The Board That Does it All LiveTrack L-12 Mix, Record, Monitor, Playback and Remix With the LiveTrak L-12, you can finally mix, record, and monitor with a single piece of gear. It’s the only digital console that lets you mix your live performance and record up to 12 discrete channels – all while providing five individual custom headphone mixes. Effortless Live Mixing LiveTrak’s 12 discrete channels (eight mono plus two stereo) have a 3-band mid-parametric EQ and 16 built-in send effects. Its eight mono channels also have a dedicated compressor. With all these controls plus its 12-segment LED metering, the L-12 offers just what you need for intuitive mixing. Let's Take a Tour The Channel Strip ( 1 )All 12 inputs include a channel fader and mute button. The eight mono inputs also include single-knob compression and gain control. Record or playback individual channels with the "Rec/Play" button. Use the "Select" button to apply Channel Strip settings (EQ and panning controls, and "EFX Return" settings) to the selected channel. Easy EQ Control ( 2 )The L-12 provides a smooth 3-band mid-parametric EQ and a low cut function for each input channel. Plenty of Inputs ( 3 )The L-12’s combo inputs support XLR or 1/4-inch connections. Channels 1 and 2 offer Hi-Z inputs for connecting an electric guitar or bass. Channels 9/10 and 11/12 have TS line connectivity for keyboards and other audio devices, as well as RCA inputs. Navigation and Display ( 4 )LiveTrak’s bright, backlit LCD screen and encoder knob let you access an intuitive menu system to create new projects, recall previous projects, and customize your recorder settings. 16 Onboard Effects ( 5 )The L-12 offers 16 built-in effects with fully adjustable parameters. Choose from delay and reverb effects, then apply them to any channel. Custom Scene Settings ( 6 )Save up to nine different scenes and recall your custom settings automatically. Each scene saves fader position, EQ settings, pan, mute, and more. The “Fader Mode” buttons allow you to design custom mixes for both the Master and monitor outs. Slate Mic and Metronome ( 7 )Use the built-in slate mic to record comments or talk-back, and program the metronome to your desired tempo. Flexible Monitoring Options ( 8 )Five powered headphone outputs can send individual monitor sub mixes to headphones, in-ear monitors, or powered monitor speakers. Headphone output A also features two 1/4" outputs for connection to additional monitors. The main outputs feature XLR connectors to easily connect to your PA. USB Connectivity for your DAW LiveTrak is also a 14-in/4-out USB audio interface with flexible routing options, offering unlimited possibilities. Class compliant mode, which enables connection with iOS devices, is also supported.* *Apple Lightning to USB Camera Adapter required. What's Under the Hood Our Best Mic Preamps YetAt -128 dBu EIN with +60 dB maximum input gain, LiveTrak is equipped with the quietest and most advanced preamps we’ve ever made. Just wait until you hear how incredible it sounds. High-Definition Sample RatesThe L-12 supports sample rates up to 96 kHz when recording to an SD card, allowing you to record in high definition. In Audio Interface mode, the L-12 can record up to 48 kHz to a computer and an SD card simultaneously. Convenient Auto RecordingRecord automatically by adjusting the L-12’s customizable audio input commands. Set it to start when the master fader detects a certain dB level, or use a guitar chord or snare hit to start the track. You can capture data up to two seconds before recording starts, in case a performance begins ahead of time. Versatile Operation ModesThe L-12 is equipped with several operation modes. Audio Interface mode lets you route inputs and outputs to any DAW. With USB Host mode, transfer projects and audio files to a connected USB flash drive. In Card Reader mode, the L-12 acts as an SD card reader, allowing you to transfer audio files to and from your computer. Features at a Glance 12 discrete channels (8 mono plus 2 stereo) with XLR or 1/4-inch connectivity 14-track simultaneous recording, 12-track playback 14-in/4-out USB audio interface connectivity 5 powered headphone outputs, each with a customizable and saveable mix Add backing/click tracks from your computer to your live mix and recording RCA and TS line inputs 48V phantom power (channels 1-4 and 5-8) Hi-Z connectivity (channels 1 and 2) 26 dB pad (channels 3-8) Built-in compression control (Channels 1-8) Digital level meters -48 dB to -0 dB Master mute button Low-cut control Stereo panning Master and Monitor Outputs A-E Scene saving function, up to 9 scenes saved at a time 16 built-in delay and reverb effects with adjustable parameters Built-in slate mic Class-compliant mode (for iOS compatibility) SD card input Built-in metronome Automatic recording starting/stopping capability Project protection Import/export projects with USB 2.0 host port Latency adjustment for A-to-D conversion Compatible functions for ZOOM FS01 footswitch
