TWO PEDALS. ENDLESS SOUNDS. G1 FOUR/G1X FOUR Guitar Multi-Effects Pedals The Zoom G1 FOUR and G1X FOUR feature over 70 effects and amp models, looper and drum machine. Plus, access ZOOM Guitar Lab’s additional library of downloadable effects. Plug in and be amazed!
Intuitive Multi-Effects Processors for Guitarists If you're a guitarist, you know how important it is to have the freedom and flexibility to create your own sound. The Zoom G3n Multi-Effects Processors remove any barriers in your way. The G3n is a genre-defying multi-effects processor that gives you the versatility you need to experiment with new sounds and playing styles. Its built-in expression pedal(G3Xn), 80 second Looper, faithful amp and cabinet emulators, and extensive selection of effects and patches make it an essential addition to any pedalboard. With the G3Xn, breaking boundaries and achieving great sound has never been easier. Boutique Pedals, Legendary Amps, and Superior Effects The G3Xn is pre-loaded with 70 expertly crafted and assembled DSP effects (68 effects, 1 looper pedal, and 1 rhythm pedal), plus 10 of the most realistic amp/cabinet emulators we've ever created. We’ve loaded the G3n and G3Xn with essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing. Unique multi-effects such as Seq Filter, Reverse Delay, HD Hall, and OSC Echo are also included. Create Complex Signal Chains Use up to seven effects and amp/cabinet models simultaneously, chained together in any order you like. It's like having hundreds of fully loaded pedalboards all in one compact and easy-to-use device. Accurate, Realistic Amp and Cabinet Emulation Choose from five classic amp models and adjust the sound exactly as you would with the knobs and switches of the real thing—and then pair your amp with one of the five new cabinet emulators to complete the sound. Plus, you can download even more faithfully recreated amp/cabinet combinations such as Fender Bassman, Hi-Watt Custom 100, Mesa Boogie Dual Rectifier Orange Channel, Fender '65 Deluxe Reverb, and Orange Graphic120—available now with more being released every month. NOTE: Manufacturer names and product names are trademarks or registered trademarks of their respective owners. The names are used only to illustrate sonic characteristics and do not indicate any affiliation with the Zoom Corporation or Zoom North America. 75 Custom-Crafted Patches and Counting Recreate essential guitar tones and pioneer new territory with 75 custom-designed patches created exclusively by Zoom guitarists. Use these patches to emulate the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May or explore something completely brand new. With our free ZOOM Guitar Lab software, you can look for new effects and amp/cabinet emulators, and add new, exclusive patches from our diverse and growing list of creators, including: Kyle Bolden (Stevie Wonder) Eric Struthers (Aaron Neville) Allen Epley (The Life and Times, Shiner) Richard Patrick (Filter) Jeff Schroeder (Smashing Pumpkins) Andrew Elstner (Torche, Tilts, Riddle of Steel) Christophe Godin (Mörglbl) Luca Colombo Vinny Valentino (Steve Smith & Vital Information) Kiko Loureiro (Megadeth) Tommy Bolan (NYC, Banzai, Warlock) Ozielzinho Paul Reid Ludovico Vagnone Chris Rosenau (Volcano Choir) Mark Waldrop (The Digital Age) Errol Cooney (Christina Aguilera, Stevie Wonder) Wes Geer (Korn, hed PE) Adam Hawley (Joss Stone) Chuck Loeb (Fourplay) Dan Spack (Volcano Choir) Craig Wedren (Shudder To Think) Fast and Intuitive Editing The G3n/G3Xn’s switches and knobs give you enhanced control and have the responsive, hands-on feel of a standard stompbox. The G3n/G3Xn combines three LCD displays to show whole effect-chains at a glance, making it easy to add, delete, or change the order of effects quickly. Plus, you can store up to 150 of your custom effects-chains as patches. Practice and Perform There are 68 built-in rhythm patterns included with the G3Xn, making it the perfect practice rig and enabling "one-man band" performances. An onboard Looper (which can be used with the rhythm patterns) allows you to record and overdub phrases up to 80 seconds long through the effects of your choice. A built-in chromatic tuner lets you bypass the currently selected patch while tuning, or mute the signal altogether. Inputs and Outputs The G3n can be easily integrated into any live performance or studio rig. In addition to a standard guitar input, there's an auxiliary stereo input for connecting smartphones or music players. It also includes a dedicated headphone jack for practice and dual outputs for mono or stereo L/R connection to guitar amps, PA systems, and audio interfaces. The Mic On/Off feature lets you optimize the G3n for use with a real amp and cabinet (Mic Off) as well as optimize for playing through a PA system or recording direct with amp and cabinet emulators (Mic On). ZOOM Guitar Lab 3.0 Software With the new Guitar Lab 3.0 app for Mac/Windows, you have access to Zoom’s library of amp models, effects and patches. A one-stop shop for effects management, users can easily edit effect parameters, build effect chains, and backup/organize their patches. Guitar Lab 3.0’s advanced UI monitors your CPU usage while you edit for maximum efficiency. For user convenience, the new Clipboard function memorizes up to four effects with custom parameters, so you can copy and paste them onto other patches. Finally, the NEWS section contains newly added effects and patches, as well as demo sounds, all available for download directly from the app. Download ZOOM Guitar Lab.
