Enjoy the new standard Representing a new generation of portable recording, the H2n is Zoom's most innovative handheld recorder to date. We've packed groundbreaking features into an ultra-portable device that allows you to record pristine audio anywhere you go. From film and broadcast, to journalism, podcasting, musical performance, songwriting and rehearsal, the H2n provides amazing recording quality. No matter the application, the H2n brings the very best in stereo recording to a convenient, user-friendly package that fits in your pocket. Zoom H2n Handy Recorder. The new standard in portable recording. Mid-Side Microphones The first portable Mid-Side recorder The H2n is the first handheld recorder to offer Mid-Side stereo recording, a technique used for and surrounding noise are crucial. Mid-Side recording combines a uni-directional Mid mic that captures sound directly in front of you and a bi-directional Side mic that captures sound from your left and right. By increasing or decreasing the level of the Side mic, you can control the width of the stereo field, which gives you incredible flexibility over your recordings. If you record in RAW mode, you can even adjust the stereo width after recording. XY Microphones X/Y mics capture stereo images with depth and accuracy The H2n's onboard 90 degree X/Y stereo condenser mics are arranged with the right and left mics on the same axis. This design ensures that the mics are always equidistant from the sound source for perfect localization and no phase shifting. The result is brilliant stereo recording with natural depth and accurate imaging. Five new mic capsules provide four unique recording modes The H2n features our best microphones yet and is the only portable recorder with five mic capsules onboard. This design enables the H2n to offer four unique recording modes: Mid-Side (MS) stereo, 90 degree X/Y stereo, 2-channel and 4-channel surround sound. Create stunning 360 degree surround sound recording Using the H2n's Mid-Side and X/Y mics together, you can create stunning 360 degree surround sound recordings. Choose between 2-channel mode, which combines the Mid-Side and X/Y mics, and 4-channel mode, which records two separate stereo files, allowing you even more post-production capability. No matter which mode you use, you'll get perfectly balanced, surround sound recordings. Linear PCM recording at up to 24bit/96kHz quality The H2n supports linear PCM WAV recording at 24bit/96kHz, which far exceeds standard CD-quality. Use a high-resolution WAV format to faithfully capture the delicate reverberations of natural sounds and acoustic instruments. For web and e-mail distribution, choose one of a dozen convenient MP3 formats. Broadcast Wave Format support The H2n supports the Broadcast Wave Format (BWF) used for broadcasting and other professional applications. With this format, each file can have a creation date/time stamp and up to 99 track marks (cue points) to help with file management and finding desired points in recordings. Newly designed user interface The H2n is remarkably easy to use. With its newly designed user interface, critical controls are right at your fingertips and make studio-quality recording a breeze. The H2n also houses an arsenal of comprehensive functions, including Auto-Gain, a compressor/ limiter, Low-cut filter and more. Special playback features aid practices Various playback functions make the H2n ideal for music-and even language-practice. Use theVariable Speed Playback to adjust the playback speed between 50% and 150% of the original, the Key Control to adjust the pitch, and the AB Repeat function to loop a desired part. You can even use the H2n as a music player, as it supports playback of a single track or all tracks in a folder once or repeatedly. The tuner and metronome are also handy when practicing with an instrument. Edit audio onboard You can edit audio right on the H2n. Without connecting to a computer, you can Divide recorded files and Normalize them to maximize their volume. You can also use the MP3 encoder to convert WAV files to MP3 files. Data recovery function protects against unexpected errors Never again will you have to worry about losing recorded data to unexpected errors. The H2n has you covered with its new data recovery function. Whether you experience battery loss or an accidental power-down, this feature will automatically restore your data the next time the H2n is powered on. 20 hours of battery life The H2n provides over 20 hours of continuous operation on just two standard AA alkaline batteries! This astonishing feature enhances the H2n's flexibility and convenience. In addition, the H2n can also operate using an AC adapter, which is included in the optional APH-2n Accessory Pack. Analogue Mic Gain for precision volume control Digital volume controls offer too much or too little gain, with no middle ground. The H2n's analog Mic Gain wheel allows you to dial-in the perfect amount of gain for any given application. Onboard reference speaker and stereo output The H2n's built-in reference speaker lets you know your recordings have been captured. With its 1/8-inch stereo output, you can also playback your recordings on your home audio system or listen to your masterpiece using your favorite pair of headphones. 32 GB SDHC card support The H2n uses SD/SDHC cards and can accommodate up to a 32GB SDHC card for over 50 hours of recording time using the 16-bit/44.1kHz WAV format. With 128kbps MP3 format, you get an incredible 555 hours of stereo recording. The H2n comes with a 2GB SD card to get you started. LCD screen is bigger and brighter The H2n's 1.8-inch backlit LCD display (128 x 64 resolution) provides crystal-clear monitoring and makes it simple to navigate all of the unit's functions. USB 2.0 Hi-Speed allows rapid file transfer Use the H2n's High-Speed USB 2.0 interface to transfer files to your Mac or PC. Once your recordings are on your computer, you can easily store, edit, playback and share your favorite creations. You can even use the H2n as a USB microphone, letting you record directly to your computer. WaveLab LE software included for editing and mastering Steinberg's WaveLab LE can be used for audio editing and professional-quality mastering. By using its precise waveform editing and high-quality processing, you can refine your recordings into finished works. Increase the H2n functionality with an accessory pack The APH-2n optional accessory pack includes seven tools for use with the H2n. The remote control can be used to start, stop and pause recordings as well as to add marks. The other accessories in the pack are a windscreen that reduces wind and breath noise, a mic clip adapter for use with a mic stand, a tabletop tripod with extendable legs, a padded-shell case, an AC adapter and a USB cable.