The LiveTrak L-20 MORE BOARD. MORE MUSIC. The LiveTrak™ L-20 is the new digital console offering everything creators need to mix, monitor, and record complex productions. With 20 discrete audio channels and six individual custom monitor mixes, it’s built for bigger, bolder arrangements. 20 Inputs for Bigger Sound The LiveTrak L-20 is designed to mix bigger. It features 20 inputs(16 mono mic/line inputs and two stereo inputs), all with independent3-band mid-parametric EQ. The 16 mono inputs offer stand-alone compressor control. 22 Tracks of Recording Record 20 discrete channels plus a stereo mix directly to an SD card. The LiveTrak L-20 captures pristine audio in resolutions up to 24-bit/96 kHz.* At -128 dBu EIN with +60 dB maximum input gain, the L-20 is equipped with our quietest and most advanced preamps ever. Mix down finished songs on the L-20 or transfer your discrete tracks to a DAW to perfect later. *Effects, EQ, overdub, audio interface, and fader modes A-F are not available in 96 kHz. " I could unload two racks worth of gear and it still wouldn’t add up to everything the L-20 can do. It’s easy. It’s intuitive. It expands my abilities as an engineer." Joe Wohlmuth Sound Engineer: Shakira, Josh Groban, Celine Dion, Thirty Seconds to Mars Create Six Custom Monitor Mixes With six independent monitor outputs for musicians, each output can have its own custom mix, complete with effects, that can easily be switched from a powerful headphone output, to a balanced line output for stage monitors. And One for the House The LiveTrak L-20 features a dedicated 7th output for the FOH engineer. The sound engineer can monitor the main mix and any of the sub mixes, thus adjusting them to the musicians’ satisfaction. "What I love about the L-20 is the flexibility it gives you with 20 channels, preamp effects, six individual mixes and high-quality multi-mode recording. This little board is like the Swiss army knife of boards. 1000000000 hugs!" Carlitos Del Puerto Bassist- Chick Corea + Steve Gadd Band, Quincy Jones, Bruce Springsteen Big Beautiful Interface Although the LiveTrak L-20 is designed to work as a stand-alone recording and mixing console, it can also be used as a 22-in/4-out USB audio interface. Audio Interface mode lets you route inputs to any DAW or streaming software, even while recording to an SD card. Additionally, audio can be routed from your computer into the L-20 to be mixed with your live performance. Class compliant mode, which enables connection with iOS devices, is supported as well.* *Apple Lightning to USB Camera Adapter required. Wireless Mixing The LiveTrak L-20 offers wireless control* via a free iOS mobile app featuring most onboard functions, including Fader Levels and Modes, Scenes, EQ, EFX sends, returns, parameters, and more. You can even manage your Effects Library and Scene Library right from your device. Control it all on either large Monitor Out view with a mini transport, or a mini Monitor Out view with expanded Transport controls. * Zoom Bluetooth adapter (ex. BTA-1) required. Communication at up to 10 meters is possible in an unobstructed indoor space with BTA-1 units.Compatible with all iPad Air models, iPad Mini 2 and later, iPad Pro, and iPad (2017), running iOS 10.3.3 or newer. Add More To Your Mix What's in the Box Included with the L-20 LiveTrak L-20 AD-19 AC Adapter USB 2.0 Cable Quick Guide Optional Accessories RKL-12 Rack Mount Adapter BTA-1 Bluetooth Adapter FS-01 Momentary Footswitch CBL-20 Carrying Bag L-20 Features 20 discrete channels (16 mono plus 2 stereo) with XLR or ¼-inch connectivity 22-track simultaneous recording, 20-track playback 22-in/4-out USB audio interface connectivity Records up to 24bit/96kHz audio to SD card 48V phantom power Hi-Z connectivity (channels 1-2) 26dB pad (channels 3-16) Built-in compression control (Channels 1-16) Solo buttons for individual channels Variable frequency low-cut control Main outputs plus 6 customizable monitor outputs Dedicated headphone output for sound engineer Scene saving function, up to 9 scenes saved at a time 20 built-in chorus, delay and reverb effects with adjustable parameters Two effect busses Built-in slate mic Class-compliant mode (for iOS compatibility) Compatible with Remote Mixer app for iPad Automatic recording starting/stopping capability Pre-record function Import/export projects with USB 2.0 host port Compatible functions for ZOOM FS01 footswitch Automatic power-save function
The ZOOM LIVETRAK L-8 Podcasting, Music and Beyond The Board for Creators Creators are evolving—and so are we. Zoom LiveTrak L-8 makes it easier than ever to mix, monitor and record professional-sounding podcasts and music performances in one portable, affordable package. Power to the Podcast Podcast creators are a special breed. They require a unique set of audio features, along with the flexibility of a proper mixing console. The LiveTrak L-8 combines Zoom’s famous audio performance with features made for podcasters. Sound Pad Magic Just press a button to play intros, outros, jingles, ads and sound effects. With 6 easily-assignable Sound Pads, the right sound is at your fingertips. First-Time Caller, Long-Time Listener Remote interviews are a snap with the L-8; just connect your phone via the provided TRRS cable. The Mix-Minus function automatically prevents echo and feedback to and from the caller. Or use the USB connection to route audio from Skype, Facetime, Hangouts, Slack and more. Freedom of Speech