Intuitive Multi-Effects Processors for Guitarists If you're a guitarist, you know how important it is to have the freedom and flexibility to create your own sound. The Zoom G3Xn Multi-Effects Processors remove any barriers in your way. The G3n is a genre-defying multi-effects processor that gives you the versatility you need to experiment with new sounds and playing styles. Its built-in expression pedal(G3Xn), 80 second Looper, faithful amp and cabinet emulators, and extensive selection of effects and patches make it an essential addition to any pedalboard. With the G3Xn, breaking boundaries and achieving great sound has never been easier. Boutique Pedals, Legendary Amps, and Superior Effects The G3Xn is pre-loaded with 70 expertly crafted and assembled DSP effects (68 effects, 1 looper pedal, and 1 rhythm pedal), plus 10 of the most realistic amp/cabinet emulators we've ever created. We’ve loaded the G3n and G3Xn with essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing. Unique multi-effects such as Seq Filter, Reverse Delay, HD Hall, and OSC Echo are also included. Create Complex Signal Chains Use up to seven effects and amp/cabinet models simultaneously, chained together in any order you like. It's like having hundreds of fully loaded pedalboards all in one compact and easy-to-use device. Accurate, Realistic Amp and Cabinet Emulation Choose from five classic amp models and adjust the sound exactly as you would with the knobs and switches of the real thing—and then pair your amp with one of the five new cabinet emulators to complete the sound. Plus, you can download even more faithfully recreated amp/cabinet combinations such as Fender Bassman, Hi-Watt Custom 100, Mesa Boogie Dual Rectifier Orange Channel, Fender '65 Deluxe Reverb, and Orange Graphic120—available now with more being released every month. NOTE: Manufacturer names and product names are trademarks or registered trademarks of their respective owners. The names are used only to illustrate sonic characteristics and do not indicate any affiliation with the Zoom Corporation or Zoom North America. 75 Custom-Crafted Patches and Counting Recreate essential guitar tones and pioneer new territory with 75 custom-designed patches created exclusively by Zoom guitarists. Use these patches to emulate the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May or explore something completely brand new. With our free ZOOM Guitar Lab software, you can look for new effects and amp/cabinet emulators, and add new, exclusive patches from our diverse and growing list of creators, including: Kyle Bolden (Stevie Wonder) Eric Struthers (Aaron Neville) Allen Epley (The Life and Times, Shiner) Richard Patrick (Filter) Jeff Schroeder (Smashing Pumpkins) Andrew Elstner (Torche, Tilts, Riddle of Steel) Christophe Godin (Mörglbl) Luca Colombo Vinny Valentino (Steve Smith & Vital Information) Kiko Loureiro (Megadeth) Tommy Bolan (NYC, Banzai, Warlock) Ozielzinho Paul Reid Ludovico Vagnone Chris Rosenau (Volcano Choir) Mark Waldrop (The Digital Age) Errol Cooney (Christina Aguilera, Stevie Wonder) Wes Geer (Korn, hed PE) Adam Hawley (Joss Stone) Chuck Loeb (Fourplay) Dan Spack (Volcano Choir) Craig Wedren (Shudder To Think) Fast and Intuitive Editing The G3n/G3Xn’s switches and knobs give you enhanced control and have the responsive, hands-on feel of a standard stompbox. The G3n/G3Xn combines three LCD displays to show whole effect-chains at a glance, making it easy to add, delete, or change the order of effects quickly. Plus, you can store up to 150 of your custom effects-chains as patches. Practice and Perform There are 68 built-in rhythm patterns included with the G3Xn, making it the perfect practice rig and enabling "one-man band" performances. An onboard Looper (which can be used with the rhythm patterns) allows you to record and overdub phrases up to 80 seconds long through the effects of your choice. A built-in chromatic tuner lets you bypass the currently selected patch while tuning, or mute the signal altogether. Inputs and Outputs The G3n can be easily integrated into any live performance or studio rig. In addition to a standard guitar input, there's an auxiliary stereo input for connecting smartphones or music players. It also includes a dedicated headphone jack for practice and dual outputs for mono or stereo L/R connection to guitar amps, PA systems, and audio interfaces. The Mic On/Off feature lets you optimize the G3n for use with a real amp and cabinet (Mic Off) as well as optimize for playing through a PA system or recording direct with amp and cabinet emulators (Mic On). ZOOM Guitar Lab 3.0 Software With the new Guitar Lab 3.0 app for Mac/Windows, you have access to Zoom’s library of amp models, effects and patches. A one-stop shop for effects management, users can easily edit effect parameters, build effect chains, and backup/organize their patches. Guitar Lab 3.0’s advanced UI monitors your CPU usage while you edit for maximum efficiency. For user convenience, the new Clipboard function memorizes up to four effects with custom parameters, so you can copy and paste them onto other patches. Finally, the NEWS section contains newly added effects and patches, as well as demo sounds, all available for download directly from the app. Download ZOOM Guitar Lab.
ZOOM G5N Incredible Sounds, Countless Combinations When we designed the G5n, our goal was to create the finest collection of guitar effects ever offered in one innovative package. From "FunkSauce" to "Texas Toast," from "Carlos" to "Heavensent," the G5n delivers dozens of tonalities sure to please the most discerning guitarist. Fresh New Takes on 126 Essential Guitar Tones The G5n comes loaded with 100 beautifully-crafted and newly assembled DSP effects, plus 26 of the most faithful and realistic amp/cabinet emulators we've ever created. A wide array of effectsThe G5n comes equipped with freshly-developed takes on not only the most-essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing, but also unique multi-effects such as Seq Filter, Gold Drive, Reverse Delay, HD Hall, and OSC Echo. Ultra-realistic amp/cabinet emulationYou can connect the G5n directly to a PA system or audio interface, using the 26 brand new onboard amp and cabinet emulators. Choose from 13 classic amp models like the ‘59 Fender Bassman, Diezel Herbert Channel 2, Marshall JCM800, Fender Twin Reverb, and MESA Boogie Mk3 , all newly and faithfully created to be adjusted exactly as you would with the knobs and switches of the real thing. Pair your amp with one of the 13 newly-created cabinet emulators to complete the sound, choosing from cabinets like the Marshall 1960 A-type cabinet(4x12” Celestion speakers), Fender ’65 Deluxe Reverb (1x12” Jensen C-12K speakers), Mesa Boogie Mark 1 (1x12” ALTEC 417-8H speaker), or Bogner Ecstasycabinet (4x12” Celestion speakers). NOTE: Manufacturer names and product names are trademarks or registered trademarks of their respective owners. The names are used only toillustrate sonic characteristics and do not indicate any affiliation with the Zoom Corporation or Zoom North America. 