Evolved Recording in more ways than one. Our products are constantly evolving to meet the needs of the creators who use them. With the H5 Handy Recorder, the tradition continues. The H5 provides four tracks of simultaneous recording and, like our flagship H6, it can use all Zoom interchangeable input capsules, allowing you to choose the best microphone for every recording situation. The flexible and powerful H5 provides everything you need to create multitrack recordings, audio for video, and state-of-the-art podcasting, broadcasting and electronic newsgathering. Louder. Closer. Cleaner X/Y recording allows you to cover a wide area yet still capture sound sources in the center with clarity and definition, making it ideal for all types of live stereo recording. The XYH-5 X/Y microphone capsule included with the H5 provides two matched unidirectional condenser microphones set at a 90 degree angle. These are housed within an advanced shockmount that employs rugged external mic wires and rubberized material to isolate the unit from the H5 body and thus minimize vibration and handling noise. The design of the XYH-5 also allows the H5 to handle louder sounds than any other Handy Recorder model: 140 dB SPL, to be precise-equivalent to the sound of a jet aircraft from less than 200 feet away-enabling you to capture sounds louder, closer, and cleaner than you ever could before. Interchangeable capsules that can be swapped out easily as the lens of a camera The H5's modular design means that you can always use the best microphone for every recording environment. The Ultimate In Image Control Welcome to "Mid-Side" recording, a whole new level of precision in your ability to shape sound. The MSH-6 Capsule contains dual mic elements - a forward-facing, unidirectional mic (the "Mid") and a side-facing, bi-directional mic (the "Side"). Together with the H5's onboard MS decoder, they capture a fully mono-compatible stereo image that can actually be adjusted after recording - ideal for film, video, and television projects. All the Pickup, Half the Length The optional SGH-6 Shotgun Capsule adds a professional-quality, highly directional microphone to the H6, creating an ideal audio setup for film, video, live theater, and ENG (electronic newsgathering) applications. Three elements combined with digital signal processing inside the SGH-6 give you the highly directional pickup power of a conventional shotgun mic in a unit only half the size - ideal for recording dialogue and narration with no intrusive mic in the scene. Expanded Connectivity Plugging in the optional EXH-6 Dual XLR/TRS Combo Capsule gives you two more inputs. This allows you to connect up to four discrete signals from external microphones, instruments, mixers, or portable music players to fully realize your audio vision. It's all the power of a professional recording studio, right in the palm of your hand. Live Recording Personified The XYH-6 capsule adds two matched high-quality unidirectional microphones to your H6 or H5. This kind of microphone is most sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides; in technical terms, they are said to utilize a cardioid polar pattern. These mics have the largest diaphragm size (0.579" = 14.6mm) of any ever available on a portable recorder. As shown in this illustration, the angle of the two mics can easily be changed from 90 degrees to 120 degrees for a wider stereo image (US Patent 8184815). The Hardware User Interface In addition to standard transport controls (stop, play/pause, record, rewind and fast-forward), the front panel of the H5 offers dedicated record arming buttons for each track, which double as mute switches during playback. A Hold switch disables all front panel buttons to prevent accidental operation during recording. The H5 can be attached to a camera strap or, with the use of our optional Hot Shoe mount, mounted directly to a DSLR or camcorder. Inputs The H5 also provides everything you need to connect with the outside world. Dual combo XLR/TRS inputs that can handle both mic- and line-level signals allow you to connect external microphones and line-level devices like mixers, portable music players, effects processors and electronic keyboards-even electric guitars or basses equipped with active electronics. Each H5 input has its own dedicated gain control knob, located beneath a protective bar that prevents accidental movement during handling. The supplied XYH-5 X/Y capsule also provides a secondary input for connecting stereo mic- or line-level signal via a ⅛" mini phone jack. The H5 supports a +4 dB (professional) input level and utilizes the same high-quality preamps as our flagship H6, ensuring great-sounding recordings in all sonic environments. Outputs There are lots of output options as well. A dedicated Line Out with adjustable volume allows you to send a stereo audio output from the H5 to the mic input of a video camera or other device without the need for an attenuator cable. In addition, there's a separate headphone output with a dedicated volume control. You can use both outputs simultaneously to route audio to your DSLR while monitoring over headphones. There's also a built-in speaker for fast access playback, and a USB port which allows the H5 to be used as an audio interface for your computer or iPad. Power and Storage Just 2 AA batteries-either alkaline or rechargeable NiMH-are required for power. When using alkaline batteries, the H5 will operate for more than 15 hours, even while recording continuously. You can also use an optional AC adapter to power the H5 without batteries. The H5 records directly to SD and SDHC cards up to 32 gigabytes. Maximum recording time is dependent upon the card size and file type; for example, the supplied 2GB SD card can hold approximately fourteen hours of stereo 320kbps MP3 files, three hours of stereo 16-bit / 44.1 kHz WAV files, or an hour of stereo 24-bit / 96kHz WAV files. The Software File Types The H5 can operate in two different modes-choose stereo for two-track stereo recording, or multitrack for four-track recording (in either stereo pairs or individual mono tracks)-and it captures audio in the two most commonly used file formats: WAV and MP3.The WAV files recorded by the H5 can be 16- or 24-bit, with sampling rates of 44.1, 48, or 96kHz*. They are automatically time-stamped and thus Broadcast Wave Format (BWF) compliant, allowing for precise synchronization in video post-production. MP3 files, while slightly lower in fidelity, are much smaller than WAV files and are thus easier to email and post on social networking sites-allowing you to quickly and easily share your creations around the world.* 96kHz sampling rate available in stereo mode only Signal Processing The H5's onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low frequency rumble. There's even an onboard metronome and chromatic/guitar/bass tuner. Other Features But the list of H5 features doesn't end there. There's playback looping, pitch change and variable playback speed (without pitch change) to help with phrase training. A pre-record function that keeps the H5 continuously recording in the background, keeping the previous two seconds before you hit RECORD. There's an Auto-Record function that allows recording to begin automatically when a certain level of sound is detected and an equivalent Auto-Stop function that ends recording when the sound drops below a user-designated level, either immediately or up to 5 seconds later. And then there's Backup-Record-the ultimate safety net.* It enables the H5 to automatically record a duplicate set of stereo tracks with 12dB less input gain. Even if your original track is distorted, chances are the Backup version will be fine! You can even use your H5 as an audio interface, complete with a Loop Back function that makes it easy to add narration to music playback. Simply connect the H5 to your computer or iPad** via USB, launch your favorite DAW or use the included Cubase LE or WaveLab LE software, and start creating a masterpiece.* 44.1 and 48kHz WAV files only.** Apple Camera Connection Kit required. Attach to a video camera as an external microphone The H5 is perfect for use on a video or DSLR camera. The remarkable depth and clarity of sound achieved by the stereo mic design brings additional realism and depth to HD video. By attaching the H5 to a DSLR video camera with an optional hot shoe mount (HS-1), you can create a professional video system with high-quality sound. HS-1 Hot Shoe Mount (option) We now also offer a special accessory package for H5 Handy Recorder. The APH-5 package includes a windscreen (WSU-1) that provides a professional level of wind noise prevention, a remote controller (RCH-5) with REC, PLAY, STOP and other functions and an USB-type AC power adapter (AD-17).