Zoom’s preamps are famous for a good reason: they’re transparent, powerful and ultra-reliable. The L-8 features six independent Zoom preamps, built to handle anything from a whisper to a raucous debate. A Track for Everyone The pros know that when you record everyone on their own separate track it just sounds better and provides more flexibility in the edit. The L-8 records separate tracks directly to your SD card, enabling you to edit them later. Hear Yourself Talk If you can’t hear yourself, how are you supposed to speak your mind? The L-8 is equipped with four headphone outputs, so that each participant can clearly hear what is going on. On Air, On the Move The Zoom LiveTrak L-8 can run up to 1 ½ hours with just four AA batteries, or on a USB battery, so you can podcast from anywhere. Record Twice, Once Used as an audio interface, the L-8 can record full episodes directly to your computer and an SD card simultaneously. You can also live stream while recording. L-8 is class compliant, enabling connection with iOS devices. Apple Lightning to USB Camera Adapter required. Save Settings.Save Time. Once you’ve dialed in your mix…save it! The L-8 lets you save up to 7 show “scenes” that can be saved and instantly recalled at the press of a button "The L-8 is a game-changer for podcasters." Ming Chen A Shared Universe Podcast Studio, Podcaster, Entrepreneur and Creator The Board for Musicians Small in Size Big on Sound From singer-songwriters to small bands, the L-8 is the ideal mixer and recorder for musicians who may be small in number, but big on sound. Coming Through Loud & Clear The L-8 features six high performance preamps each with phantom power, a low noise floor (-121dBU EIN), and maximum input gain of +54dB. Additionally there are two each Hi-Z, line-level and USB inputs. You can also fine-tune each channel with EQ and onboard effects. True Multi-Track Recording The L-8 lets you record up to 10 discrete tracks plus a stereo mix directly to an SD card at resolutions up to 24-bit/96 kHz*. You can punch-in and overdub with ease, then transfer your work to your favorite DAW for fine tuning. *Effects, EQ, overdub, and audio interface are not available in 96 kHz. Go Out & Play No outlet? No worries. Get up to 1 ½ hours of power from just four AA batteries. You can also power using a USB battery, and with the L-8’s unique USB connection design, you never have to worry about accidentally disconnecting. Individual Monitor Mixes Never settle for that “compromise” monitor mix again. The L-8 provides three custom monitor mixes, so no matter where you are on stage, you hear exactly what you need. WHAT'S INCLUDED LiveTrak L-8 Mixer/Recorder TRRS Cable USB Cable AD-17 AC Adapter Quick Guide Features: 8-channel mixer (6 combo, plus 2 TS) 12-track simultaneous recording, 10-track playback Mix-Minus function preventing audio feedback from dial-in guests TRRS connection and included TRRS cable for phone connectivity 6 assignable Sound Pads, with 13 preset sounds 4 headphone outputs, consisting of 3 custom monitor mixes, plus one main mix 3-band EQ and a low-cut function 7 scene memories for storing mixes 12-in / 4-out USB audio interface Class-compliant mode (for iOS compatibility) Battery operated with four AA batteries or a USB power supply Record up to 24-bit/96kHz, record up to 48kHZ to computer and SD card simultaneously INPUTS AND OUTPUTS / NUMBER OF CHANNELS Inputs: MIC/LINE : 6 LINE : 2Output: MASTER OUT : 1 MASTER OUT (PHONES) : 1 MONITOR OUT (PHONES) : 3 INPUTS MIC/LINE: Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT) Input gain: +10 – +54 dB/–3 – +41 dB (when Hi-Z ON) Input impedance: XLR: 3 kΩ Input impedance: TRS: 3 kΩ/1 MΩ (when Hi-Z ON) Maximum input level: –2 dBu when –26dB switch OFF (at 0 dBFS) Maximum input level: +24 dBu when –26dB switch ON (at 0 dBFS) Phantom power: +48 VLINE: Type: TS phone jack Input impedance: 10 kΩ Maximum input level: +3 dBuSmartphone connection jack: Type: TRRS mini jack (4-contact/TIP: L, RING 1: R, RING 2: GND, SLEEVE: MIC) Input impedance: 10 kΩ Maximum input level: +3 dBu OUTPUT MASTER OUT: Type: XLR jacks (balanced) Maximum output level: +14.5 dBu Output impedance: 100 ΩMASTER OUT (PHONES): Type: Standard stereo phone jack Maximum output level: 10 mW + 10 mW (60Ω load) Output impedance: 10 ΩMONITOR OUT (PHONES): Type: Standard stereo phone jack Maximum output level: 10 mW + 10 mW (60Ω load) Output impedance: 10 Ω BUSES MASTER: 1MONITOR: 3SEND EFX: 1 CHANNEL STRIP LOW CUT: 75 Hz, 12 dB/OCTEQ: HIGH: 10 kHz, ±15 dB, shelving MID: 2.5 kHz, ±15 dB, peaking LOW: 100 Hz, ±15 dB, shelving Level meter: 9 segmentsSend effects: 8 types RECORDER Maximum simultaneous recording tracks: 12 at 44.1/48/96 kHzMaximum simultaneous playback tracks: 10Recording format: WAV 44.1/48/96 kHz, 16/24-bit, mono/stereoRecording media: 4GB–32GB SDHC-compliant cards (Class 10 or higher) 64GB–512GB SDXC-compliant cards (Class 10 or higher) AUDIO INTERFACE 44.1/48 kHz: Recording: 12 channels Playback: 4 channelsBit depth: 24-bitInterface: USB 2.0
