTrak L-20R AD-19 AC Adapter BTA-1 Bluetooth Adapter Rack Ears Quick Guide Optional Accessories FS01 Momentary Footswitch Features: ● 20 discrete channels (16 mono plus 2 stereo) with XLR or ¼-inch connectivity ● 22-track simultaneous recording, 20-track playback ● 22-in/4-out USB audio interface connectivity ● Records up to 24bit/96kHz audio to SD card ● Built-in compression control (Channels 1-16) ● Main outputs plus 6 customizable monitor outputs ● Dedicated headphone output for sound engineer ● Scene saving function, up to 9 scenes saved at a time ● 20 built-in chorus, delay and reverb effects with adjustable parameters ● Compatible with Remote Mixer app for iPad SPECS NUMBER OF INPUT AND OUTPUT CHANNELS Inputs: Mono (MIC/LINE): 16 Stereo (LINE): 2 Output: MASTER OUT: 1 MONITOR OUT: 6 PHONES : 1 INPUTS 1-16 Mono (MIC/LINE): Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT) Input gain PAD OFF: +16 – +60dB PAD ON: − 10 – +34 dB Hi-Z ON: +6 – +50 dB Input impedance XLR: 3 k Ω TRS: 10 k Ω /1 M Ω (when Hi-Z ON) Maximum input level PAD OFF: 0 dBu (at 0 dBFS) PAD ON: +26 dBu (at 0 dBFS) Phantom power +48 V Stereo (LINE): Type: TS phone/RCA pin (unbalanced) jacks Maximum input level : +10 dBu OUTPUTS MASTER OUT: Type: XLR jacks (balanced) Maximum output level :+14.5 dBu Output impedance: 100 Ω MONITOR OUT A–F (with balanced output) connected to monitor speakers: Type: TRS phone jacks (balanced) Maximum output level: +14.5 dBu Output impedance: 100 Ω MONITOR OUT A– F (with unbalanced output) connected to headphones: Type: Standard stereo phone jacks Maximum output level: 42 mW + 42 mW at 60 Ω Output impedance: 100 Ω PHONES: Type: Standard stereo phone jacks Maximum output level: 42 mW + 42 mW at 60 Ω Output impedance: 100 Ω BUSES MASTER: 1 MONITOR: 6 SEND EFX: 2 CHANNEL STRIP COMP: LOW CUT: 40–600 Hz, 12dB/OCT EQ: HIGH: 10 kHz, ± 15 dB, shelving MID: 100 Hz – 8 kHz, ± 15 dB, peaking LOW: 100 Hz, ± 15 dB, shelving PHASE: LEVEL METERS Level segments: 12 SEND EFFECTS Effects: 20 types: EFX 1 Hall 1 (Reverb) Hall 2 (Reverb) Room 1 (Reverb) Plate (Reverb) Church (Reverb) DrumAmb (Reverb) GateRev (Reverb) Vocal 1 (Delay + Hall Reverb) Vocal 2 (Delay + Mono Reverb) Vocal 3 (Delay + Plate Reverb) EFX 2 Hall 3 (Reverb) Room 2 (Reverb) Spring (Reverb) Delay (Delay) Analog (Delay) P-P Dly (Delay) Vocal 4 (Delay + Room Reverb) Chorus 1 (Stereo Chorus) Chorus 2 (Mono Chorus) Cho+Dly (Chorus + Delay) RECORDER Maximum simultaneous recording tracks: 22 at 44.1/48/96 kHz Maximum simultaneous playback tracks: 20 Recording format: WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo Recording media: 4 GB – 32 GB SDHC cards (Class 10 or higher) 64 GB – 512 GB SDXC cards (Class 10 or higher) AUDIO INTERFACE 44.1/48 kHz: Recording: 22 channels Playback: 4 channels Bit depth: 24-bit Interface: USB 2.0 SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE Windows: OS： Windows® 7 SP1 or later / 8.1 / 10 (32bit/64bit) CPU: Intel® Core i3 or faster* USB: USB 3.0/USB 2.0** * Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD. ** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards. Mac: OS： Mac® OS X 10.11 / 10.12 / 10.13 / 10.14 CPU: Intel® Core i3 or faster USB: USB 3.0/USB 2.0* * Operation is not guaranteed when used with USB hubs or expansion cards. iPhone/iPad: OS： iOS 9 / 10 / 11 * Apple Lightning-to-USB Camera Adapter required. CARD READER Class: Class USB HOST Class: USB 2.0 High Speed Sampling frequency: 44.1/48/96 kHz Frequency characteristics: 44.1 kHz: −1.0 dB, 20 Hz – 20 kHz 96 kHz: −3.0 dB, 20 Hz – 40 kHz Equivalent input noise: Actual measurements: −128dB EIN (IHF-A) at +60dB/150Ω input Display: LCD with backlight (128×64 resolution) Power: AD-19 AC adapter (DC12V 2A) Power consumption: 24 W maximum External dimensions: 445 mm (W) × 388.4 mm (D) × 82.6 mm (H) Weight (main unit only): 3.71 kg
The PodTrak P4 Podcast Recorder The Ultimate Recorder for Podcasting Compact, affordable, and loaded with features, the PodTrak™ P4 makes it easy to capture professional audio wherever you’re recording your podcasts. High Quality Mic Inputs The P4’s mic inputs feature Zoom’s professional quality preamps. Providing up to 70dB of gain, the P4 can be used with the most demanding microphones. Headphones for Everyone With 4 independent headphone outputs, each with a dedicated volume control, everyone can hear it all. Call-In Guests You and your guests are not always together. That’s why the P4 makes it easy to incorporate remote interviews. Just connect your phone to the P4 with a TRRS cable. Or connect your computer via USB, using your favorite conferencing software. With the P4’s built-in mix-minus feature, distracting echo and feedback will automatically be eliminated. Wireless Connectivity You can also use the optional Zoom BTA-2* Bluetooth Receiver to wirelessly connect your phone to record remote guests. *BTA-2 available separately. Produce Like a Pro The P4’s customizable Sound Pads can instantly trigger music, ads, jingles, and even pre-recorded interviews. Easily load your own sounds or choose from 11 pre-recorded presets. Go Where the Story Takes You The P4 operates up to 4 