Here at Zoom we've been building innovative, great-sounding products for the past thirty years. But with the revolutionary H6-the most versatile portable recorder ever-the bar is raised further still.Four interchangeable input capsules-X/Y, MS, Shotgun, and Dual XLR/TRS Combo-make the H6 the ultimate chameleon of the audio world, and its advanced preamps make it the best-sounding one too.Whatever your application-live recording, professional film/video work, or broadcast ENG (electronic news gathering), etc.-the H6 can handle it with ease. Main Features Interchangeable input capsules that can be swapped out as easily as the lens of a cameraSix-track simultaneous recordingFour mic/line inputs with XLR/TRS combo connectorsGain controls (real knobs!) and -20dB pads for each inputPhantom power for all main inputs: +12/+24/+48VLarge full-color LCD display, angled so it's easy to read in all environmentsRecords directly to SD, SDHC and SDXC cards up to 128GBUp to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formatsAuto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect takeMultitrack to stereo internal mixdownIndependent monitor and playback mixesVirtual VU metersVoice memo and up to 99 marks per recordingOverdubbing, up to 99 takesBuilt-in effects, including low-cut filtering, compression and limitingOnboard MS decodingNormalize, Divide and Trim editingChromatic tuner and metronomeLoop Playback with user-defined start and stop pointsVariable playback speed, from 50% to 150%Variable pitch per track without affecting playback speedUSB port for data exchange to and from computerMultichannel and stereo USB audio interface for PC/Mac/iPadCamera strap mountsMounts directly to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapterAccepts standard AA alkaline or NiMH rechargeable batteriesOver 20 hours of operation with 4 AA alkaline batteries The Ins and Outs Inputs The H6 offers four main inputs (1-4), plus two additional inputs (L, R) that are derived from whichever capsule (X/Y, MS, Shotgun, or Dual XLR/TRS Combo) is plugged into the unit. The supplied XYH-6 X/Y capsule also provides a secondary input for connecting an external mic- or line-level signal via a stereo 1/8" Mic/Line In mini phone jack. When a connection is made to that jack, signal from the X/Y microphones is muted. All four main H6 inputs (inputs 1-4) are combo connectors that can accept either XLR or 1/4" balanced or unbalanced phone cables. They can handle both micand line-level signals, which means that you can connect either external microphones or line-level devices like mixers, portable music players, electronic keyboards, or electric guitars or basses with active electronics (passive electric guitars or basses can also be connected with the use of a mixer or effects device). Internal switching contacts automatically detect the circuit of choice. On the H6, all connectors use the industry standard Pin 2 hot on XLR connectors and Tip hot on TRS connectors, as shown here: Each of the six inputs (that is, 1-4 as well a L, R) has a dedicated gain control knob. In addition, the four main inputs and the EXH-6 capsule feature a -20dB pad, allowing you to prevent distortion even when high-level signals are introduced. In fact, with the use of the Pad switch, the H6 can input a signal 30dB louder and 14dB softer than any other Handy Recorder model. In addition, all capsules utilize higher voltage preamps (5 volts instead of the more commonly used 3 volts) for distortion free recording, even at high volumes. A built-in instrumentation amp allows signals to be transmitted with minimal noise even when long cables are used. If you're using high-quality condenser (powered) microphones with the H6, no problem-a simple menu option allows the unit to provide Phantom Power (either +12, +24, or +48 volts) to any or all of the main inputs (inputs 1-4). Inexpensive condenser microphones requiring Plug-In Power (2.5 volts) can be connected to the X/Y capsule's stereo 1/8" Line In jack. Outputs The H6 Line Out is an unbalanced stereo 1/8" phone jack, located on the bottom of the H6, beneath the LCD display. It carries the analog stereo output signal, as determined by the H6's internal mixer. The H6 USB port, located on the side panel to the right of the LCD display, provides a digital output of either a stereo mix or the six individual input signals, depending upon the setting of the "Audio Interface" function in the USB menu. In addition, the H6 provides a headphone output with a dedicated volume control, located on the side panel to the left of the LCD display. Connect your headphones to the stereo 1/8" mini phone jack for private monitoring of the stereo output signal. The H6 even has a built-in speaker, located on the underside of the unit, for fast monophonic monitoring of the recorded signal without the need to make any connections whatsoever. This speaker is automatically disconnected when connection is made to either the Line Out or Headphone output. A little X, a little Y, a whole lotta stereo. The X/Y miking technique is optimal when you want to cover a wide area and still capture sound sources in the center with clarity and definition, making it great for all types of live stereo recording. The supplied XYH-6 X/Y capsule adds two matched high-quality unidirectional microphones to your H6. This kind of microphone is most sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides; in technical terms, they are said to utilize a cardioid polar pattern. These mics have the largest diaphragm size (0.579" = 14.6mm) of any ever available on a portable recorder. As shown in this illustration, the angle of the two mics can easily be changed from 90 degrees to 120 degrees for a wider stereo image (US Patent 8184815). Playing back stereo X/Y tracks in mono results in a fuller sound than you would get with one microphone, but if mono compatibility is critical (for example, in television production), the Mid-Side (MS) mic technique can be a better choice. Mid-Side mic magic Enter MS ("Mid-Side") recording: an incredible technique that allows you to actually adjust the width of the stereo image after it has been recorded, making it especially useful for film, video and television projects. Sound like magic? Read on. Although the H6's supplied MSH-6 MS capsule appears to be just one microphone, it actually contains two mic elements, positioned directly on top of one another. One of the microphones inside the MSH-6 is unidirectional (that is, it is mostly sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides) while the other is bi-directional (that is, it is mostly sensitive to signals coming from directly in front and directly behind, and less sensitive to signal coming from the sides). Inside the H6 MS capsule, the directional ("Mid") mic faces forwards while the bi-directional ("Side") mic is set perpendicular to it, like this: The basic concept behind MS recording is that the Mid microphone picks up signal coming from the center, while the Side microphone creates ambience and directionality by adding or subtracting information from either side. The Mid-Side technique works well whenever you need a variable amount of room sound. It can also be used for studio recording, and its convenience and flexibility make it a good option for rehearsal and live concert