THE L-20R The Portable Mixer/Recorder That Does it All The Zoom LiveTrak™ L-20R is a rack-mountable digital mixer that allows musicians to control their live mix right from the stage with the use of an iPad. With wireless control, 20 discrete channels, 22 tracks of recording and six custom monitor mixes, the L-20R offers a complete solution for any venue. Portable and Powerful Featuring 16 mono mic/line inputs and two stereo inputs, the L-20R can handle the most demanding stages. The L-20R offers two EFX busses and each channel includes a 3-band EQ, pan controls and compressor. 22 Tracks of Recording During your live performance, record 20 channels plus a stereo mix directly to an SD card, then transfer your tracks to your DAW for your final edit. *Effects, EQ, overdub, audio interface, and fader modes A-F are not available in 96 kHz. It’s Your Monitor Make It Your Mix With six independent monitor outputs, the L-20R enables musicians to create their own custom mix. A dedicated output enables the FOH engineer to easily switch between monitoring the main and sub mixes. iPad Control With iPads, the FOH engineer and 6 musicians can control their own mix from anywhere in the venue. *Compatible with all iPad Air models, iPad Mini 2 and later, iPad Pro, and iPad (2017), running iOS 10.3.3 or newer. “In the New York City club scene, the L-20R’s size and features make my life a lot easier. It’s got plenty of inputs. It’s got wireless control. It’s got all I need.” Dennis McCalla Engineer , The Kennedy Administration Scene Recall With the LiveTrak L-20R’s Scene Recall feature, you can instantly recall up to nine different scenes with monitor mixes, EQ settings, effects, and more. Accessible The L-20R’s versatile design provides easy access for plugging in your cables. A Robust Audio Interface The L-20R is a 22-in/4-out USB audio interface. Route inputs to any DAW, streaming software, or iOS device*—even while recording to an SD card. *Apple Lightning to USB Camera Adapter required. What's in the Box Included with the L-20R LiveTrak L-20R AD-19 AC Adapter BTA-1 Bluetooth Adapter Rack Ears Quick Guide Optional Accessories FS01 Momentary Footswitch Features: ● 20 discrete channels (16 mono plus 2 stereo) with XLR or ¼-inch connectivity ● 22-track simultaneous recording, 20-track playback ● 22-in/4-out USB audio interface connectivity ● Records up to 24bit/96kHz audio to SD card ● Built-in compression control (Channels 1-16) ● Main outputs plus 6 customizable monitor outputs ● Dedicated headphone output for sound engineer ● Scene saving function, up to 9 scenes saved at a time ● 20 built-in chorus, delay and reverb effects with adjustable parameters ● Compatible with Remote Mixer app for iPad SPECS NUMBER OF INPUT AND OUTPUT CHANNELS Inputs: Mono (MIC/LINE): 16 Stereo (LINE): 2 Output: MASTER OUT: 1 MONITOR OUT: 6 PHONES : 1 INPUTS 1-16 Mono (MIC/LINE): Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT) Input gain PAD OFF: +16 – +60dB PAD ON: − 10 – +34 dB Hi-Z ON: +6 – +50 dB Input impedance XLR: 3 k Ω TRS: 10 k Ω /1 M Ω (when Hi-Z ON) Maximum input level PAD OFF: 0 dBu (at 0 dBFS) PAD ON: +26 dBu (at 0 dBFS) Phantom power +48 V Stereo (LINE): Type: TS phone/RCA pin (unbalanced) jacks Maximum input level : +10 dBu OUTPUTS MASTER OUT: Type: XLR jacks (balanced) Maximum output level :+14.5 dBu Output impedance: 100 Ω MONITOR OUT A–F (with balanced output) connected to monitor speakers: Type: TRS phone jacks (balanced) Maximum output level: +14.5 dBu Output impedance: 100 Ω MONITOR OUT A– F (with unbalanced output) connected to headphones: Type: Standard stereo phone jacks Maximum output level: 42 mW + 42 mW at 60 Ω Output impedance: 100 Ω PHONES: Type: Standard stereo phone jacks Maximum output level: 42 mW + 42 mW at 60 Ω Output impedance: 100 Ω BUSES MASTER: 1 MONITOR: 6 SEND EFX: 2 CHANNEL STRIP COMP: LOW CUT: 40–600 Hz, 12dB/OCT EQ: HIGH: 10 kHz, ± 15 dB, shelving MID: 100 Hz – 8 kHz, ± 15 dB, peaking LOW: 100 Hz, ± 15 dB, shelving PHASE: LEVEL METERS Level segments: 12 SEND EFFECTS Effects: 20 types: EFX 1 Hall 1 (Reverb) Hall 2 (Reverb) Room 1 (Reverb) Plate (Reverb) Church (Reverb) DrumAmb (Reverb) GateRev (Reverb) Vocal 1 (Delay + Hall Reverb) Vocal 2 (Delay + Mono Reverb) Vocal 3 (Delay + Plate Reverb) EFX 2 Hall 3 (Reverb) Room 2 (Reverb) Spring (Reverb) Delay (Delay) Analog (Delay) P-P Dly (Delay) Vocal 4 (Delay + Room Reverb) Chorus 1 (Stereo Chorus) Chorus 2 (Mono Chorus) Cho+Dly (Chorus + Delay) RECORDER Maximum simultaneous recording tracks: 22 at 44.1/48/96 kHz Maximum simultaneous playback tracks: 20 Recording format: WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo Recording media: 4 GB – 32 GB SDHC cards (Class 10 or higher) 64 GB – 512 GB SDXC cards (Class 10 or higher) AUDIO INTERFACE 44.1/48 kHz: Recording: 22 channels Playback: 4 channels Bit depth: 24-bit Interface: USB 2.0 SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE Windows: OS： Windows® 7 SP1 or later / 8.1 / 10 (32bit/64bit) CPU: Intel® Core i3 or faster* USB: USB 3.0/USB 2.0** * Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD. ** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards. Mac: OS： Mac® OS X 10.11 / 10.12 / 10.13 / 10.14 CPU: Intel® Core i3 or faster USB: USB 3.0/USB 2.0* * Operation is not guaranteed when used with USB hubs or expansion cards. iPhone/iPad: OS： iOS 9 / 10 / 11 * Apple Lightning-to-USB Camera Adapter required. CARD READER Class: Class USB HOST Class: USB 2.0 High Speed Sampling frequency: 44.1/48/96 kHz Frequency characteristics: 44.1 kHz: −1.0 dB, 20 Hz – 20 kHz 96 kHz: −3.0 dB, 20 Hz – 40 kHz Equivalent input noise: Actual measurements: −128dB EIN (IHF-A) at +60dB/150Ω input Display: LCD with backlight (128×64 resolution) Power: AD-19 AC adapter (DC12V 2A) Power consumption: 24 W maximum External dimensions: 445 mm (W) × 388.4 mm (D) × 82.6 mm (H) Weight (main unit only): 3.71 kg