124 custom-crafted combinations and counting To explore the wealth of possibilities that the G5n offers, we continuously collaborate with inspirational, professional guitarists known for their taste and love of great guitar sounds. The G5n comes stocked with 124 custom-designed patches that both recreate decades of essential guitar tones—like the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Foo Fighters, and Led Zeppelin—and pioneer new territory with combinations exclusively created for G5n guitarists. Stand out with "Lead BGN," a modern lead sound folded into a modulated delay, or "Phazed," an intense tube amp sound through a phaser. The "UFO" patch harnesses parametric EQ in the style of the lead guitarist of the band of the same name, and then there's "DreamWorld," an overdriven crunch enhanced with tape echo and hall reverb. With our free ZOOM Guitar Lab software, you can look for new effects and amp/cabinet emulators, as well as even more exclusive patches from our diverse and growing list of G5n creators, people like: Kyle Bolden (Stevie Wonder) Eric Struthers (Aaron Neville) Richard Patrick (Filter) Jeff Schroeder (Smashing Pumpkins) Luca Colombo Kiko Loureiro (Megadeth) Tommy Bolan (NYC, Banzai, Warlock) Errol Cooney (Christina Aguilera, Stevie Wonder) Wes Geer (Korn, hed PE) Create your signature sound Easy editingEditing is simple and intuitive thanks to a unique, large overview display that allows you to quickly add, delete, or change the order of effects—something not easily accomplished with the average pedalboard. There are also four independent editing displays for zeroing in on the perfect sound, each bank providing the responsiveness and hands-on feel of a stompbox. Store up to 200 of your custom effects-chains as patches in memory, each instantly accessible at the touch of a footswitch. Powerful pedalsThe G5n's expression pedal gives you smooth real-time control over volume, tone, or selected effects parameters, with four stompbox-style footswitches to kick effects in and out on the fly. When you're ready to take a solo, get the bump you need with the G5n's output booster. And to synchronize rhythm patterns and delay times to the beat, just hit the G5n's dedicated Tap tempo footswitch to bring your sound in line. Complex tonalitiesIt would take an arsenal of stompboxes, amplifiers, and speakers to duplicate everything you can do with a single G5n. With the release of firmware V2.0, G5n offers more efficient DSP power. This lets you chain up to nine effects more easily and in any order you like. It's like having hundreds of fully loaded pedalboards in one compact, easy to use device. Practice up, play out 68 built-in rhythm patterns make the G5n the perfect practice rig and enable "one-man band" performances. A two-unit looperfunction, which uses dedicated footswitches to start and stop phrases, allows you to record and overdub phrases up to 80 seconds long throughthe effects of your choice. Plus there's a built-in chromatic tuner, always accessible at the touch of a footswitch—you can bypass the currentlyselected patch while tuning, or mute the signal altogether. The ins and outs The G5n can be easily integrated into any live performance or studio rig. In addition to a standard guitar input, there's an auxiliary stereo input for the connection of smartphones or music players, plus a dedicated headphone jack for silent practice and dual outputs for mono or stereo L/R connection to guitar amps, PA systems, and audio interfaces. ZOOM Guitar Lab Software With the Zoom Guitar Lab app for Mac/Windows, you have access to Zoom’s library of amp models, effects and patches. A one-stop shop for effects management, users can easily edit effect parameters, build effect chains, and backup/organize their patches. Guitar Lab's advanced UI monitors your CPU usage while you edit for maximum efficiency. For user convenience, the new Clipboard function memorizes up to four effects with custom parameters, so you can copy and paste them onto other patches. Finally, the NEWS section contains newly added effects and patches, as well as demo sounds, all available for download directly from the app. To download new Stomboxes and Amp + Cabinet combinations, simply plug your G5n into an internet-connected computer, power on the pedal, and open the Zoom Guitar Lab software. State of the art editing with every G5n The Zoom G5n comes with a free download license for Steinberg’s Cubase LE music production software, providing not just the ability to create incredible guitar sounds in every box, but to do spectacular things with it. Take your recordings to a more professional level. Steinberg’s powerful and state-of-the-art audio software used by creators around the world now comes with every Zoom G3, G3X, G5, and G5n purchase.
The Zoom G6 Multi-Effects Guitar Processor In A Class Of Its Own The Future of Pedals Jaw dropping effects combined with powerful amp modeling, the G6 gives you more sonic possibilities than ever before. Drag and Drop Your sounds may be complex but building them shouldn’t be. With easy-to-use application driven technology, the G6’s 4.3-inch color touchscreen lets you drag, drop and swipe your way to new sounds. Amps + Cabs All the best amps in amp history are in here (and a few new ones, too), along with 70 pre-loaded, precisely recorded impulse responses (IR) and room to add more than 100 of your own. The Right Sound The G6 also delivers the ultimate collection of Zoom’s legendary guitar effects and tones, including brand new Distortion and Modulation effects. Plan Ahead The G6 has room for 240 patches, including 100 presets so you can build patches for each song in your repertoire and easily cycle through your setlist. Create patches of up to seven effects. Play Mode The four Play Modes on the G6 will change the touchscreen and footswitch layout to give you quick access to the controls you need. Looper Use the Looper to add layers to your sound. Create loops up to 2 hours using an SD/SDXC card. Memory Ideal for organizing your patches for performances, the Memory Mode allows the foot switches to activate one of the 4 patches in each bank. Bank/Patch This mode lets you scroll up and down through your Banks and Patches by clicking the corresponding foot switch. Effect Board This mode provides a visual representation of your pedal chain. By clicking the assigned foot switch, you can turn on or off an effect in your patch. Infinite Looping The G6 can create multiple loops up to 2 hours each in length with an SD/SDXC card.* Create, store and recall up to 256 loop files. *45-second looper without SD card. Groove & Go Choose your groove from the 68 onboard rhythm patterns, styles and time signatures. Connectivity The G6 has a mono input, stereo outputs with volume control, a mono fx loop, aux in, control in and headphone out. Using the USB port, the G6 also functions as a 2in/2out audio interface for Mac and PC. Guitar Lab Software With a USB connection, Guitar Lab software allows you to browse and upload/download an endless assortment of amps, effects and artists patches. Guitar Lab is available for both PC and Mac. Download ZOOM Guitar Lab Handy Guitar Lab App Connect the G6 directly to the Handy Guitar Lab app via Bluetooth. Using the optional BTA-1 adaptor wirelessly connect your phone as a secondary interface for your G6. ZOOM ORIGINAL AMP MODELS Krampus Combines the brightness of an 80's British amp, with the solid low range of a modern high gain amp. Redloom Merges the simple tone of early guitar amps with the rich overtones of a 60's tube amp, perfect for rhythm guitar. Velvet Provides a smooth character that balances the dynamic response between the wound and plain strings, enabling you to play both lead and rhythm without switching amp channels. Muddy Delivers a vintage amp sound perfect for gritty Blues. 