recording as well. Riding shotgun Our optional SGH-6 shotgun capsule adds a professional-quality hyper-directional (that is, highly directional) microphone to the H6, making it the perfect audio recorder for anyone working in film, video or live theater, or for ENG (electronic news gathering) applications. Thanks to the three internal mics with digital signal processing ability, the SGH-6 achieves a frequencyindependent super-cardioid polar pattern. Compared to ordinary shotgun microphones using an acoustic tube method, the SGH-6 maintains a highly directional pickup at about half the length. Shotgun microphones are often used when you cannot position a microphone directly in front of a sound source. For example, if someone is speaking in front of a video camera and you don't want them to hold an interview microphone up to their mouth, the solution is to use an off-screen shotgun mic. However, shotgun mics are not the audio equivalent of a photographic telephoto lens. Even though they do an above-average job of picking up sounds that originate from a short distance away, they always sound better when they're physically close to the sound source. If the capsule is more than three feet away, the audio will start to sound distant. The farther away it is, the more distant and reverberant the audio will become. Note: The SGH-6 is a monaural microphone. Need more inputs? If you need more inputs, simply plug in the optional EXH-6 Dual XLR/TRS Combo capsule. It allows you to connect up to six discrete signals from external microphones, instruments, mixers or portable music players, making the H6 the smallest six-track recorder on the planet! Note: The EXH-6 does not support phantom power. File types supported The H6 can record audio in two different basic file types: WAV and MP3. The main difference between the two is that WAV files are uncompressed; that is, they contain all the recorded data without any "bits" (digital words) being removed. Thus, they provide full fidelity without compromise. The H6 can record up to six monophonic WAV files (or up to three stereo files) in any of the following formats: 44.1kHz / 16-bit44.1kHz / 24-bit48kHz / 16-bit48kHz / 24-bit96kHz / 16-bit96kHz / 24-bit All WAV files recorded by the H6 are automatically time-stamped, making them fully compatible with the Broadcast Wave Format (BWF); in other words, they are "BWF-compliant." This is especially important when recording audio for video, because it allows the audio to be precisely synchronized with the onscreen action in postproduction. MP3 recordings are compressed, which means that some unnecessary data is removed prior to storage, making them much smaller than WAV files, and thus much easier to upload and download. Some MP3 files exhibit a slight loss of audio fidelity as compared with the original signal; however, this is not noticeable in all circumstances. NOTE that when the MP3 file type is selected, the H6 only records in stereo; if you want to record in multitrack, you must select a WAV file type. The H6's internal mixdown function allows multitrack WAV projects to be easily reduced down to stereo MP3 or WAV, with independent control over each track's level, panning and pitch. Never miss a take: Pre-record, Backup-record, and Auto-record. Pre-Record The interview started a splitsecond before you were ready. The conductor lifted his baton just as you were checking a cable. The talent went back on-air a moment too soon. No problem... as long as you're using the H6. Its Pre-record function automatically keeps the H6 silently but continuously recording in the background, all the time. Then, when you hit the RECORD button, it keeps the previous two seconds and appends it to the beginning of the file. It's as if the H6 had started recording two seconds before you actually got to hit the button. Backup-Record Backup-record-the ultimate safety net. When turned on during the recording of WAV files, the H6 automatically records a duplicate set of L/R tracks, but with 12dB less input gain. Even if the original L/R track is distorted, chances are the Backup version is fine. You can listen to either set of tracks simply by going to the Backup File option in the PROJECT menu. When turned OFF, you'll hear the original L/R tracks; when turned ON, you'll hear the lower-level Backup tracks instead. Pick the one you prefer and use it as your L/R master. Bacon saved. Auto-Record The Auto-record function allows the H6 to automatically start recording when a certain level of sound is detected. When turned ON and the RECORD button is pressed, the H6 doesn't immediately start recording; instead, it goes into a standby mode; as soon as an incoming signal exceeds the Start Level you've set, recording begins. There's an equivalent Autorecord Stop function, too. When turned ON, as soon as incoming signal drops below the Stop Level you've set, recording ends. Onboard effects The H6 provides an arsenal of effects that allows you to add polish to your recordings and compensate for any problems or limitations in the acoustics of the recording environment. A low-cut filter allows you to remove signal below a certain user-designated frequency (called a cutoff frequency). This is useful for eliminating pops, wind noise, blowing, transmitted resonance from an onstage mic stand and other kinds of low frequency rumble. Compression and limiting compensate for fluctuations in level; in essence, they act like an automatic volume control, reducing the level of louder sounds (that is, the sounds below a threshold point). The main difference between the two is that a limiter reduces louder sounds more severely. The H6 allows you to choose from three compressor settings and three limiter settings. The two "General" settings (Comp1 and Limiter1) are all-purpose settings that will work well on most kinds of program material. The Comp2 and Comp3 presets are optimized for use with vocals and drums, respectively, while the Limiter2 and Limiter3 presets are optimized for use in live concert recording and small room "studio" recording, respectively. In addition, there's an onboard metronome and chromatic / guitar / bass tuner-both handy tools when recording musical content. Battery life and recording times The H6 requires just 4 AA batteries-either alkaline or rechargeable NiMH-for power. Battery life (when using alkaline batteries) is more than 20 hours, even during continuous recording. An optional AD-17 AC adapter (included in the APH-6 Accessory Pack) allows you to power the H6 from any standard wall socket. The H6 records directly to SD cards. It supports standard SD cards as well as the newer SDHC and SDXC cards, up to 128 gigabytes, making it capable of accessing massive data storage. Using the H6 as an audio interface The H6's USB port allows it to send and receive digital data. Connect the H6 to your laptop or desktop computer via USB, launch your favorite DAW or use the included Cubase LE , and start laying down your tracks. You can even connect the H6 to an iPad (camera connection kit required).When the H6 is set to "Stereo Mix" in the USB menu, it acts as a 2-input / 2-output interface; when set to "Multi Track," it acts as a 6-input / 2-output interface. The H6's onboard INPUT&OUTPUT mixer allows you to create a custom stereo or six-track mix for output via USB, with