The PodTrak P4 Podcast Recorder The Ultimate Recorder for Podcasting Compact, affordable, and loaded with features, the PodTrak™ P4 makes it easy to capture professional audio wherever you’re recording your podcasts. High Quality Mic Inputs The P4’s mic inputs feature Zoom’s professional quality preamps. Providing up to 70dB of gain, the P4 can be used with the most demanding microphones. Headphones for Everyone With 4 independent headphone outputs, each with a dedicated volume control, everyone can hear it all. Call-In Guests You and your guests are not always together. That’s why the P4 makes it easy to incorporate remote interviews. Just connect your phone to the P4 with a TRRS cable. Or connect your computer via USB, using your favorite conferencing software. With the P4’s built-in mix-minus feature, distracting echo and feedback will automatically be eliminated. Wireless Connectivity You can also use the optional Zoom BTA-2* Bluetooth Receiver to wirelessly connect your phone to record remote guests. *BTA-2 available separately. Produce Like a Pro The P4’s customizable Sound Pads can instantly trigger music, ads, jingles, and even pre-recorded interviews. Easily load your own sounds or choose from 11 pre-recorded presets. Go Where the Story Takes You The P4 operates up to 4 hours on 2 AA batteries, or you can also use a USB battery for extended recording time. Audio Interface The P4 can serve as a 2-input, 2-output audio interface, allowing you to record directly to your computer, Android or iOS* device. With the P4 you can also live-stream your podcast. * Apple Lightning to USB camera adapter required. What’s in the Box • PodTrak P4• AA Batteries (x2)• Quick Start Guide PodTrak P4 Features Four mic inputs with XLR connectors Four headphone outputs with individual volume control Gain control knobs and mute buttons for each input Phantom power for all XLR inputs Automatically prevent feedback from call audio using the Mix-Minus function Easily connect your phone using the TRRS connection Trigger sound effects using four assignable Sound Pads with 11preset sounds All input sources can be recorded on separate tracks 16-bit /44.1kHz audio WAV Records directly to SD, SDHC and SDXC cards up to 512 GB 2-input, 2-output USB audio interface Class-compliant mode for iOS compatibility Up to four hours of use with just two AA batteries or a USB power supply Specs INPUTS & OUTPUTS Number of input channels: 4 (mono/stereo) Number of output channels: 1 (headphone x 4) CONNECTORS MIC XLR jacks (2: HOT) Smartphone connection jack TRRS mini jack (4 contacts, TIP: L, RING1: R,RING2: GND, SLEEVE: MIC) USB USB Type-C (audio interface and mass storage functions) Note: Use a USB cable that supports data transfer. USB bus power is supported. DC 5 V USB Type-C (for power supply) Headphones 3.5 mm stereo mini PHANTOM POWER Phantom power +48 V RECORDER Recorder Formats: WAV 44.1 kHz, 16-bit, mono/stereo Recording media: 4 GB−32 GB SDHC-compliant cards (Class 10 or higher); 64 GB−512 GB SDXC-compliant cards (Class 10 or higher) AUDIO INTERFACE Audio interface 44.1 kHz, 16-bit, 2-in/2-out SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE Windows OS: Windows® 10 Version 1703 or later (32bit, 64bit) CPU: Intel® Core i3 or faster* USB: USB 3.0 / 2.0** * Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD. ** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards. Mac OS： macOS 10.13 ~ 11 CPU: Intel® Core i3 or faster USB: USB 3.0/USB 2.0* * Operation is not guaranteed when used with USB hubs or expansion cards. iPhone / iPad OS： iOS 12 ~ 14 * Apple Lightning-to-USB Camera Adapter required. Android OS： Android OS 7 / 8 / 9 / 10 * Please refer to the compatible android device list. POWER Power 2 AA batteries (alkaline, NiMH or lithium) • We recommend using NiMH AC adapter (ZOOM AD-17): DC 5 V/1 A (USB bus power is supported.) Est. continuous operation time using batteries Recording 44.1 kHz/16-bit/4ch audio to SD card (when 48 V is OFF and headphone impedance is 63 Ω) Alkaline batteries: about 4 hours NiMH batteries (1900 mAh): about 4.5 hours Lithium batteries: about 9 hours • The above values are approximate. • Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions. MISC. External dimensions 112 mm (W) × 155 mm (D) × 47 mm (H) Weight (unit only) 290 g