hours on 2 AA batteries, or you can also use a USB battery for extended recording time. Audio Interface The P4 can serve as a 2-input, 2-output audio interface, allowing you to record directly to your computer, Android or iOS* device. With the P4 you can also live-stream your podcast. * Apple Lightning to USB camera adapter required. What’s in the Box • PodTrak P4• AA Batteries (x2)• Quick Start Guide PodTrak P4 Features Four mic inputs with XLR connectors Four headphone outputs with individual volume control Gain control knobs and mute buttons for each input Phantom power for all XLR inputs Automatically prevent feedback from call audio using the Mix-Minus function Easily connect your phone using the TRRS connection Trigger sound effects using four assignable Sound Pads with 11preset sounds All input sources can be recorded on separate tracks 16-bit /44.1kHz audio WAV Records directly to SD, SDHC and SDXC cards up to 512 GB 2-input, 2-output USB audio interface Class-compliant mode for iOS compatibility Up to four hours of use with just two AA batteries or a USB power supply Specs INPUTS & OUTPUTS Number of input channels: 4 (mono/stereo) Number of output channels: 1 (headphone x 4) CONNECTORS MIC XLR jacks (2: HOT) Smartphone connection jack TRRS mini jack (4 contacts, TIP: L, RING1: R,RING2: GND, SLEEVE: MIC) USB USB Type-C (audio interface and mass storage functions) Note: Use a USB cable that supports data transfer. USB bus power is supported. DC 5 V USB Type-C (for power supply) Headphones 3.5 mm stereo mini PHANTOM POWER Phantom power +48 V RECORDER Recorder Formats: WAV 44.1 kHz, 16-bit, mono/stereo Recording media: 4 GB−32 GB SDHC-compliant cards (Class 10 or higher); 64 GB−512 GB SDXC-compliant cards (Class 10 or higher) AUDIO INTERFACE Audio interface 44.1 kHz, 16-bit, 2-in/2-out SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE Windows OS: Windows® 10 Version 1703 or later (32bit, 64bit) CPU: Intel® Core i3 or faster* USB: USB 3.0 / 2.0** * Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD. ** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards. Mac OS： macOS 10.13 ~ 11 CPU: Intel® Core i3 or faster USB: USB 3.0/USB 2.0* * Operation is not guaranteed when used with USB hubs or expansion cards. iPhone / iPad OS： iOS 12 ~ 14 * Apple Lightning-to-USB Camera Adapter required. Android OS： Android OS 7 / 8 / 9 / 10 * Please refer to the compatible android device list. POWER Power 2 AA batteries (alkaline, NiMH or lithium) • We recommend using NiMH AC adapter (ZOOM AD-17): DC 5 V/1 A (USB bus power is supported.) Est. continuous operation time using batteries Recording 44.1 kHz/16-bit/4ch audio to SD card (when 48 V is OFF and headphone impedance is 63 Ω) Alkaline batteries: about 4 hours NiMH batteries (1900 mAh): about 4.5 hours Lithium batteries: about 9 hours • The above values are approximate. • Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions. MISC. External dimensions 112 mm (W) × 155 mm (D) × 47 mm (H) Weight (unit only) 290 g
The PodTrak P4 Podcast Recorder The Ultimate Recorder for Podcasting Compact, affordable, and loaded with features, the PodTrak™ P4 makes it easy to capture professional audio wherever you’re recording your podcasts. High Quality Mic Inputs The P4’s mic inputs feature Zoom’s professional quality preamps. Providing up to 70dB of gain, the P4 can be used with the most demanding microphones. Headphones for Everyone With 4 independent headphone outputs, each with a dedicated volume control, everyone can hear it all. Call-In Guests You and your guests are not always together. That’s why the P4 makes it easy to incorporate remote interviews. Just connect your phone to the P4 with a TRRS cable. Or connect your computer via USB, using your favorite conferencing software. With the P4’s built-in mix-minus feature, distracting echo and feedback will automatically be eliminated. Wireless Connectivity You can also use the optional Zoom BTA-2* Bluetooth Receiver to wirelessly connect your phone to record remote guests. *BTA-2 available separately. Produce Like a Pro The P4’s customizable Sound Pads can instantly trigger music, ads, jingles, and even pre-recorded interviews. Easily load your own sounds or choose from 11 pre-recorded presets. Go Where the Story Takes You The P4 operates up to 4 hours on 2 AA batteries, or you can also use a USB battery for extended recording time. Audio Interface The P4 can serve as a 2-input, 2-output audio interface, allowing you to record directly to your computer, Android or iOS* device. With the P4 you can also live-stream your podcast. * Apple Lightning to USB camera adapter required. What’s in the Box • PodTrak P4• AA Batteries (x2)• Quick Start Guide PodTrak P4 Features Four mic inputs with XLR connectors Four headphone outputs with individual volume control Gain control knobs and mute buttons for each input Phantom power for all XLR inputs Automatically prevent feedback from call audio using the Mix-Minus function Easily connect your phone using the TRRS connection Trigger sound effects using four assignable Sound Pads with 11preset sounds All input sources can be recorded on separate