independent control over the level and panning of each track, as well as access to effects like low-cut filtering, compression and limiting. In addition, signal that is input to the H6 can be monitored directly before it passes through the connected computer or iPad, enabling monitoring with zero latency (that is, without any delay). There's also a handy Loop Back mode that allows you to blend stereo signal coming from the computer or iPad with signal coming into the H6 inputs, useful for live streaming via the Internet or for adding narration to a musical backing track. Live concert recording The illustration shows how you might typically use the H6 for live concert recording. Here, the XYH-6 X/Y capsule is being used to capture the onstage performance in stereo. In addition, a stereo feed from the mixer is being sent to inputs 1 and 2 in order to record the board sound, and a pair of external mics is connected to inputs 3 and 4 to capture the audience sound. Location videography In the example shown in the illustration , the MSH-6 MS capsule is being used to capture the main sound source in stereo, with external boom and lavalier mics (connected to Inputs 1 and 2) focused on the talent providing narration. Another pair of external mics is connected to inputs 3 and 4 and are being used to record a second stereo image, this one of the other performers in the scene. By using the MS capsule, you can then use the H6's onboard MS decoder to adjust the width of the main stereo image in post-production. ENG The H6 is the perfect audio companion for anyone doing ENG work, especially when it is used with the optional SGH-6 Shotgun mic capsule, as shown in this example. Here, the SGH-6 is being used to capture the news event itself, recorded on the L/R track. Because shotgun mics have a narrower focus (sometimes referred to as more "reach") than an average microphone, the SGH-6 is the perfect choice when covering late-breaking news at a distance. In addition, the SGH-6 does a great job of picking up the frequencies produced by the human voice. Two external handheld mics for the interviewer and interview subject are plugged into Inputs 1 and 3, with backup external lavaliers plugged into Inputs 2 and 4. The H6's onboard effects and powerful mixing functions make it the ideal field mixer; the low-cut filter can be used to reduce wind noise, and the compressor/limiter can be used to condense the dynamic range and thus make the audio more television-friendly. The six recorded tracks can then be mixed down internally to a stereo MP3 file for microwave or satellite transmission to the broadcast facility. Rehearsal recording Want to record your band as they rehearse? No problem, especially if you plug in the optional EXH-6 Dual XLR/TRS capsule, which allows six discrete mic- or line-level connections to be made to your H6. In this example, a stereo submix of the mics covering the drum kit is being fed from the PA mixer to the L/R inputs of the H6 via the EXH-6. The four main inputs are used as follows: the lead singer's mic is connected to Input 1; a microphone positioned in front of the guitar amp is connected to Input 2; a direct signal from the bass player's active electric bass is connected to Input 3; and an electronic keyboard is connected to Input 4. Thus, each instrument and vocal is receiving a track of its own (or, in the case of the drums, two tracks). Being able to spread your instruments and vocals over six tracks instead of four gives you an extra degree of flexibility that other handy recorders cannot provide. As you listen back to your song, new musical ideas may spring to mind, and that's where the H6's powerful overdubbing function comes into play, because it allows any of the tracks to be redone-up to 99 different takes-meaning that you can reshape your song after the fact. The SD, SDHC and SDXC logos are trademarks. Steinberg and Cubase are registered trademarks of Steinberg Media Technologies GmbH. The use of MPEG Layer-3 audio compression technology is licensed from Fraunhofer IIS and Sisvel SpA. Windows®, Windows® 8, Windows® 7, Windows Vista® and Windows® XP are trademarks or registered trademarks of Microsoft Corporation. Macintosh, Mac OS and iPad are trademarks or registered trademarks of Apple Inc. Unauthorized recording of concerts, lectures and other public performances is prohibited by law. All other trademarks,product names, and company names mentioned in this documentation are the property of their respective owners. Allfeatures and specifications are subject to change without notice.
The ZOOM H8 Handy Recorder The only recorder that adapts to your way of creating There’s An App For Your Workflow Whether you’re capturing audio on location, recording music, or producing a podcast, the H8 color touchscreen adapts to your project’s needs with three App-driven interface options. All with the touch of your finger. The Podcast App The PODCAST App makes high-production quality simple. With dedicated Sound Pads, use the touch screen to trigger sound effects, music beds and more. Choose from 13 high quality sounds or load your own via an SD card.The Podcast app accommodates up to 4 mics and two Sound Pad channels. The Music App The MUSIC App puts all the important controls at your fingertips: audio levels, faders, metering and more. With 10 inputs and 12 tracks, capturing a large group is easy. Mix, overdub, and enhance your recordings with EQ and compression. Connect to Zoom’s Guitar Lab via USB to access an endless assortment of amps and effects. The Field App The FIELD App is ideal for location sound, sound design, conferences, and more. It gives you instant access to large meters for every track, so you can make sure your recordings never clip. Adjust input type, lo-cut, compress, limiter, noise gate, and other key settings. The Mic Capsule The H8 comes with the Zoom XYH-6 microphone. This capsule provides two matched high-quality unidirectional mics, for capturing signal directly in front of the recorder. With the Zoom mic capsule system you can easily swap capsules to ensure you’re always using the right mic for the job. SIX INTERCHANGEABLE MIC CAPSULES XYH-6 Mic Capsule: This X/Y capsule comes standard with the H8. The capsule adds two matched high-quality unidirectional microphones to your H8. This Mic is most sensitive to signal coming directly in front and less sensitive to signal coming from behind or from the sides, in technical terms, they are said to utilize a cardiod polar pattern. MSH-6 Mic Capsule: Mid Side Mic Magic. MS ("Mid-Side") recording is an incredible technique that allows you to actually adjust the width of the stereo image after it has been recorded, making it especially useful for film, video and television projects. XYH-5 Mic Capsule: X/Y stereo recording allows you to cover a wide area yet still capture a strong center image. This microphone capsule features two matched unidirectional condenser micrphones set at a 90 degree angle and housed within an advanced shockmount to minimize vibration and handling noise, making it ideal for location videography and live broadcast/podcast applications. SGH-6 Mic Capsule: This Shotgun capsule adds a professional quality hyperdirectional (that is, highly directional) microphone turning your H8 into the perfect audio recorder for anyone