7 Heaven Combines a very tight low end with expanded dynamic response, perfect for 7 and 8 string guitars. Pollex With extreme drop-tuning, this amp is designed for slap-playing or the heavy-metal sound of Djent. New Distortion Effects Razor Drive Razor Drive uses comb filtering to control the sound saturation by boosting the filter and therefore distortion, at each frequency point of resonance. This processing creates a new distortion never before heard. Wave Shaper Wave Shaper applies a new original algorithm to shape the waveform and create a unique sound extremely rich in harmonics. New Modulation Effects PolyShift PolyShift adds subtle sound variances over a two-octave range to deliver a modern pitch shifting effect. Geminos Geminos is a real-time doubling effect that adds thickness and width by triple overdubbing the original dry signal. This reproduces a random organic texture when playing chords and powerful sustain for solos. SwellVibe SwellVibe, unlike any standard vibrato that starts modulating the signal from the start, applies pitch modulation with a time lag affecting only the sustain of your sound. It inspires unconventional ways for playing ambient pads. Features of the G6 Integrated pedal board with 6 stomp switches and expression/volume pedal Ultimate Zoom FX processor technology with custom amp modeling 4.3˝ color LCD touch-screen interface Chain up to 9 effects or 7 effects + amp emulation IR load function for speaker cabinet simulation New Play Mode Footswitch provides instant access to different play modes 68 rhythm patterns Looper with loop time up to 2 hours with SD card installed Built-in USB audio interface (2-in / 2-out) Compatible with Zoom Guitar Lab Wireless control via optional Bluetooth adapter (BTA-1) with Handy Guitar Lab app (iOS) Tap Tempo/Tuner Switch 1/4" Input & 1/8" Aux In Effects Loop ins/outs Mono/Stereo Outputs External Expression Pedal Input SD/SDXC Card Slot Bluetooth Adaptor Slot Micro USB Port
X/Y microphone pattern captures stereo sound with remarkable depth and clarity Like all Zoom recorders, the H1's onboard microphones are configured in an X/Y pattern for stunning stereo imaging. Because both mics are arranged on the same axis, they are equidistant from the sound source for perfect localization and no phase shifting. The result is great stereo recordings with natural depth and accurate imaging. Directional microphones focus only on the sound you want The H1's built-in directional microphones focus on the sound being recorded. Unlike omnidirectional microphones, which pick up sound all around indiscriminately, the H1 mics ignore the unwanted noise behind them. Set recording levels manually or automatically The high-quality built-in preamp can be set to a recording level from 1 and 100. Set the recording level based on your specific needs. You can record anything from subtle nature sounds to a thunderous rock band. You can also achieve clear, undistorted recordings by enabling the AUTO LEVEL function. Linear PCM recording at up to 24-bit/96 kHz quality The H1 can record linear PCM (WAV) files at 24-bit/96 kHz, which far exceeds CD quality, allowing the delicate reverberations of natural sounds and acoustic instruments to be recorded faithfully. The H1 can also record in MP3 format to maximize the recording time. These formats are perfect for the web posting or e-mailing to your fans. Supports microSDHC cards with capacities of up to 32 GB Using compact and readily-available microSD cards as recording media, you can use up to a 32 GB microSDHC card to record about 50 hours of audio in 16-bit/44.1 kHz WAV format or 555 hours in 128 kbps MP3 format. Reduced noise with built-in low cut filter Use the onboard low-cut filter to reduce unwanted background noise and focus the recording. This is ideal for interviews and recording outdoors. Use the optional windscreen to further reduce noise. Input for external microphones and line levels sources The H1's stereo microphone input jack can provide plug-in power, allowing you to utilize additional mics as needed for your specific application and situation. Moreover, this jack accepts stereo line-level inputs to be used in capturing audio from cassette decks, record players and other analog sources. BWF allows time stamping and track markers to be added Because it records in Broadcast Wave Format (BWF), the H1 is ideal for journalists and other media professionals. Each recording is stamped with the date and time of its creation and up to 99 track markers or cue points can be added. These functions make managing and editing recordings a breeze. Convenient reference speaker and informative liquid crystal display onboard Use the built-in reference speaker to check the results of your recordings right away without the need for headphones. This reference speaker makes selecting a recorded file easy. Its backlit liquid crystal display allows you to check recording levels and other functions, including recording time, battery level and other information. Hi Speed USB 2.0 for fast file transfer Since it meets Hi-Speed USB 2.0 specifications, the H1 can quickly transfer files to any Mac or PC computer. Once your recordings have been transferred on to your computer, you can edit them in DAW software, create original CDs, post them on your social media sites and send files by e-mail. Easy operation means you never miss a moment The H1 has dedicated control buttons for setting the recording format, activating the low-cut filter and implementing automatic level adjustment. The menu-free, streamlined design of the H1 makes it easy to use right from the start. Attach to a video camera as an external microphome The compact, lightweight H1 is perfect for use on a video or DSLR camera. The remarkable depth and clarity of sound achieved by the stereo X/Y mic design brings additional realism and depth to HD video. By combining the H1 with a DSLR video camera, you can create a professional video system with high-quality sound. Continuous operation for about 10 hours on one AA battery 10 hours of continuous recording can be attained with a single AA alkaline battery. With the optional AC adapter, you can record for prolonged periods of time without worrying about the battery level. The H1 can also operate on USB bus power when the card reader function is activated. Brilliant Stereo Recording....Now in your pocket! Now Zoom recording technology is available to everyone. And with an infinite variety of applications, you'll want to take your H1 everywhere. From musical performances, songwriting sessions and rehearsals to seminars, conferences, journalism or capturing audio for video applications, the H1 gives you clean, clear stereo sound effortlessly. Optional accessory package specifically for the H1 The APH-1 package, which is sold separately, includes six additional accessories for the H1. The package includes a windscreen, a mic stand clip adapter, an adjustable desktop tripod, a soft case, an AC adapter (USB type) and a USB cable. USB mics for computer recording The H1 also functions as a USB audio interface, letting you record directly to either a Mac or PC. Use your favorite recording software or the bundled WaveLab LE from Steinberg, so you can start to produce and edit your recording right out of the box.