tracks 16-bit /44.1kHz audio WAV Records directly to SD, SDHC and SDXC cards up to 512 GB 2-input, 2-output USB audio interface Class-compliant mode for iOS compatibility Up to four hours of use with just two AA batteries or a USB power supply Specs INPUTS & OUTPUTS Number of input channels: 4 (mono/stereo) Number of output channels: 1 (headphone x 4) CONNECTORS MIC XLR jacks (2: HOT) Smartphone connection jack TRRS mini jack (4 contacts, TIP: L, RING1: R,RING2: GND, SLEEVE: MIC) USB USB Type-C (audio interface and mass storage functions) Note: Use a USB cable that supports data transfer. USB bus power is supported. DC 5 V USB Type-C (for power supply) Headphones 3.5 mm stereo mini PHANTOM POWER Phantom power +48 V RECORDER Recorder Formats: WAV 44.1 kHz, 16-bit, mono/stereo Recording media: 4 GB−32 GB SDHC-compliant cards (Class 10 or higher); 64 GB−512 GB SDXC-compliant cards (Class 10 or higher) AUDIO INTERFACE Audio interface 44.1 kHz, 16-bit, 2-in/2-out SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE Windows OS: Windows® 10 Version 1703 or later (32bit, 64bit) CPU: Intel® Core i3 or faster* USB: USB 3.0 / 2.0** * Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD. ** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards. Mac OS： macOS 10.13 ~ 11 CPU: Intel® Core i3 or faster USB: USB 3.0/USB 2.0* * Operation is not guaranteed when used with USB hubs or expansion cards. iPhone / iPad OS： iOS 12 ~ 14 * Apple Lightning-to-USB Camera Adapter required. Android OS： Android OS 7 / 8 / 9 / 10 * Please refer to the compatible android device list. POWER Power 2 AA batteries (alkaline, NiMH or lithium) • We recommend using NiMH AC adapter (ZOOM AD-17): DC 5 V/1 A (USB bus power is supported.) Est. continuous operation time using batteries Recording 44.1 kHz/16-bit/4ch audio to SD card (when 48 V is OFF and headphone impedance is 63 Ω) Alkaline batteries: about 4 hours NiMH batteries (1900 mAh): about 4.5 hours Lithium batteries: about 9 hours • The above values are approximate. • Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions. MISC. External dimensions 112 mm (W) × 155 mm (D) × 47 mm (H) Weight (unit only) 290 g
PodTrak P8 SET IT. EDIT. CAST. SIMPLE. Podcasting Simplified The Zoom PodTrak P8 is easy to use and can handle the most ambitious podcasts. With all the functions you need to record, edit and mix, the PodTrak P8 is your complete podcast studio. Touchscreen Controls The color touchscreen interface makes monitoring, adjusting and onboard editing seamless. Everything you need is a touch away. Mic Preamp Slider The Mic Preamp Slider allows you to dial in the level or gain of each mic. Make adjustments until the signal is peaking in the “Good Range”. Peaking in the “Over Range” section can cause distortion in your sound. Limiter The Limiter is used to prevent distortion if the volume suddenly gets too loud. Low Cut The Low Cut reduces low frequency noise that is present in almost any recording environment, whether it’s air conditioning, street sounds, vibrations, and other sources. Tone Adjustment The Tone Adjustment can make your voice darker or brighter, for that perfect podcast voice. Compressor/DeEsser Compressor/DeEsser enables your voice to have more presence for that perfect studio podcast sound. Noise Reduction In the On Air screen select Noise Reduction to decrease background noise by automatically turning down the mic levels for tracks not in use. It Speaks Your Language The P8’s touchscreen display can be set to any one of six languages. Choose from English, French, German, Spanish, Italian or Japanese Color-Coded The P8’s color-coded inputs, outputs, and controls make on-the-fly adjustments a breeze, keeping you focused on the discussion. Crystal-Clear Recording The PodTrak P8 features six of Zoom’s best-sounding mic inputs, providing pristine audio for you and your guests. With up to 70dB of gain the P8 can handle the most demanding microphones.* *Including the Shure® SM7B and Heil® PR 40. This Call Will Be Recorded The P8 features a dedicated channel for recording phone calls. Channel six can be switched to USB mode to record your guests from your computer. Both options include a Mix-Minus feature to prevent echo and feedback for the caller. On Air Button When a channel’s ON AIR is disabled, you can still hear the tracks through your headphones, but they won’t be recorded, or go through speakers or USB. Helpful when having sidebar conversations or prepping your guests during breaks. Wireless Connectivity Use the optional Zoom BTA-2* Bluetooth Adapter to wirelessly connect your phone to record remote guests. *BTA-2 available separately. Added Production Value Make your podcast sound professional by triggering sound effects, intro music, jingles, pre-recorded interviews and more, with nine multi-colored sound pads. Choose from 13 pre-loaded sounds or load your own. Create up to four banks of sounds for a total of 36 sound clips at your fingertips. Outputs For Every Occasion The P8 features six independent headphone outputs, each with individual volume control. For professional playback, the P8’s main outputs allow you to connect