working with film, video or live theater, or for ENG (electronic news gathering) applications. EXH-6 Mic Capsule: If you need more inputs, simply plug in the EXH-6 Dual XLR/TRS Combo capsule. It allows you to connect two additional discrete channels for external microphones, instruments, mixers or portable music players. SSH-6 Mic Capsule: This mid side stereo shotgun capsule includes a super directional microphone for picking up sound in the center as well as a bidirectional side mic for picking up sound from the left and right. This allows you to record a fully mono-compatible stereo image ideal for film, video and television projects. For example, you can capture dialogue with the center mic, and then mix in the desired amount of enviromental sound captured by the side mic directly on your Zoom recorder, or in postproduction. A hairy windscreen is included for reduction of wind noise. Next Generation Capsule System Zoom’s Capsule System 2.0 allows up to 4 channels of audio to be added to the H8's capsule connection, creating new ways to expand your recording capabilities. XAH-8 COMBINATION XY/AB MIC The XAH-8 capsule delivers pristine stereo recordings. Easily rotate the capsules from a tight XY pattern to a wide AB pattern to enhance the stereo image of your recordings. VRH-8 AMBISONIC MIC The VRH-8 is an Ambisonic mic capsule that utilizes four condenser microphones to deliver immersive 360 audio recordings. A built-in accelerometer helps ensure the capsule is always perfectly aligned, while the on-board Ambisonic decoder automatically handles the necessary conversions, saving you time in post-production. EXH-8 EXPANDER CAPSULE The EXH-8 capsule provides 4 additional XLR inputs, giving you a total of 10. Each additional input has a dedicated gain knob and pad switch. You can even use your favorite condenser microphones—just connect a power source to the EXH-8 capsule to supply phantom power. Remote Control You can monitor level meters and hit REC,PLAY, and STOP in each H8 application mode. Just insert the BTA-1 to your H8 and connect to your iOS device. The H8 Control App is freely available from App Store. *BTA-1 sold separately. Inputs & Outputs H8 offers 4 XLR inputs with dedicated pad switches and gain control. 2 additional XLR/TRS combo jacks with Hi-Z switches allow you to capture line level signals, microphones, or directly record electric guitars and basses. Monitor tracks using the built-in 1/8” headphone output or connect directly to your camera using the dedicated stereo line output. Multi-Channel Audio Interface The H8 is a powerful USB audio interface. Connect via USB to your PC, Mac, or iPad for up to 12 channels of simultaneous recording. Recording Time & File Formats Get more than 10 hours of recording time from just 4 AA batteries. Or record forever with the optional AD-17 adapter. The H8 records BWF-compliant WAV and MP3 files in any of the following formats: 44.1kHz/16-bit, 44.1kHz/24-bit, 48kHz/16-bit 48kHz/24-bit, 96kHz/16-bit, 96kHz/24-bit State-of-the-Art Editing The Zoom H8 comes with a free download license for Cubase LE and Steinberg’s WaveLab Cast software. WaveLab Cast helps you to finalize your project with a wide range of comprehensive editing, mixing, and refinement tools. Podcasting WaveLab Cast connects you directly with podcast directories, such as Spreaker or Podbean*. You can upload episodes quickly, plus directly create and publish RSS feeds. Audio for Video Import your video file and WaveLab Cast will automatically extract the audio. You can use the editing tools to lower unwanted noise, change levels and remove loud sibilants. Metering options allow you to build new tracks, fade-in your music, use EQ and compression. Re-attach the audio to the video file using WaveLab Cast’s export functions. Field Recording WaveLab Cast supports up to 96KHz audio quality and includes a high-end re-sampler. RestoreRig removes noise and unwanted sounds. You can assemble new files using the snap functions and crossfade options. Once you’re done, export your sound files in any popular audio format. For information on license activation and upgrades, visit our Steinberg Software support page. What’s in the Box Here is what comes included in the package: H8 Handy Recorder XYH-6 X/Y Mic Capsule AA Batteries (x4) Quick Guide Steinberg Cubase LE download software Steinberg WaveLab Cast download software Optional Accessories WSH-6 Foam Windscreen for XYH-6 WSU-1 Universal Windscreen PCH-8 Protective Case for H8 XYH-5 XY stereo mic capsule MSH-6 MS stereo mic capsule SGH-6 Shotgun mic capsule SSH-6 Stereo Shotgun mic capsule EXH-6 Dual XLR/TRS Combo capsule HS-1 Hot Shoe Mount adapter ECM-3 Extension Cable (3 meters) ECM-6 Extension Cable (6 meters) HRM-7 Handy Recorder Mount (7 inches) HRM-11 Handy Recorder Mount (11 inches) AD-17 AC Adaptor SCU-40 Universal Soft Shell Case ZDM-1PMP Podcast Mic Pack H8 Features: Customized applications for field recording, music and podcasting 3 distinct interfaces for field recording, music and podcasting Interchangeable input capsules 12-track simultaneous recording Four mic inputs and two XLR/TRS combo connectors Gain control knobs and -20dB pads for each input Supplied XYH-6 X/Y capsule provides secondary input via a stereo ⅛” Mic/Line In mini phone jack Phantom power for all six XLR mic inputs: +24/+48V Large color LCD touchscreen display Records directly to SD, SDHC and SDXC cards up to 512GB Up to 24-bit /96kHz audio in BWF-compliant WAV or a variety of MP3 formats Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take Built-in effects, including low-cut filtering, compression, and limiting Multichannel and stereo USB audio interface for PC/Mac/iPad Accepts standard AA alkaline or NiMH rechargeable batteries Over 10 hours of operation with 4 AA alkaline batteries Main Specifications: Number of input channels 8 (XY mic capsule, 1-4, A, B) Number of output channels 2 (stereo headphone and stereo line) Connectors MIC IN ZOOM mic connector INPUT 1-4 XLR jacks (2: HOT) INPUT A/B XLR/TRS combo jacks (XLR: 2 hot, TRS: TIP hot) USB USB Micro-B (audio interface, mass storage and Guitar Lab connection functions) Note: Use a USB cable that supports data transfer. Operation using USB bus power is possible. REMOTE ZOOM BTA-1 or other dedicated wireless adapter LINE OUT 3.5 mm stereo mini PHONE OUT 3.5 mm stereo mini Phantom power +24 V/+48 V (independent ON/OFF for INPUTS 1–4, A and B) Recorder Recording media Cards that support SD/SDHC/SDXC specifications Formats WAV: 44.1/48/96 kHz, 16/24-bit, mono/stereo MP3: 128, 192, 320 kbps Maximum simultaneous recording tracks 12 (MIC IN, backup recording, 1-4, A, B, and LR) Audio interface Multitrack mode 44.1/48/96 kHz, 16/24-bit, 12-in/2-out Stereo mix mode 44.1/48 kHz, 24-bit, 2-in/2-out Tuner Chromatic/Guitar/Bass/Open A/Open D/Open E/ Open G/DADGAD Built-in speaker 400 mW 8Ω mono speaker Display 2.4" (320×240) full-colour touchscreen LCD Power ï 4 AA batteries (alkaline, NiMH or lithium) ï AC adapter (ZOOM AD-17): DC 5 V/1A ï USB bus power
The Zoom HS-1 Hot Shoe Mount is an optional accessory for Zoom's H1 / H4n Handy Recorder. It allows you to attach your H1 or H4n to a DSLR video camera. The remarkable depth and clarity of sound achieved by the stereo X/Y mic design brings additional realism and depth to HD video.