Enjoy the new standard Representing a new generation of portable recording, the H2n is Zoom's most innovative handheld recorder to date. We've packed groundbreaking features into an ultra-portable device that allows you to record pristine audio anywhere you go. From film and broadcast, to journalism, podcasting, musical performance, songwriting and rehearsal, the H2n provides amazing recording quality. No matter the application, the H2n brings the very best in stereo recording to a convenient, user-friendly package that fits in your pocket. Zoom H2n Handy Recorder. The new standard in portable recording. Mid-Side Microphones The first portable Mid-Side recorder The H2n is the first handheld recorder to offer Mid-Side stereo recording, a technique used for and surrounding noise are crucial. Mid-Side recording combines a uni-directional Mid mic that captures sound directly in front of you and a bi-directional Side mic that captures sound from your left and right. By increasing or decreasing the level of the Side mic, you can control the width of the stereo field, which gives you incredible flexibility over your recordings. If you record in RAW mode, you can even adjust the stereo width after recording. XY Microphones X/Y mics capture stereo images with depth and accuracy The H2n's onboard 90 degree X/Y stereo condenser mics are arranged with the right and left mics on the same axis. This design ensures that the mics are always equidistant from the sound source for perfect localization and no phase shifting. The result is brilliant stereo recording with natural depth and accurate imaging. Five new mic capsules provide four unique recording modes The H2n features our best microphones yet and is the only portable recorder with five mic capsules onboard. This design enables the H2n to offer four unique recording modes: Mid-Side (MS) stereo, 90 degree X/Y stereo, 2-channel and 4-channel surround sound. Create stunning 360 degree surround sound recording Using the H2n's Mid-Side and X/Y mics together, you can create stunning 360 degree surround sound recordings. Choose between 2-channel mode, which combines the Mid-Side and X/Y mics, and 4-channel mode, which records two separate stereo files, allowing you even more post-production capability. No matter which mode you use, you'll get perfectly balanced, surround sound recordings. Linear PCM recording at up to 24bit/96kHz quality The H2n supports linear PCM WAV recording at 24bit/96kHz, which far exceeds standard CD-quality. Use a high-resolution WAV format to faithfully capture the delicate reverberations of natural sounds and acoustic instruments. For web and e-mail distribution, choose one of a dozen convenient MP3 formats. Broadcast Wave Format support The H2n supports the Broadcast Wave Format (BWF) used for broadcasting and other professional applications. With this format, each file can have a creation date/time stamp and up to 99 track marks (cue points) to help with file management and finding desired points in recordings. Newly designed user interface The H2n is remarkably easy to use. With its newly designed user interface, critical controls are right at your fingertips and make studio-quality recording a breeze. The H2n also houses an arsenal of comprehensive functions, including Auto-Gain, a compressor/ limiter, Low-cut filter and more. Special playback features aid practices Various playback functions make the H2n ideal for music-and even language-practice. Use theVariable Speed Playback to adjust the playback speed between 50% and 150% of the original, the Key Control to adjust the pitch, and the AB Repeat function to loop a desired part. You can even use the H2n as a music player, as it supports playback of a single track or all tracks in a folder once or repeatedly. The tuner and metronome are also handy when practicing with an instrument. Edit audio onboard You can edit audio right on the H2n. Without connecting to a computer, you can Divide recorded files and Normalize them to maximize their volume. You can also use the MP3 encoder to convert WAV files to MP3 files. Data recovery function protects against unexpected errors Never again will you have to worry about losing recorded data to unexpected errors. The H2n has you covered with its new data recovery function. Whether you experience battery loss or an accidental power-down, this feature will automatically restore your data the next time the H2n is powered on. 20 hours of battery life The H2n provides over 20 hours of continuous operation on just two standard AA alkaline batteries! This astonishing feature enhances the H2n's flexibility and convenience. In addition, the H2n can also operate using an AC adapter, which is included in the optional APH-2n Accessory Pack. Analogue Mic Gain for precision volume control Digital volume controls offer too much or too little gain, with no middle ground. The H2n's analog Mic Gain wheel allows you to dial-in the perfect amount of gain for any given application. Onboard reference speaker and stereo output The H2n's built-in reference speaker lets you know your recordings have been captured. With its 1/8-inch stereo output, you can also playback your recordings on your home audio system or listen to your masterpiece using your favorite pair of headphones. 32 GB SDHC card support The H2n uses SD/SDHC cards and can accommodate up to a 32GB SDHC card for over 50 hours of recording time using the 16-bit/44.1kHz WAV format. With 128kbps MP3 format, you get an incredible 555 hours of stereo recording. The H2n comes with a 2GB SD card to get you started. LCD screen is bigger and brighter The H2n's 1.8-inch backlit LCD display (128 x 64 resolution) provides crystal-clear monitoring and makes it simple to navigate all of the unit's functions. USB 2.0 Hi-Speed allows rapid file transfer Use the H2n's High-Speed USB 2.0 interface to transfer files to your Mac or PC. Once your recordings are on your computer, you can easily store, edit, playback and share your favorite creations. You can even use the H2n as a USB microphone, letting you record directly to your computer. WaveLab LE software included for editing and mastering Steinberg's WaveLab LE can be used for audio editing and professional-quality mastering. By using its precise waveform editing and high-quality processing, you can refine your recordings into finished works. Increase the H2n functionality with an accessory pack The APH-2n optional accessory pack includes seven tools for use with the H2n. The remote control can be used to start, stop and pause recordings as well as to add marks. The other accessories in the pack are a windscreen that reduces wind and breath noise, a mic clip adapter for use with a mic stand, a tabletop tripod with extendable legs, a padded-shell case, an AC adapter and a USB cable.
Evolved Recording in more ways than one. Our products are constantly evolving to meet the needs of the creators who use them. With the H5 Handy Recorder, the tradition continues. The H5 provides four tracks of simultaneous recording and, like our flagship H6, it can use all Zoom interchangeable input capsules, allowing you to choose the best microphone for every recording situation. The flexible and powerful H5 provides everything you need to create multitrack recordings, audio for video, and state-of-the-art podcasting, broadcasting and electronic newsgathering. Louder. Closer. Cleaner X/Y recording allows you to cover a wide area yet still capture sound sources in the center with clarity and definition, making it ideal for all types of live stereo recording. The XYH-5 X/Y microphone capsule included with the H5 provides two matched unidirectional condenser microphones set at a 90 degree angle. These are housed within an advanced shockmount that employs rugged external mic wires and rubberized material to isolate the unit from the H5 body and thus minimize vibration and handling noise. The design of the XYH-5 also allows the H5 to handle louder sounds than any other Handy Recorder model: 140 dB SPL, to be precise-equivalent to the sound of a jet aircraft from less than 200 feet away-enabling you to capture sounds louder, closer, and cleaner than you ever could before. Interchangeable capsules that can be swapped out easily as the lens of a camera The H5's modular design means that you can always use the best microphone for every recording environment. The Ultimate In Image Control Welcome to "Mid-Side" recording, a whole new level of precision in your ability to shape sound. The MSH-6 Capsule contains dual mic elements - a forward-facing, unidirectional mic (the "Mid") and a side-facing, bi-directional mic (the "Side"). Together with the H5's onboard MS decoder, they capture a fully