your studio monitors. Editing Options With the P8’s onboard editing, easily trim, split and fade audio clips to produce a finished episode. You can also transfer track files to your computer for a final mix. Take Your Studio With You When recording outside the studio, the P8 provides up to two hours of recording with four AA batteries, or connect a USB power supply for extended use. Audio Interface A USB-C port allows the PodTrak P8 to function as an audio interface when connected to a computer for recording and live streaming. What’s in the Box Here’s what you’ll find in the box: PodTrak P8 AD-14 AC Adapter Quick Guide Features · Full-colour LCD touchscreen display · Record up to 13 tracks simultaneously · Six mic inputs with XLR connectors and optional phantom power · Individual volume sliders, mute buttons and "on air” indicators for each channel · Dedicated channel for recording phone interviews · Optional BTA-2 Bluetooth enables wireless call recording · Mix-Minus function automatically prevents echo and feedback from call audio · Nine assignable Sound Pads with four banks · 13 pre-loaded sounds including applause, laugh track and more · Six headphone outputs with individual volume controls let everyone hear clearly · Onboard editing · 13-input, 2-output USB audio interface · Class-compliant mode for iOS compatibility · Battery power provides up to two hours of use with four AA batteries · Records directly to SD, SDHC and SDXC cards up to 512GB · Up to 16-bit /44.1kHz audio in BWF-compliant WAV or a variety of MP3 formats Specs INPUTS & OUTPUTS NUMBER OF INPUT CHANNELS: Mic inputs: 6 (mono) Smartphone input: 1 (stereo) NUMBER OF OUTPUT CHANNELS: 2 (6 headphones and L/R speaker outputs) CONNECTORS MIC: Type XLR jacks (2: HOT) Input gain 0 + 70 dB Input impedance XLR：3 kΩ Maximum input level +5 dBu (@0dBFS) Phantom power +48 V SMARTPHONE CONNECTION JACK: Type TRRS mini jack (4 contacts, TIP: L, RING 1: R, RING 2: GND, SLEEVE: MIC) Input impedance 3 kΩ Maximum input level +2.5 dBu USB: USB Type-C (audio interface and mass storage functions). • Use a USB cable that supports data transfer. USB bus power is supported. HEADPHONES: Type 3.5mm stereo mini Maximum output level 20 mW + 20 mW @32 Ω Output impedance 27 Ω SPEAKER OUTPUT: Type TRS jacks (balanced) Maximum output level +5.5 dBu Output impedance 320 Ω AC ADAPTER Power supply connector for AD-14 AUDIO INTERFACE Audio interface 44.1 kHz、16-bit、6 in / 2 out SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE Windows OS: Windows® 10 Version 1703 ~ 11 (32bit, 64bit) CPU: Intel® Core i3 or faster* USB: USB 3.0 / 2.0** * Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD. ** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards. Mac OS： macOS 10.13 ~ 11 CPU: Intel® Core i3 or faster USB: USB 3.0/USB 2.0* * Operation is not guaranteed when used with USB hubs or expansion cards. iPhone / iPad OS： iOS 12 ~ 14 * Apple Lightning-to-USB Camera Adapter required. Android OS： Android OS 7 / 8 / 9 / 10 * Please refer to the compatible android device list. Format WAV 44.1kHz, 16-bit, mono/stereo Recording media 4–32 GB cards compatible with the SDHC specification (class 10 or higher) 64–512 GB cards compatible with the SDXC specification (class 10 or higher) Frequency response -1.0 dB: 20 Hz ～ 20 kHz @44.1 kHz Equivalent input noise EIN -124 dBu (IHF-A) @+70 dB, 150 Ω input Display 4.3" (480×272) full-color touchscreen LCD Power supply 4 AA batteries (alkaline, lithium, or rechargeable NiMH) AC adapter (ZOOM AD-14): DC 5 V/1 A (supports USB bus power) Estimated continuous operation time using batteries Recording 44.1kHz/16-bit/4ch audio to SD card (when +48 V is OFF and headphone impedance is 32 Ω)Alkaline batteries: about 2 hoursNiMH batteries (1900 mAh): about 3.5 hoursLithium batteries: about 6.5 hours• The above values are approximate. Power consumption 5 W External dimensions 295 mm (W) × 248 mm (D) × 61 mm (H) Weight (unit only) 1.43 kg
THE ULTIMATE CAMERA FOR MUSICIANS The Zoom Q2n Handy Video Recorder If you’re an aspiring musician, video plays an important role in helping you reach a wider fan base. It’s a digital world and that means an inspiring performance can take the Internet by storm. But you can’t capture your music with just any camera. You need one that records incredible audio. The Zoom Q2n gives you a fast and easy way to create HD videos with high-impact audio. The built-in X/Y microphones capture sound with beautiful stereo imaging. And the 160-degree wide-angle lens excels in an array of lighting conditions—whether you’re filming at home, in a rehearsal space, or at a club. Experience Legendary Sound As the camera for musicians, the Q2n gives legends like Steve Gadd the ability to get up close and personal with his fans. The Q2n’s audio and video quality make it simple for Steve to capture the essence of his performances so fans can enjoy them time and time again... A Portable Camera ThatSounds Great High-resolution 24-bit/96 kHz audio delivers studio-quality recording, no matter where you’re filming. And the camera’s built-in X/Y microphones can handle sound pressure levels up to 120 dB SPL, for