For the iPhone, iPad and iPod Touch Turn your favorite iOS device into a field recorder by plugging in a Zoom iQ6 - a stereo X/Y microphone with a Lightning connector small enough to slip into your pocket. Capture the sound of concerts, interviews, meetings and lectures with precision and full fidelity, then share your creations with the world. Capture the Moment The compact and lightweight iQ6 allows you to create high-quality recordings wherever you go. Whether it's a podcast on the fly, an impromptu concert or a sound effect you want to incorporate into your next video, you can count on your iQ6 to capture the moment with superior audio. X/Y Stereo for Versatility and Realism The iQ6 features two high quality unidirectional condenser microphones in an X/Y configuration-the same ones used in our world-famous H4n Handy Recorder. X/Y stereo recording is a great way to cover a wide area while still capturing sound sources in the center with clarity and definition. You can even change the mic angle from 90 degrees for a tightly focused image to 120 degrees for immersive wide-angle stereo. (US Patent 8184815) Microphone In, Headphone Out The iQ6's large analog-type MIC GAIN wheel and three-segment level LEDs ensure that you'll always get great audio in every environment - from quiet meetings to loud concerts- with crystal clarity and no signal overload. The iQ6's dedicated headphone jack -which doubles as a line output- enables direct monitoring during both recording and playback. Extend Connectors, Removeable Spacer The iQ6 comes with an extended Lightning connector and removable spacer that allows it to be used with most iPhone, iPad and iPod cases. Simply plug your iQ6 in and start making great-sounding stereo recordings! * Some cases might prevent connection even when the case adjuster is removed. The Zoom Handy Recorder App Zoom's Handy Recorder app, available for free from the iTunes App Store, provides a wealth of tools for your iQ6 and iOS device. In addition to offering onscreen level metering, it enables you to set the iQ6 headphone volume, as well as adding an automatic recording function-handy for capturing the sound of meetings, speeches, and other situations where you don't want to miss a thing. Choose linear PCM format for the highest quality sound or AAC format to conserve storage space, then apply compression, EQ and reverb effects to your recordings. Handy Recorder even allows you to email your files to friends and to upload them to SoundCloud for sharing with the world. Expanded Compatibility for Enhanced Creativity Take your creations to a whole new level with the iQ6. It works not only with Apple's Voice Memo and Garageband, but with most apps that support input from an external microphone. Use the iQ6 with voice recognition apps to add high-quality audio; with streaming apps to broadcast live performances; and with music apps to record vocals and instruments in full range stereo. WSU-1 Universal Windscreen The optional WSU-1 Universal Windscreen reduces wind noise while remaining acoustically transparent. Not only with the iQ6, but it can be used with other ZOOM Handy Recorders and Handy Video Recorders. * "Made for iPod," "Made for iPhone," and "Made for iPad" mean that an electronic accessory has been designed to connect specifically to iPod, iPhone, or iPad, respectively, and has been certified by the developer to meet Apple performance standards. Apple is not responsible for the operation of this device or its compliance with safety and regulatory standards. Please note that the use of this accessory with iPod, iPhone, or iPad may affect wireless performance. * iPad, iPhone, iPod, iPod touch and Retina are trademarks of Apple Inc., registered in the U.S. and other countries. iPad Air, iPad mini, and Lightning are trademarks of Apple Inc
Superior Stereo On the Go Meet The iQ7 For the iPhone, iPad, and iPod Touch. When you're ready to take your iOS audio to the next level, plug in a Zoom iQ7. This compact yet full-featured mid-side stereo condenser mic is perfect for capturing music as well as video with outstanding audio. With the iQ7, you can create great-sounding recordings on your iPhone, iPad and iPod Touch any time, any place. Create and Innovate Connect an iQ7 to your iOS device and prepare to make your mark on the world. Craft audio that makes a difference. Move from bystander to creator. Comprehensive Control The iQ7 offers advanced features that allow you to create extraordinary stereo recordings every time. A large front-facing MIC GAIN knob allows you to easily set the optimum input level, and three-segment LED level meters ensure clean, crisp sound with no signal overload. In addition, a dedicated headphone jack—which doubles as a line output—allows you to monitor your audio during both recording and playback. Extended Compatibility The iQ7 works with all Lightning-equipped iOS devices. It comes with an extended Lightning connector and a removable spacer for compatibility with most iPhone, iPad, and iPod cases. Leave your case on and start recording. Perfect Left-Right Every Time The iQ7's rotating mechanism ensures correct left-right stereo orientation whether you're creating audio-only recordings or capturing audio for your video. Mid-Side Recording Mid-side is an advanced recording technique that allows the width of the stereo image to be varied, even in post-production. The two microphone elements in the iQ7 include a directional "mid" mic that captures signal coming from directly in front of your iOS device, and a bidirectional "side" mic that captures the audio coming from both sides. A three-way switch allows you to select between 90° (to focus on sounds coming from the center) and 120° (for a wider image that includes ambience and room signal). A third setting, labeled "M-S," enables you record the audio "raw" and adjust its stereo width afterwards, using Zoom's free downloadable Handy Recorder iOS app. The Zoom Handy Recorder App Zoom's free Handy Recorder app, available from the iTunes App Store, adds a wealth of audio tools to your iOS device. Overdub to the stereo recordings created with your iQ7. Perform fine editing functions in its waveform display. Save your files in either linear PCM or AAC file formats. Apply onboard effects such as compression, EQ, and reverb to further enhance the sound. Handy Recorder even allows you to email the audio you create and to upload it to SoundCloud for sharing with the world. Amplify Your Creativity The iQ7 is compatible with most iOS apps that support input from an external microphone, including Apple's Voice Memo and Garageband, as well as other popular music recording, voice recognition, and streaming apps. Apps that provide support for multiple sampling rates—such as Handy Recorder—work great too, allowing you to choose between 44.1 and 48kHz recording for optimum audio quality. Specifications: Mid-side (M-S) stereo microphone (90°/120°/M-S) Stereo mini ⅛" jack (combined headphone/line level output) Audio Quality: 44.1kHz/16-bit , 48kHz/16-bit Input Gain: +3 to +43dB Maximum Input Sound Pressure: 120dB SPL Lightning Connector Powered by the connected iOS device Compatible Devices: iPhone (5, 5s, 5c, 6, and 6+), iPod touch (5th generation), iPad (4th generation), iPad Air, iPad mini, iPad mini with Retina display iOS 6.0 or newer supported Includes Operation Manual and Foam Windscreen Dimensions: 54.5 (w) x 57.2 (d) x 26.5 (h) mm Weighs 30.5g