mono-compatible stereo image that can actually be adjusted after recording - ideal for film, video, and television projects. All the Pickup, Half the Length The optional SGH-6 Shotgun Capsule adds a professional-quality, highly directional microphone to the H6, creating an ideal audio setup for film, video, live theater, and ENG (electronic newsgathering) applications. Three elements combined with digital signal processing inside the SGH-6 give you the highly directional pickup power of a conventional shotgun mic in a unit only half the size - ideal for recording dialogue and narration with no intrusive mic in the scene. Expanded Connectivity Plugging in the optional EXH-6 Dual XLR/TRS Combo Capsule gives you two more inputs. This allows you to connect up to four discrete signals from external microphones, instruments, mixers, or portable music players to fully realize your audio vision. It's all the power of a professional recording studio, right in the palm of your hand. Live Recording Personified The XYH-6 capsule adds two matched high-quality unidirectional microphones to your H6 or H5. This kind of microphone is most sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides; in technical terms, they are said to utilize a cardioid polar pattern. These mics have the largest diaphragm size (0.579" = 14.6mm) of any ever available on a portable recorder. As shown in this illustration, the angle of the two mics can easily be changed from 90 degrees to 120 degrees for a wider stereo image (US Patent 8184815). The Hardware User Interface In addition to standard transport controls (stop, play/pause, record, rewind and fast-forward), the front panel of the H5 offers dedicated record arming buttons for each track, which double as mute switches during playback. A Hold switch disables all front panel buttons to prevent accidental operation during recording. The H5 can be attached to a camera strap or, with the use of our optional Hot Shoe mount, mounted directly to a DSLR or camcorder. Inputs The H5 also provides everything you need to connect with the outside world. Dual combo XLR/TRS inputs that can handle both mic- and line-level signals allow you to connect external microphones and line-level devices like mixers, portable music players, effects processors and electronic keyboards-even electric guitars or basses equipped with active electronics. Each H5 input has its own dedicated gain control knob, located beneath a protective bar that prevents accidental movement during handling. The supplied XYH-5 X/Y capsule also provides a secondary input for connecting stereo mic- or line-level signal via a ⅛" mini phone jack. The H5 supports a +4 dB (professional) input level and utilizes the same high-quality preamps as our flagship H6, ensuring great-sounding recordings in all sonic environments. Outputs There are lots of output options as well. A dedicated Line Out with adjustable volume allows you to send a stereo audio output from the H5 to the mic input of a video camera or other device without the need for an attenuator cable. In addition, there's a separate headphone output with a dedicated volume control. You can use both outputs simultaneously to route audio to your DSLR while monitoring over headphones. There's also a built-in speaker for fast access playback, and a USB port which allows the H5 to be used as an audio interface for your computer or iPad. Power and Storage Just 2 AA batteries-either alkaline or rechargeable NiMH-are required for power. When using alkaline batteries, the H5 will operate for more than 15 hours, even while recording continuously. You can also use an optional AC adapter to power the H5 without batteries. The H5 records directly to SD and SDHC cards up to 32 gigabytes. Maximum recording time is dependent upon the card size and file type; for example, the supplied 2GB SD card can hold approximately fourteen hours of stereo 320kbps MP3 files, three hours of stereo 16-bit / 44.1 kHz WAV files, or an hour of stereo 24-bit / 96kHz WAV files. The Software File Types The H5 can operate in two different modes-choose stereo for two-track stereo recording, or multitrack for four-track recording (in either stereo pairs or individual mono tracks)-and it captures audio in the two most commonly used file formats: WAV and MP3.The WAV files recorded by the H5 can be 16- or 24-bit, with sampling rates of 44.1, 48, or 96kHz*. They are automatically time-stamped and thus Broadcast Wave Format (BWF) compliant, allowing for precise synchronization in video post-production. MP3 files, while slightly lower in fidelity, are much smaller than WAV files and are thus easier to email and post on social networking sites-allowing you to quickly and easily share your creations around the world.* 96kHz sampling rate available in stereo mode only Signal Processing The H5's onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low frequency rumble. There's even an onboard metronome and chromatic/guitar/bass tuner. Other Features But the list of H5 features doesn't end there. There's playback looping, pitch change and variable playback speed (without pitch change) to help with phrase training. A pre-record function that keeps the H5 continuously recording in the background, keeping the previous two seconds before you hit RECORD. There's an Auto-Record function that allows recording to begin automatically when a certain level of sound is detected and an equivalent Auto-Stop function that ends recording when the sound drops below a user-designated level, either immediately or up to 5 seconds later. And then there's Backup-Record-the ultimate safety net.* It enables the H5 to automatically record a duplicate set of stereo tracks with 12dB less input gain. Even if your original track is distorted, chances are the Backup version will be fine! You can even use your H5 as an audio interface, complete with a Loop Back function that makes it easy to add narration to music playback. Simply connect the H5 to your computer or iPad** via USB, launch your favorite DAW or use the included Cubase LE or WaveLab LE software, and start creating a masterpiece.* 44.1 and 48kHz WAV files only.** Apple Camera Connection Kit required. Attach to a video camera as an external microphone The H5 is perfect for use on a video or DSLR camera. The remarkable depth and clarity of sound achieved by the stereo mic design brings additional realism and depth to HD video. By attaching the H5 to a DSLR video camera with an optional hot shoe mount (HS-1), you can create a professional video system with high-quality sound. HS-1 Hot Shoe Mount (option) We now also offer a special accessory package for H5 Handy Recorder. The APH-5 package includes a windscreen (WSU-1) that provides a professional level of wind noise prevention, a remote controller (RCH-5) with REC, PLAY, STOP and other functions and an USB-type AC power adapter (AD-17).
Here at Zoom we've been building innovative, great-sounding products for the past thirty years. But with the revolutionary H6-the most versatile portable recorder ever-the bar is raised further still.Four interchangeable input capsules-X/Y, MS, Shotgun, and Dual XLR/TRS Combo-make the H6 the ultimate chameleon of the audio world, and its advanced preamps make it the best-sounding one too.Whatever your application-live recording, professional film/video work, or broadcast ENG (electronic news gathering), etc.-the H6 can handle it with ease. Main Features Interchangeable input capsules that can be swapped out as easily as the lens of a cameraSix-track simultaneous recordingFour mic/line inputs with XLR/TRS combo connectorsGain controls (real knobs!) and -20dB pads for each inputPhantom power for all main inputs: +12/+24/+48VLarge full-color LCD display, angled so it's easy to read in all environmentsRecords directly to SD, SDHC and SDXC cards up to 128GBUp to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formatsAuto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect takeMultitrack to stereo internal mixdownIndependent monitor and playback mixesVirtual VU metersVoice memo and up to 99 marks per recordingOverdubbing, up to 99 takesBuilt-in effects, including low-cut filtering, compression and limitingOnboard MS decodingNormalize, Divide and Trim editingChromatic tuner and metronomeLoop Playback with user-defined start and stop pointsVariable playback speed, from 50% to 150%Variable pitch per track without affecting playback speedUSB port for data exchange to and from computerMultichannel and stereo USB audio interface for PC/Mac/iPadCamera strap mountsMounts directly to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapterAccepts standard AA alkaline or NiMH rechargeable batteriesOver 20 hours of