The Little CJ in a ¾-sized jumbo body is now built with solid Adirondack spruce top. Stronger and denser than Sitka spruce, the Adirondack spruce is characterized by broad dynamics as well as articulation and smoothness at high volume. Other features include Mahogany back and sides, Mahogany neck, Ovangkol fingerboard, 23.5” (597mm) scale length, Fishman Presys II electronics and a gig bag. The body’s unique arched back not only provides greater comfort but a fuller and richer sound. The V-shape neck profile also makes playing easier for players with small hands. With classic and premium features in a compact package, the Little CJ Adirondack is not only easy to play for musicians with smaller physique, it is also extremely portable for you to take virtually anywhere.
3/4 Jumbo Body
The smaller size makes it ideal for the mobile musician or for the casual hobbyist who wants to take a good-sounding acoustic on vacation or business travel.
Solid Adirondack Spruce Top
Stronger and denser than Sitka Spruce, the Adirondack Spruce is characterized by broad dynamics as well as articulation and smoothness at high volume. The elastic tactile response suits both aggressive strumming and precise flatpicking.
Mahogany Back & Sides (Arched Back)
Bright yet natural with a strong and warm midrange, the beloved Mahogany wood has been a standard for back and sides on premium acoustics for many decades.
Vintage Open Gear Machineheads
Relatively lightweight open gear tuners (18:1 tuning ratio) makes the tuning process a breeze.
Fishman® Presys II
The Fishman® Presys II Preamp with 2-band equalization, built-in tuner and a Phase switch for effective tone shaping and noiseless operation during live performances.
597㎜ (23.5″) Scale
Although a mini-sized acoustic body, the scale length of 597㎜(23.5”), soundhole size, body thickness and size of the headstock have all been optimized to produce the best possible sound quality and performance as well as enhanced playability for guitar players with small hands and physique.
Comfortable V Neck Shape
A commonly used neck shape on downsized acoustics for ease of playability, the V-neck shape is easier for smaller hands to grasp and maneuver.
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