THE ULTIMATE CAMERA FOR MUSICIANS The Zoom Q2n Handy Video Recorder If you’re an aspiring musician, video plays an important role in helping you reach a wider fan base. It’s a digital world and that means an inspiring performance can take the Internet by storm. But you can’t capture your music with just any camera. You need one that records incredible audio. The Zoom Q2n gives you a fast and easy way to create HD videos with high-impact audio. The built-in X/Y microphones capture sound with beautiful stereo imaging. And the 160-degree wide-angle lens excels in an array of lighting conditions—whether you’re filming at home, in a rehearsal space, or at a club. Experience Legendary Sound As the camera for musicians, the Q2n gives legends like Steve Gadd the ability to get up close and personal with his fans. The Q2n’s audio and video quality make it simple for Steve to capture the essence of his performances so fans can enjoy them time and time again... A Portable Camera ThatSounds Great High-resolution 24-bit/96 kHz audio delivers studio-quality recording, no matter where you’re filming. And the camera’s built-in X/Y microphones can handle sound pressure levels up to 120 dB SPL, for distortion-free recording. It Can Handle the Pressure Since the Q2n can handle high sound pressure levels, it records loud music without distortion or clipping. Famed drummer Dave Weckl relies on his Q2n to capture full and beautifully balanced snare, bass, tom, and cymbal detail. Capture Your Best Momentsin Any Lighting Ten "Scene" presets allow you to record in a wide range of environments, including low-light locations where the Q2n is designed to thrive. The presets range from "Concert Light"—which automatically adjusts for changing lighting conditions—to "Concert Lo-Lit" for dimly lit rooms. And there are scene settings tailored specifically for filming in jazz clubs and rehearsal studios, as well as outdoors. Up Close and Personal The Q2n features a 160-degree wide-angle lens that captures stunning video. And it records in 720p or 1080p HD resolution, using the same 24 fps or 30 fps frame rate used in film. An F2.0 aperture makes the Q2n perfect for musicians who perform in a wide variety of lighting environments. Capture the full band or focus on an individual performer using five field of view (FOV) settings. Plus, a color LCD screen makes it easy to create the perfect shot or review your videos. Small Enough to Go Everywhere The Q2n is small enough to carry anywhere, so you’ll always be prepared to capture impromptu performances or record new ideas. It records up to two hours of footage on two standard AA batteries, providing more than enough juice for concerts, rehearsals, jam sessions, and more. Capture the Essence of Your Music For an acoustic guitarist, nothing's more important than mic placement. Placing the Q2n ten feet away from your guitar achieves beautiful stereo sound. For more nuanced string sound and finger/neck detail, place the Q2n within three feet of your guitar. Don’t Let TechnologyGet in Your Way Intuitive controls and simple one-button recording make the Q2n easy to use. Just power it up and start recording. RecordAudio Only The Q2n is also capable of recording audio only. Simply use the ‘Camera Off’ setting to capture demos or live performances in stereo sound using the built-in X/Y mics. Enjoy the Clarity of Sound If you’re like renowned pianist Kenneth Crouch, you strive for clarity in your videos. The Q2n captures a full range of frequencies—from delicate to more thunderous sounds—so fans can re-experience your performances with the same detail and accuracy as if they were hearing them live. Connectand Listen The Q2n features a 1/8" stereo input jack that lets you connect external mics and other audio devices. And the 1/8” stereo output jack makes it simple to listen to audio with headphones or on your home stereo. Play it Back on TV To view your video recording in high definition, you can connect to an HDMI TV using the HDMI micro Type D video output. A USB port allows for connection to any computer or iOS device* so you can use the Q2n as a web camera for live streaming, as a USB microphone for podcasts, or as a card reader to transfer recordings**. * iPad Camera Connection Kit or Lightning to USB Camera Adapter required (sold separately)** Computer connection only Files Types and Recording Times Video and audio file typesVideo (with audio) is recorded as MPEG-4 (MOV) files. When using “Audio Recording” mode (without video), audio data is saved in uncompressed WAV (up to 24-bit/96 kHz) format. Extended recording timesThe Q2n records directly to micro SD/SDHC/SDXC cards up to 128 GB. It’s perfect for podcasts, blogs, and capturing performances. Features at a Glance... High-quality 160° wide-angle lens (F2.0/16.6 mm) 10 "Scene" options for use in different lighting environments,plus ‘Auto’ setting for automatically adjusting how the cameracaptures specific scene conditions Built-in X/Y stereo microphones capable of handling soundlevels up to 120 dB SPL Can be used as standalone audio recorder, with data savedin WAV format, up to 24-bit/96 kHz 5 field of view (FOV) settings Records directly to micro SD/SDHC/SDXC cards up to 128 GBfor extended recording times Easy one-button recording Color LCD Support for two HD video modes, 720p and 1080p Video bitrates up to 24 Mbps for improved image quality Frame rates: 1080p/30fps HD, 1080p/24fps HD, 720p/30fps HD,720p/24fps HD HDMI video output for connection to HDTVs, selectable betweenNTSC and PAL Records video (with audio) in MOV format Analog-style level control with onscreen level metering and2-color status LCD on lens Auto Gain function automatic control over audio input level Stereo input