operation with 4 AA alkaline batteries The Ins and Outs Inputs The H6 offers four main inputs (1-4), plus two additional inputs (L, R) that are derived from whichever capsule (X/Y, MS, Shotgun, or Dual XLR/TRS Combo) is plugged into the unit. The supplied XYH-6 X/Y capsule also provides a secondary input for connecting an external mic- or line-level signal via a stereo 1/8" Mic/Line In mini phone jack. When a connection is made to that jack, signal from the X/Y microphones is muted. All four main H6 inputs (inputs 1-4) are combo connectors that can accept either XLR or 1/4" balanced or unbalanced phone cables. They can handle both micand line-level signals, which means that you can connect either external microphones or line-level devices like mixers, portable music players, electronic keyboards, or electric guitars or basses with active electronics (passive electric guitars or basses can also be connected with the use of a mixer or effects device). Internal switching contacts automatically detect the circuit of choice. On the H6, all connectors use the industry standard Pin 2 hot on XLR connectors and Tip hot on TRS connectors, as shown here: Each of the six inputs (that is, 1-4 as well a L, R) has a dedicated gain control knob. In addition, the four main inputs and the EXH-6 capsule feature a -20dB pad, allowing you to prevent distortion even when high-level signals are introduced. In fact, with the use of the Pad switch, the H6 can input a signal 30dB louder and 14dB softer than any other Handy Recorder model. In addition, all capsules utilize higher voltage preamps (5 volts instead of the more commonly used 3 volts) for distortion free recording, even at high volumes. A built-in instrumentation amp allows signals to be transmitted with minimal noise even when long cables are used. If you're using high-quality condenser (powered) microphones with the H6, no problem-a simple menu option allows the unit to provide Phantom Power (either +12, +24, or +48 volts) to any or all of the main inputs (inputs 1-4). Inexpensive condenser microphones requiring Plug-In Power (2.5 volts) can be connected to the X/Y capsule's stereo 1/8" Line In jack. Outputs The H6 Line Out is an unbalanced stereo 1/8" phone jack, located on the bottom of the H6, beneath the LCD display. It carries the analog stereo output signal, as determined by the H6's internal mixer. The H6 USB port, located on the side panel to the right of the LCD display, provides a digital output of either a stereo mix or the six individual input signals, depending upon the setting of the "Audio Interface" function in the USB menu. In addition, the H6 provides a headphone output with a dedicated volume control, located on the side panel to the left of the LCD display. Connect your headphones to the stereo 1/8" mini phone jack for private monitoring of the stereo output signal. The H6 even has a built-in speaker, located on the underside of the unit, for fast monophonic monitoring of the recorded signal without the need to make any connections whatsoever. This speaker is automatically disconnected when connection is made to either the Line Out or Headphone output. A little X, a little Y, a whole lotta stereo. The X/Y miking technique is optimal when you want to cover a wide area and still capture sound sources in the center with clarity and definition, making it great for all types of live stereo recording. The supplied XYH-6 X/Y capsule adds two matched high-quality unidirectional microphones to your H6. This kind of microphone is most sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides; in technical terms, they are said to utilize a cardioid polar pattern. These mics have the largest diaphragm size (0.579" = 14.6mm) of any ever available on a portable recorder. As shown in this illustration, the angle of the two mics can easily be changed from 90 degrees to 120 degrees for a wider stereo image (US Patent 8184815). Playing back stereo X/Y tracks in mono results in a fuller sound than you would get with one microphone, but if mono compatibility is critical (for example, in television production), the Mid-Side (MS) mic technique can be a better choice. Mid-Side mic magic Enter MS ("Mid-Side") recording: an incredible technique that allows you to actually adjust the width of the stereo image after it has been recorded, making it especially useful for film, video and television projects. Sound like magic? Read on. Although the H6's supplied MSH-6 MS capsule appears to be just one microphone, it actually contains two mic elements, positioned directly on top of one another. One of the microphones inside the MSH-6 is unidirectional (that is, it is mostly sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides) while the other is bi-directional (that is, it is mostly sensitive to signals coming from directly in front and directly behind, and less sensitive to signal coming from the sides). Inside the H6 MS capsule, the directional ("Mid") mic faces forwards while the bi-directional ("Side") mic is set perpendicular to it, like this: The basic concept behind MS recording is that the Mid microphone picks up signal coming from the center, while the Side microphone creates ambience and directionality by adding or subtracting information from either side. The Mid-Side technique works well whenever you need a variable amount of room sound. It can also be used for studio recording, and its convenience and flexibility make it a good option for rehearsal and live concert recording as well. Riding shotgun Our optional SGH-6 shotgun capsule adds a professional-quality hyper-directional (that is, highly directional) microphone to the H6, making it the perfect audio recorder for anyone working in film, video or live theater, or for ENG (electronic news gathering) applications. Thanks to the three internal mics with digital signal processing ability, the SGH-6 achieves a frequencyindependent super-cardioid polar pattern. Compared to ordinary shotgun microphones using an acoustic tube method, the SGH-6 maintains a highly directional pickup at about half the length. Shotgun microphones are often used when you cannot position a microphone directly in front of a sound source. For example, if someone is speaking in front of a video camera and you don't want them to hold an interview microphone up to their mouth, the solution is to use an off-screen shotgun mic. However, shotgun mics are not the audio equivalent of a photographic telephoto lens. Even though they do an above-average job of picking up sounds that originate from a short distance away, they always sound better when they're physically close to the sound source. If the capsule is more than three feet away, the audio will start to sound distant. The farther away it is, the more distant and reverberant the audio will become. Note: The SGH-6 is a monaural microphone. Need more inputs? If you need more inputs, simply plug in the optional EXH-6 Dual XLR/TRS Combo capsule. It allows you to connect up to six discrete signals from external microphones, instruments, mixers or portable music players, making the H6 the smallest six-track recorder on the planet! Note: The EXH-6 does not support phantom power. File types supported The H6 can record audio in two different basic file types: WAV and MP3. The main difference between the two is that WAV files are uncompressed; that is, they contain all the recorded data without any "bits" (digital words) being removed. Thus, they provide full fidelity without compromise. The H6 can record up to six monophonic WAV files (or up to three stereo files) in any of the following formats: 44.1kHz / 16-bit44.1kHz / 24-bit48kHz / 16-bit48kHz / 24-bit96kHz / 16-bit96kHz / 24-bit All WAV files recorded by the H6 are automatically time-stamped, making them fully compatible with the Broadcast Wave Format (BWF); in other words, they are "BWF-compliant." This is especially important when recording audio for video, because it allows the audio to be precisely synchronized with the onscreen action in postproduction. MP3 recordings are compressed, which means that some unnecessary data is removed prior to storage, making them much smaller than WAV files, and thus much easier to upload and download. Some MP3 files exhibit a slight loss of audio fidelity as compared with the original signal; however, this is not noticeable in all circumstances. NOTE that when the MP3 file type is selected, the H6 only records in stereo; if you want to record in multitrack, you must select a WAV file type. The H6's internal mixdown function allows multitrack WAV projects to be easily reduced down to stereo MP3 or WAV, with independent control over each track's level, panning and pitch. Never miss a take: Pre-record, Backup-record, and Auto-record. Pre-Record The interview started a splitsecond before you were ready. The conductor lifted his baton just as you were checking a cable. The talent went back on-air a moment too soon. No problem... as long as you're using the H6. Its Pre-record function automatically keeps the H6 silently but continuously recording in the background, all the time. Then, when you hit the RECORD button, it keeps the previous two seconds and appends it to the beginning of the file. It's as if the H6 had started recording two seconds before you actually got to hit the button. Backup-Record Backup-record-the ultimate safety net. When turned on during the recording of WAV files, the H6 automatically records a duplicate set of L/R tracks, but with 12dB less input gain. Even if the original L/R track is distorted, chances are the Backup version is fine. You can listen to either set of tracks simply by going to the Backup File option in the PROJECT menu. When turned OFF, you'll hear the original L/R tracks; when turned ON, you'll hear the lower-level Backup tracks instead. Pick the one you prefer and use it as your L/R master. Bacon saved. Auto-Record The Auto-record function allows the H6 to automatically start recording when a certain level of sound is detected. When turned ON and the RECORD button is pressed, the H6 doesn't immediately start recording; instead, it goes into a standby mode; as soon as an incoming signal exceeds the Start Level you've set, recording begins. There's an equivalent Autorecord Stop function, too. When turned ON, as soon as incoming signal drops below the Stop Level you've set, recording ends. Onboard effects The H6 provides an arsenal of effects that allows you to add polish to your recordings and compensate for any problems or limitations in the acoustics of the recording environment. A low-cut filter allows you to remove signal below a certain user-designated frequency (called a cutoff frequency). This is useful for eliminating pops, wind noise, blowing, transmitted resonance from an onstage mic stand and other kinds of low frequency rumble. Compression and limiting compensate for fluctuations in level; in essence, they act like an automatic volume control, reducing the level of louder sounds (that is, the sounds below a threshold point). The main difference between the two is that a limiter reduces louder sounds more severely. The H6 allows you to choose from three compressor settings and three limiter settings. The two "General" settings (Comp1 and Limiter1) are all-purpose settings that will work well on most kinds of program material. The Comp2 and Comp3 presets are optimized for use with vocals and drums, respectively, while the Limiter2 and Limiter3 presets are optimized for use in live concert recording and small room "studio" recording, respectively. In addition, there's an onboard metronome and chromatic / guitar / bass tuner-both handy tools when recording musical content. Battery life and recording times The H6 requires just 4 AA batteries-either alkaline or rechargeable NiMH-for power. Battery life (when using alkaline batteries) is more than 20 hours, even during continuous recording. An optional AD-17 AC adapter (included in the APH-6 Accessory Pack) allows you to power the H6 from any standard wall socket. The H6 records directly to SD cards. It supports standard SD cards as well as the newer SDHC and SDXC cards, up to 128 gigabytes, making it capable of accessing massive data storage. Using the H6 as an audio interface The H6's USB port allows it to send and receive digital data. Connect the H6 to your laptop or desktop computer via USB, launch your favorite DAW or use the included Cubase LE , and start laying down your tracks. You can even connect the H6 to an iPad (camera connection kit required).When the H6 is set to "Stereo Mix" in the USB menu, it acts as a 2-input / 2-output interface; when set to "Multi Track," it acts as a 6-input / 2-output interface. The H6's onboard INPUT&OUTPUT mixer allows you to create a custom stereo or six-track mix for output via USB, with independent control over the level and panning of each track, as well as access to effects like low-cut filtering, compression and limiting. In addition, signal that is input to the H6 can be monitored directly before it passes through the connected computer or iPad, enabling monitoring with zero latency (that is, without any delay). There's also a handy Loop Back mode that allows you to blend stereo signal coming from the computer or iPad with signal coming into the H6 inputs, useful for live streaming via the Internet or for adding narration to a musical backing track. Live concert recording The illustration shows how you might typically use the H6 for live concert recording. Here, the XYH-6 X/Y capsule is being used to capture the onstage performance in stereo. In addition, a stereo feed from the mixer is being sent to inputs 1 and 2 in order to record the board sound, and a pair of external mics is connected to inputs 3 and 4 to capture the audience sound. Location videography In the example shown in the illustration , the MSH-6 MS capsule is being used to capture the main sound source in stereo, with external boom and lavalier mics (connected to Inputs 1 and 2) focused on the talent providing narration. Another pair of external mics is connected to inputs 3 and 4 and are being used to record a second stereo image, this one of the other performers in the scene. By using the MS capsule, you can then use the H6's onboard MS decoder to adjust the width of the main stereo image in post-production. ENG The H6 is the perfect audio companion for anyone doing ENG work, especially when it is used with the optional SGH-6 Shotgun mic capsule, as shown in this example. Here, the SGH-6 is being used to capture the news event itself, recorded on the L/R track. Because shotgun mics have a narrower focus (sometimes referred to as more "reach") than an average microphone, the SGH-6 is the perfect choice when covering late-breaking news at a distance. In addition, the SGH-6 does a great job of picking up the frequencies produced by the human voice. Two external handheld mics for the interviewer and interview subject are plugged into Inputs 1 and 3, with backup external lavaliers plugged into Inputs 2 and 4. The H6's onboard effects and powerful mixing functions make it the ideal field mixer; the low-cut filter can be used to reduce wind noise, and the compressor/limiter can be used to condense the dynamic range and thus make the audio more television-friendly. The six recorded tracks can then be mixed down internally to a stereo MP3 file for microwave or satellite transmission to the broadcast facility. Rehearsal recording Want to record your band as they rehearse? No problem, especially if you plug in the optional EXH-6 Dual XLR/TRS capsule, which allows six discrete mic- or line-level connections to be made to your H6. In this example, a stereo submix of the mics covering the drum kit is being fed from the PA mixer to the L/R inputs of the H6 via the EXH-6. The four main inputs are used as follows: the lead singer's mic is connected to Input 1; a microphone positioned in front of the guitar amp is connected to Input 2; a direct signal from the bass player's active electric bass is connected to Input 3; and an electronic keyboard is connected to Input 4. Thus, each instrument and vocal is receiving a track of its own (or, in the case of the drums, two tracks). Being able to spread your instruments and vocals over six tracks instead of four gives you an extra degree of flexibility that other handy recorders cannot provide. As you listen back to your song, new musical ideas may spring to mind, and that's where the H6's powerful overdubbing function comes into play, because it allows any of the tracks to be redone-up to 99 different takes-meaning that you can reshape your song after the fact. The SD, SDHC and SDXC logos are trademarks. Steinberg and Cubase are registered trademarks of Steinberg Media Technologies GmbH. The use of MPEG Layer-3 audio compression technology is licensed from Fraunhofer IIS and Sisvel SpA. Windows®, Windows® 8, Windows® 7, Windows Vista® and Windows® XP are trademarks or registered trademarks of Microsoft Corporation. Macintosh, Mac OS and iPad are trademarks or registered trademarks of Apple Inc. Unauthorized recording of concerts, lectures and other public performances is prohibited by law. All other trademarks,product names, and company names mentioned in this documentation are the property of their respective owners. Allfeatures and specifications are subject to change without notice.
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