distortion-free recording. It Can Handle the Pressure Since the Q2n can handle high sound pressure levels, it records loud music without distortion or clipping. Famed drummer Dave Weckl relies on his Q2n to capture full and beautifully balanced snare, bass, tom, and cymbal detail. Capture Your Best Momentsin Any Lighting Ten "Scene" presets allow you to record in a wide range of environments, including low-light locations where the Q2n is designed to thrive. The presets range from "Concert Light"—which automatically adjusts for changing lighting conditions—to "Concert Lo-Lit" for dimly lit rooms. And there are scene settings tailored specifically for filming in jazz clubs and rehearsal studios, as well as outdoors. Up Close and Personal The Q2n features a 160-degree wide-angle lens that captures stunning video. And it records in 720p or 1080p HD resolution, using the same 24 fps or 30 fps frame rate used in film. An F2.0 aperture makes the Q2n perfect for musicians who perform in a wide variety of lighting environments. Capture the full band or focus on an individual performer using five field of view (FOV) settings. Plus, a color LCD screen makes it easy to create the perfect shot or review your videos. Small Enough to Go Everywhere The Q2n is small enough to carry anywhere, so you’ll always be prepared to capture impromptu performances or record new ideas. It records up to two hours of footage on two standard AA batteries, providing more than enough juice for concerts, rehearsals, jam sessions, and more. Capture the Essence of Your Music For an acoustic guitarist, nothing's more important than mic placement. Placing the Q2n ten feet away from your guitar achieves beautiful stereo sound. For more nuanced string sound and finger/neck detail, place the Q2n within three feet of your guitar. Don’t Let TechnologyGet in Your Way Intuitive controls and simple one-button recording make the Q2n easy to use. Just power it up and start recording. RecordAudio Only The Q2n is also capable of recording audio only. Simply use the ‘Camera Off’ setting to capture demos or live performances in stereo sound using the built-in X/Y mics. Enjoy the Clarity of Sound If you’re like renowned pianist Kenneth Crouch, you strive for clarity in your videos. The Q2n captures a full range of frequencies—from delicate to more thunderous sounds—so fans can re-experience your performances with the same detail and accuracy as if they were hearing them live. Connectand Listen The Q2n features a 1/8" stereo input jack that lets you connect external mics and other audio devices. And the 1/8” stereo output jack makes it simple to listen to audio with headphones or on your home stereo. Play it Back on TV To view your video recording in high definition, you can connect to an HDMI TV using the HDMI micro Type D video output. A USB port allows for connection to any computer or iOS device* so you can use the Q2n as a web camera for live streaming, as a USB microphone for podcasts, or as a card reader to transfer recordings**. * iPad Camera Connection Kit or Lightning to USB Camera Adapter required (sold separately)** Computer connection only Files Types and Recording Times Video and audio file typesVideo (with audio) is recorded as MPEG-4 (MOV) files. When using “Audio Recording” mode (without video), audio data is saved in uncompressed WAV (up to 24-bit/96 kHz) format. Extended recording timesThe Q2n records directly to micro SD/SDHC/SDXC cards up to 128 GB. It’s perfect for podcasts, blogs, and capturing performances. Features at a Glance... High-quality 160° wide-angle lens (F2.0/16.6 mm) 10 "Scene" options for use in different lighting environments,plus ‘Auto’ setting for automatically adjusting how the cameracaptures specific scene conditions Built-in X/Y stereo microphones capable of handling soundlevels up to 120 dB SPL Can be used as standalone audio recorder, with data savedin WAV format, up to 24-bit/96 kHz 5 field of view (FOV) settings Records directly to micro SD/SDHC/SDXC cards up to 128 GBfor extended recording times Easy one-button recording Color LCD Support for two HD video modes, 720p and 1080p Video bitrates up to 24 Mbps for improved image quality Frame rates: 1080p/30fps HD, 1080p/24fps HD, 720p/30fps HD,720p/24fps HD HDMI video output for connection to HDTVs, selectable betweenNTSC and PAL Records video (with audio) in MOV format Analog-style level control with onscreen level metering and2-color status LCD on lens Auto Gain function automatic control over audio input level Stereo input for use with external devices plus support forplug-in power Headphone/line-level for fast audio monitoring Low-cut filter for the elimination of low-frequency noiseand rumble USB interface for live streaming and data transfer Compatible with USTREAM Producer, Flash Live Media Encoder,Skype, and other popular streaming applications Webcam and USB mic function (with direct monitoring) whenused with computers and iOS devices (Apple Camera Connection Kitor Lightning to USB Camera Adapter required for use with iOS devices) Operates with two AA batteries for approximately two hours Built-in standard tripod mount Accessories Here's what’s included with the Q2n: 2 x AA batteries Operation manual Optional Q2n accessories: WSU-1 universal hairy windscreen HS-1 hot shoe mount MA-2 tripod to mic stand adapter for Handy Recorders Zoom AD-17 AC adapter LHQ-2n lens hood and lens cover Q2n Accessory Package(APQ-2n)* includes: WSU-1 Universal Hairy Windscreen Lens hood Lens cover 3-prong action camera mount adapter USB to mini-USB cable Padded-shell case MA-2 mic clip adapter *Q2n Accessory Package sold separately