for use with external devices plus support forplug-in power Headphone/line-level for fast audio monitoring Low-cut filter for the elimination of low-frequency noiseand rumble USB interface for live streaming and data transfer Compatible with USTREAM Producer, Flash Live Media Encoder,Skype, and other popular streaming applications Webcam and USB mic function (with direct monitoring) whenused with computers and iOS devices (Apple Camera Connection Kitor Lightning to USB Camera Adapter required for use with iOS devices) Operates with two AA batteries for approximately two hours Built-in standard tripod mount Accessories Here's what’s included with the Q2n: 2 x AA batteries Operation manual Optional Q2n accessories: WSU-1 universal hairy windscreen HS-1 hot shoe mount MA-2 tripod to mic stand adapter for Handy Recorders Zoom AD-17 AC adapter LHQ-2n lens hood and lens cover Q2n Accessory Package(APQ-2n)* includes: WSU-1 Universal Hairy Windscreen Lens hood Lens cover 3-prong action camera mount adapter USB to mini-USB cable Padded-shell case MA-2 mic clip adapter *Q2n Accessory Package sold separately
The Q8 marries high-definition video with high-resolution audio, making it the perfect camera for music and video creators everywhere. Its 160 degree wide-angle lens and digital zoom ensure that you'll always capture the complete picture. Combine that with ZOOM's groundbreaking interchangeable mic capsule system and two XLR-TRS combo inputs, and you have a world of audio options. Recording Media: SD/SDHC/SDXC card (up to 128GB) Imaging Sensor: 1/3-inch 3-megapixels CMOS sensor Optics Lens: Fixed Focus (36cm to ∞), F2.0, Focal distance about 16.6 mm (35 mm equivalent) Video Format: MPEG-4 AVC / H.264（MOV） Video Resolution: 3M HD (2304 x 1296) 30fps, HD1080p 30fps, HD720p 60fps, HD720p 30fps, WVGA 60fps, WVGA 30fps Audio Formats: WAV (Quantization: 16/24bit, Sampling Frequency: 44.1/48/96kHz) AAC (Bit Rate: 64 to 320kbps, Sampling Frequency: 48kHz) Audio Function: Lo-cut filter (80Hz, 120Hz, 160Hz), Dynamics control (Limiter, Compressor, Leveler) Image Function Display: Digital zoom (5 steps), Scene selection (Auto / Concert Lighting / Night), Self timer (off / 3sec / 5sec / 10sec) 2.7" wide full-color LCD, Touch screen Built-in Mic: X/Y stereo mic (XYQ-8) 120° XY stereo format Maximum sound pressure input: 140dB SPL Input gain: -∞ to 52dB Input 1/2: TRS/XLR combo jacks Input gain (PAD off): -∞ to 55dB Input gain (PAD on): -∞ to 35dB Input impedance: 1.8 kΩ or more Maximum input level: +22 dBu (PAD on) Phantom power: +12 / +24 / +48V Equivalent input noise: -120 dBu or less Output Connector: Combined line/headphones stereo mini jack microHDMI (Type D) Built-in Speaker: 400mW 8Ω, monaural speaker USB: Mini B type [Operation as mass storage] Class: USB2.0 High Speed [Operation as audio interface] Class: USB2.0 Full Speed, 16-bit/44.1kHz [Operation as webcam] WVGA/720p video size, 16-bit/48kHz audio Note: Operation as audio interface and mass storage supported with iPad (Apple Camera Connection Kit required) Note: USB bus power supported Power Supply: Lithium-ion battery DC 4.2V maximum voltage DC 3.7V nominal voltage 1700mAh capacity Battery Recharging Times: USB: 4 hours, 30 minutes (approximate) AC adapter: 2 hours, 45 minutes (approximate) Battery Operation Time: More than 2 hours (when recording 720p/30fps) AC Adaptor: ZOOM AD-17, sold separately: DC 5V/1A Dimensions: Mic lowered: 158mm (L) x 48mm (W) x 69mm (H) Mic raised: 158mm (L) x 48mm (W) x 119mm (H) X/Y mic (XYQ-8): 50mm (L) x 37mm (W) x 32mm (H) Weight: Recorder (including battery): 300g XYQ-8 capsule: 40g) Included Accessories: Detachable stereo X/Y microphone capsule (XYQ-8), Foam windscreen, Rechargeable Li-ion battery(BT-03), USB cable (1m), Tripod to three-prong action camera mount adapter, Lens cover, Lens hood, Strap, Operation manual Optional Accessories: XYH-5 X/Y mic capsule, XYH-6 X/Y mic capsule, MSH-6 Mid-Side mic capsule, SGH-6 Shotgun mic capsule, SSH-6 Stereo Shotgun mic capsule
Recorder Simultaneous Recording of 2 tracks and playback of 8 tracks. The R8 is the perfect tool for capturing audio on-the-go. Record live music performances, rehearsals, songwriting sessions or even audio for film and video. Playback up to eight tracks of audio at up to 24-bit/48kHz resolution as WAV files. If you make a mistake, use the UNDO/REDO function to cancel the last recording operation and restore the previous state. You can even mix down completed songs inside the R8 and save a mix for each project. Interface Audio interface supports 2 inputs and 2 outputs When combined with your computer, the R8 becomes a powerful audio interface. Connect the R8 to your computer via USB, launch your favorite DAW or use the included Cubase LE software and start laying down your tracks. Simultaneous 2-in/2-out capability allows you to record up to 24-bit/96kHz high definition audio. If you use the 44.1kHz sampling rate, the internal DSP effects of the R8 are also available for your computer tracks. A dedicated control lets you adjust the mixing balance between the DAW playback sound and the direct sound for monitoring. Controller Control surface functions for most DAW software Transport and mixing operations of the DAW software can be controlled using the R16. This gives you greater control and a better feel for mixing. In Mackie Control emulation mode, major DAW applications such as Cubase, Logic, and Sonar are supported. Sampler 8 Voice sampler with 8 pads The built-in sampler functions allow you to loop audio data on any track. You can play the pads in real-time and combine loops to create a performance for an entire song. When setting loop intervals, you can see the waveforms for visual confirmation. Time-stretching, which allows you to change the tempo without changing the pitch, and trimming the unneeded parts of loops, is also possible. You can use the sampler and recorder functions together seamlessly to play back loop tracks while recording instrumental performances on other tracks. 