The Q8 marries high-definition video with high-resolution audio, making it the perfect camera for music and video creators everywhere. Its 160 degree wide-angle lens and digital zoom ensure that you'll always capture the complete picture. Combine that with ZOOM's groundbreaking interchangeable mic capsule system and two XLR-TRS combo inputs, and you have a world of audio options. Recording Media: SD/SDHC/SDXC card (up to 128GB) Imaging Sensor: 1/3-inch 3-megapixels CMOS sensor Optics Lens: Fixed Focus (36cm to ∞), F2.0, Focal distance about 16.6 mm (35 mm equivalent) Video Format: MPEG-4 AVC / H.264（MOV） Video Resolution: 3M HD (2304 x 1296) 30fps, HD1080p 30fps, HD720p 60fps, HD720p 30fps, WVGA 60fps, WVGA 30fps Audio Formats: WAV (Quantization: 16/24bit, Sampling Frequency: 44.1/48/96kHz) AAC (Bit Rate: 64 to 320kbps, Sampling Frequency: 48kHz) Audio Function: Lo-cut filter (80Hz, 120Hz, 160Hz), Dynamics control (Limiter, Compressor, Leveler) Image Function Display: Digital zoom (5 steps), Scene selection (Auto / Concert Lighting / Night), Self timer (off / 3sec / 5sec / 10sec) 2.7" wide full-color LCD, Touch screen Built-in Mic: X/Y stereo mic (XYQ-8) 120° XY stereo format Maximum sound pressure input: 140dB SPL Input gain: -∞ to 52dB Input 1/2: TRS/XLR combo jacks Input gain (PAD off): -∞ to 55dB Input gain (PAD on): -∞ to 35dB Input impedance: 1.8 kΩ or more Maximum input level: +22 dBu (PAD on) Phantom power: +12 / +24 / +48V Equivalent input noise: -120 dBu or less Output Connector: Combined line/headphones stereo mini jack microHDMI (Type D) Built-in Speaker: 400mW 8Ω, monaural speaker USB: Mini B type [Operation as mass storage] Class: USB2.0 High Speed [Operation as audio interface] Class: USB2.0 Full Speed, 16-bit/44.1kHz [Operation as webcam] WVGA/720p video size, 16-bit/48kHz audio Note: Operation as audio interface and mass storage supported with iPad (Apple Camera Connection Kit required) Note: USB bus power supported Power Supply: Lithium-ion battery DC 4.2V maximum voltage DC 3.7V nominal voltage 1700mAh capacity Battery Recharging Times: USB: 4 hours, 30 minutes (approximate) AC adapter: 2 hours, 45 minutes (approximate) Battery Operation Time: More than 2 hours (when recording 720p/30fps) AC Adaptor: ZOOM AD-17, sold separately: DC 5V/1A Dimensions: Mic lowered: 158mm (L) x 48mm (W) x 69mm (H) Mic raised: 158mm (L) x 48mm (W) x 119mm (H) X/Y mic (XYQ-8): 50mm (L) x 37mm (W) x 32mm (H) Weight: Recorder (including battery): 300g XYQ-8 capsule: 40g) Included Accessories: Detachable stereo X/Y microphone capsule (XYQ-8), Foam windscreen, Rechargeable Li-ion battery(BT-03), USB cable (1m), Tripod to three-prong action camera mount adapter, Lens cover, Lens hood, Strap, Operation manual Optional Accessories: XYH-5 X/Y mic capsule, XYH-6 X/Y mic capsule, MSH-6 Mid-Side mic capsule, SGH-6 Shotgun mic capsule, SSH-6 Stereo Shotgun mic capsule
Recorder Records 8 tracks simultaneously with 16-track playback. Capture audio in any setting, from live music performance, drums with multiple mics to music rehearsals and songwriting, even audio for film and video. The R16's simultaneous 8-track capability makes professionalism easy. Playback up to 16 tracks using its 16/24-bit linear WAV format and 44.1kHz sampling rate. Interface Audio interface with 8 in 2 out capability The R16 functions as an audio interface enabling direct input of sound to a computer. Support for high quality 24-bit/96kHz encoding ensures great sound. Eight input channels and two output channels can be used simultaneously. If you use the sampling rate of 44.1kHz, the internal DSP effects of the R16 are also usable on your computer tracks. A dedicated control lets you adjust the mixing balance between the DAW playback sound and the direct sound for monitoring. Controller Control surface for all major DAW functions Transport and mixing operations of the DAW software can be controlled using the R16. This gives you greater control and a better feel for mixing. In Mackie Control emulation mode, major DAW applications such as Cubase, Logic, and Sonar are supported. Get in Sync Sync two R16's for 16 Tracks of Simultaneous Recording The R16 is the first recorder that incorporates the ability to generate a synchronization signal based on USB data transfer timing*. By connecting two R16 units via USB, you can designate one to function as a USB host and the other as a USB slave, allowing synchronized transport operation. This lets you record on up to 16 tracks simultaneously to competently handle a live performance. * Synchronization accuracy has a tolerance of about 1 to 2 milliseconds. Built in high-sensitivity