500 MB of drum loops inside The included 2GB SD card contains 500 MB of drum loops from Big Fish Audio, one of the top producers of sample libraries. With an emphasis on rock, the collection of standard drum phrases can be used to create professional-sounding rhythm tracks just by lining them up. Create your own beats with powerful rhythm machine The R8's rhythm machine includes 10 types of drum kits that use linear PCM audio samples. Use the touch-sensitive drum pads to program up to 511 of your own beats, and use the rhythm patterns that you create just like audio loops. Use the R8's pads to start playback of patterns and use the R8's sequencer to arrange them into songs. You can start fast with the 472 preset patterns, which include intros, fills, endings and other phrase variations. Built in stereo microphones The built-in high-sensitivity stereo microphones are convenient for recording sketches of musical phrases and melodies as they come to mind. Use these mics for clear recordings of vocals and acoustic instruments. Over 140 DSP effects including guitar amp modelling The DSP effects, which include 146 types and 370 patches, can be used for recording, mixing and mastering. Insert effects are comprised of seven modules and include algorithms for guitars, basses, vocals and other sounds. One insert effect can be used simultaneously with the two types of send-return effects. 18 types of guitar amplifier models from our best-selling G2Nu and 6 types of bass amp models are included, so you can re-create a realistic amp sound simply by connecting a guitar or bass directly to the R8. Supports SDHC cards up to 32GB The R8 uses compact and readily-available SD and SDHC memory cards as recording media. Unlike tape and disk recorders, this unit has no motor, making it more resistant to physical interference and concerns about mechanical noise. Locate functions make editing easy Set up to 100 markers and directly move to them whenever you want. Also, use the A-B repeat function to play or re-record a designated interval and use auto punch-in and punch-out for efficient editing. Versatile inputs for guitars, mics and line sources The two balanced XLR-1/4-inch combination inputs can provide phantom power, so you can use studio-class condenser microphones to make professional-level recordings. One channel also includes a Hi-Z switch, allowing guitars, basses and other high-impedance instruments to be recorded. Tuner and metronome functions The R8's built-in tuner is great for quickly tuning instruments and checking vocal pitch. The metronome can provide a click track for a drummer during recording and is also useful in practice settings. The metronome can also be sent to just the headphones. This allows you to play along to backing tracks previously recorded on the R8. Powered by an AC adapter, batteries or USB bus power Power options provide flexibility for different situations. Power the R8 on its own in one of two ways-with the included AC adapter or four alkaline AA batteries. The R8 operates for over 5 hours on batteries, plenty of time for most field recordings. When using the audio interface or control surface functions, the R8 can be powered by the computer's USB bus. Rapid file transfer with H-Speed USB 2.0 The R8's Hi-Speed USB 2.0 port allows WAV-format audio files recorded on the R8 to be sent to a computer smoothly and rapidly. Use the R8 with a computer for additional music production, including editing with DAW software, creating original CDs and importing WAV files. Easy hands-free operation Using a ZOOM FS01 footswitch (sold separately), you can control the recorder transport (play, stop, rewind), punch-in for recording and change effect patches with your foot. With the R8, you can easily record without ever taking your hands off your guitar. Cubase LE 4 Bundle Software Cubase LE 4 is a powerful music production system that can handle recording, editing, and mixing tasks both for audio and for MIDI. It incorporates the same audio engine as the multi-award winning, higher-level version Cubase 4, and is ideal as an entry into computer-based music production. Supported OS: Windows XP/Vista/7 Mac OS X 10.5.8 or later
The Zoom RC4 Remote Control gives you access to a range of functions including recording start, play, stop, fast forward/reverse, recording level adjustment, and input source switching. It is also useful for preventing any handling noise.
Copyright © 2024 BC Wholesalers