stereo microphones When you want to quickly record anything from songwriting ideas to ambient room audio, the R16's built-in set of stereo mics will come in handy. Vocals and acoustic instruments can be captured with excellent clarity. Supports SDHC cards up to 32GB Because the R16 utilizes compact and readily available SD and SDHC memory cards as its recording media, there is no motor that can cause noise as with tape or discs. And you never need to worry about problems caused by external vibrations that can crash hard drives. Versatile inputs for guitars, mics and line sources Its eight combination mic/line input jacks can handle mics or line-level signals. Phantom power is provided on channels 5 and 6 for use with condenser mics, and the Hi-Z switch for channel 1 accommodates a guitar or bass. The R16 is ready for any kind of input source. Use master track for final mix A dedicated master track lets you do the final mixdown right on the R16 without a separate master recorder. With sequence play, several projects can be mastered together and played automatically. And you can create playlists for finished songs in any order. 135 DSP effects including guitar amp simulations The R16 comes preprogrammed with 135 types of digital effects for recording, mixing, and mastering. The insert effect has seven modules with algorithms optimized for guitar, bass and vocals. In addition, two send/return effects are also available, so that you can use up to three effects simultaneously. The R16 also comes with models of 18 different guitar amps such as Fender, Marshall, Vox and Mesa Boogie, and 6 bass amps such as Ampeg, Bassman and Hartke. A compressor and equalizer effect that handles 8 channels simultaneously provides further flexibility. *Manufacturer names and product names are trademarks or registered trademarks of their respective owners. The names are used only to illustrate sonic characteristics and do not indicate any affiliation with the Zoom Corporation. Tuner and metronome onboard The R16's built-in tuner is great for quickly tuning an instrument or checking the pitch of vocals. During recording, the metronome provides a click track for your drummer and is also handy for practice. The metronome sound can be sent to the headphones, letting you use a previously recorded backing track on stage during a performance. Locate functions make editing easy Set up to 100 marker points and directly locate them whenever you want. Other convenient functions for editing include A-B repeat playback and auto punch-in/out, making it easy to re-track part of the recording. Power options The R16 can be powered from the supplied AC adaptor or six AA/LR6 batteries. A set of batteries will last for about four and a half hours, and because they are standard batteries, changing them is always easy and convenient. The audio interface and control surface functions can also be operated on USB bus power, providing another power option. USB 2.0 Hi-Speed mode for fast file transfer Because the R16 has a USB 2.0 Hi-Speed compatible port, file transfer to a computer is quick and painless. Computer-based tasks such as editing with DAW software, burning your original CDs and importing WAV files are integrated smoothly into your workflow. USB host capability for connecting USB memory A USB flash drive or large-capacity external hard disk* can be plugged into the USB port of the R16. This lets you quickly distribute a recording to band members after a rehearsal session or make a backup of your recordings even when you're not near a computer. *Because USB bus power for external hard disks is not supplied, a separate power source is required. Cubase LE 4 Bundle Software Cubase LE 4 is a powerful music production system that can handle recording, editing, and mixing tasks both for audio and for MIDI. It incorporates the same audio engine as the multi-award winning, higher-level version Cubase 4, and is ideal as an entry into computer-based music production. Supported OS: Windows XP/Vista Mac OS X 10.4 or later
Recorder Simultaneous Recording of 2 tracks and playback of 8 tracks. The R8 is the perfect tool for capturing audio on-the-go. Record live music performances, rehearsals, songwriting sessions or even audio for film and video. Playback up to eight tracks of audio at up to 24-bit/48kHz resolution as WAV files. If you make a mistake, use the UNDO/REDO function to cancel the last recording operation and restore the previous state. You can even mix down completed songs inside the R8 and save a mix for each project. Interface Audio interface supports 2 inputs and 2 outputs When combined with your computer, the R8 becomes a powerful audio interface. Connect the R8 to your computer via USB, launch your favorite DAW or use the included Cubase LE software and start laying down your tracks. Simultaneous 2-in/2-out capability allows you to record up to 24-bit/96kHz high definition audio. If you use the 44.1kHz sampling rate, the internal DSP effects of the R8 are also available for your computer tracks. A dedicated control lets you adjust the mixing balance between the DAW playback sound and the direct sound for monitoring. Controller Control surface functions for most DAW software Transport and mixing operations of the DAW software can be controlled using the R16. This gives you greater control and a better feel for mixing. In Mackie Control emulation mode, major DAW applications such as Cubase, Logic, and Sonar are supported. Sampler 8 Voice sampler with 8 pads The built-in sampler functions allow you to loop audio data on any track. You can play the pads in real-time and combine loops to create a performance for an entire song. When setting loop intervals, you can see the waveforms for visual confirmation. Time-stretching, which allows you to change the tempo without changing the pitch, and trimming the unneeded parts of loops, is also possible. You can use the sampler and recorder functions together seamlessly to play back loop tracks while recording instrumental performances on other tracks. 500 MB of drum loops inside The included 2GB SD card contains 500 MB of drum loops from Big Fish Audio, one of the top producers of sample libraries. With an emphasis on rock, the collection of standard drum phrases can be used to create professional-sounding rhythm tracks just by lining them up. Create your own beats with powerful rhythm machine The R8's rhythm machine includes 10 types of drum kits that use linear PCM audio samples. Use the touch-sensitive drum pads to program up to 511 of your own beats, and use the rhythm patterns that you create just like audio loops. Use the R8's pads to start playback of patterns and use the R8's sequencer to arrange them into songs. You can start fast with the 472 preset patterns, which include intros, fills, endings and other phrase variations. Built in stereo microphones The built-in high-sensitivity stereo microphones are convenient for recording sketches of musical phrases and melodies as they come to mind. Use these mics for clear recordings of vocals and acoustic instruments. Over 140 DSP effects including guitar amp modelling The DSP effects, which include 146 types and 370 patches, can be used for recording, mixing and mastering. Insert effects are comprised of seven modules and include algorithms for guitars, basses, vocals and other sounds. One insert effect can be used simultaneously with the two types of send-return effects. 18 types of guitar amplifier models from our best-selling G2Nu and 6 types of bass amp models are included, so you can re-create a realistic amp sound simply by connecting a guitar or bass directly to the R8. Supports SDHC cards up to 32GB The R8 uses compact and readily-available SD and SDHC memory cards as recording media. Unlike tape and disk recorders, this unit has no motor, making it more resistant to physical interference and concerns about mechanical noise. Locate functions make editing easy Set up to 100 markers and directly move to them whenever you want. Also, use the A-B repeat function to play or re-record a designated interval and use auto punch-in and punch-out for efficient editing. Versatile inputs for guitars, mics and line sources The two balanced XLR-1/4-inch combination inputs can provide phantom power, so you can use studio-class condenser microphones to make professional-level recordings. One channel also includes a Hi-Z switch, allowing guitars, basses and other high-impedance instruments to be recorded. Tuner and metronome functions The R8's built-in tuner is great for quickly tuning instruments and checking vocal pitch. The metronome can provide a click track for a drummer during recording and is also useful in practice settings. The metronome can also be sent to just the headphones. This allows you to play along to backing tracks previously recorded on the R8. Powered by an AC adapter, batteries or USB bus power Power options provide flexibility for different situations. Power the R8 on its own in one of two ways-with the included AC adapter or four alkaline AA batteries. The R8 operates for over 5 hours on batteries, plenty of time for most field recordings. When using the audio interface or control surface functions, the R8 can be powered by the computer's USB bus. Rapid file transfer with H-Speed USB 2.0 The R8's Hi-Speed USB 2.0 port allows WAV-format audio files recorded on the R8 to be sent to a computer smoothly and rapidly. Use the R8 with a computer for additional music production, including editing with DAW software, creating original CDs and importing WAV files. Easy hands-free operation Using a ZOOM FS01 footswitch (sold separately), you can control the recorder transport (play, stop, rewind), punch-in for recording and change effect patches with your foot. With the R8, you can easily record without ever taking your hands off your guitar. Cubase LE 4 Bundle Software Cubase LE 4 is a powerful music production system that can handle recording, editing, and mixing tasks both for audio and for MIDI. It incorporates the same audio engine as the multi-award winning, higher-level version Cubase 4, and is ideal as an entry into computer-based music production. Supported OS: Windows XP/Vista/7 Mac OS X 10.5.8 or later
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