The Board That Does it All LiveTrack L-12 Mix, Record, Monitor, Playback and Remix With the LiveTrak L-12, you can finally mix, record, and monitor with a single piece of gear. It’s the only digital console that lets you mix your live performance and record up to 12 discrete channels – all while providing five individual custom headphone mixes. Effortless Live Mixing LiveTrak’s 12 discrete channels (eight mono plus two stereo) have a 3-band mid-parametric EQ and 16 built-in send effects. Its eight mono channels also have a dedicated compressor. With all these controls plus its 12-segment LED metering, the L-12 offers just what you need for intuitive mixing. Let's Take a Tour The Channel Strip ( 1 )All 12 inputs include a channel fader and mute button. The eight mono inputs also include single-knob compression and gain control. Record or playback individual channels with the "Rec/Play" button. Use the "Select" button to apply Channel Strip settings (EQ and panning controls, and "EFX Return" settings) to the selected channel. Easy EQ Control ( 2 )The L-12 provides a smooth 3-band mid-parametric EQ and a low cut function for each input channel. Plenty of Inputs ( 3 )The L-12’s combo inputs support XLR or 1/4-inch connections. Channels 1 and 2 offer Hi-Z inputs for connecting an electric guitar or bass. Channels 9/10 and 11/12 have TS line connectivity for keyboards and other audio devices, as well as RCA inputs. Navigation and Display ( 4 )LiveTrak’s bright, backlit LCD screen and encoder knob let you access an intuitive menu system to create new projects, recall previous projects, and customize your recorder settings. 16 Onboard Effects ( 5 )The L-12 offers 16 built-in effects with fully adjustable parameters. Choose from delay and reverb effects, then apply them to any channel. Custom Scene Settings ( 6 )Save up to nine different scenes and recall your custom settings automatically. Each scene saves fader position, EQ settings, pan, mute, and more. The “Fader Mode” buttons allow you to design custom mixes for both the Master and monitor outs. Slate Mic and Metronome ( 7 )Use the built-in slate mic to record comments or talk-back, and program the metronome to your desired tempo. Flexible Monitoring Options ( 8 )Five powered headphone outputs can send individual monitor sub mixes to headphones, in-ear monitors, or powered monitor speakers. Headphone output A also features two 1/4" outputs for connection to additional monitors. The main outputs feature XLR connectors to easily connect to your PA. USB Connectivity for your DAW LiveTrak is also a 14-in/4-out USB audio interface with flexible routing options, offering unlimited possibilities. Class compliant mode, which enables connection with iOS devices, is also supported.* *Apple Lightning to USB Camera Adapter required. What's Under the Hood Our Best Mic Preamps YetAt -128 dBu EIN with +60 dB maximum input gain, LiveTrak is equipped with the quietest and most advanced preamps we’ve ever made. Just wait until you hear how incredible it sounds. High-Definition Sample RatesThe L-12 supports sample rates up to 96 kHz when recording to an SD card, allowing you to record in high definition. In Audio Interface mode, the L-12 can record up to 48 kHz to a computer and an SD card simultaneously. Convenient Auto RecordingRecord automatically by adjusting the L-12’s customizable audio input commands. Set it to start when the master fader detects a certain dB level, or use a guitar chord or snare hit to start the track. You can capture data up to two seconds before recording starts, in case a performance begins ahead of time. Versatile Operation ModesThe L-12 is equipped with several operation modes. Audio Interface mode lets you route inputs and outputs to any DAW. With USB Host mode, transfer projects and audio files to a connected USB flash drive. In Card Reader mode, the L-12 acts as an SD card reader, allowing you to transfer audio files to and from your computer. Features at a Glance 12 discrete channels (8 mono plus 2 stereo) with XLR or 1/4-inch connectivity 14-track simultaneous recording, 12-track playback 14-in/4-out USB audio interface connectivity 5 powered headphone outputs, each with a customizable and saveable mix Add backing/click tracks from your computer to your live mix and recording RCA and TS line inputs 48V phantom power (channels 1-4 and 5-8) Hi-Z connectivity (channels 1 and 2) 26 dB pad (channels 3-8) Built-in compression control (Channels 1-8) Digital level meters -48 dB to -0 dB Master mute button Low-cut control Stereo panning Master and Monitor Outputs A-E Scene saving function, up to 9 scenes saved at a time 16 built-in delay and reverb effects with adjustable parameters Built-in slate mic Class-compliant mode (for iOS compatibility) SD card input Built-in metronome Automatic recording starting/stopping capability Project protection Import/export projects with USB 2.0 host port Latency adjustment for A-to-D conversion Compatible functions for ZOOM FS01 footswitch
The LiveTrak L-20 MORE BOARD. MORE MUSIC. The LiveTrak™ L-20 is the new digital console offering everything creators need to mix, monitor, and record complex productions. With 20 discrete audio channels and six individual custom monitor mixes, it’s built for bigger, bolder arrangements. 20 Inputs for Bigger Sound The LiveTrak L-20 is designed to mix bigger. It features 20 inputs(16 mono mic/line inputs and two stereo inputs), all with independent3-band mid-parametric EQ. The 16 mono inputs offer stand-alone compressor control. 22 Tracks of Recording Record 20 discrete channels plus a stereo mix directly to an SD card. The LiveTrak L-20 captures pristine audio in resolutions up to 24-bit/96 kHz.* At -128 dBu EIN with +60 dB maximum input gain, the L-20 is equipped with our quietest and most advanced preamps ever. Mix down finished songs on the L-20 or transfer your discrete tracks to a DAW to perfect later. *Effects, EQ, overdub, audio interface, and fader modes A-F are not available in 96 kHz. " I could unload two racks worth of gear and it still wouldn’t add up to everything the L-20 can do. It’s easy. It’s intuitive. It expands my abilities as an engineer." Joe Wohlmuth Sound Engineer: Shakira, Josh Groban, Celine Dion, Thirty Seconds to Mars Create Six Custom Monitor Mixes With six independent monitor outputs for musicians, each output can have its own custom mix, complete with effects, that can easily be switched from a powerful headphone output, to a balanced line output for stage monitors. And One for the House The LiveTrak L-20 features a dedicated 7th output for the FOH engineer. The sound engineer can monitor the main mix and any of the sub mixes, thus adjusting them to the musicians’ satisfaction. "What I love about the L-20 is the flexibility it gives you with 20 channels, preamp effects, six individual mixes and high-quality multi-mode recording. This little board is like the Swiss army knife of boards. 1000000000 hugs!" Carlitos Del Puerto Bassist- Chick Corea + Steve Gadd Band, Quincy Jones, Bruce Springsteen Big Beautiful Interface Although the LiveTrak L-20 is designed to work as a stand-alone recording and mixing console, it can also be used as a 22-in/4-out USB audio interface. Audio Interface mode lets you route inputs to any DAW or streaming software, even while recording to an SD card. Additionally, audio can be routed from your computer into the L-20 to be mixed with your live performance. Class compliant mode, which enables connection with iOS devices, is supported as well.* *Apple Lightning to USB Camera Adapter required. Wireless Mixing The LiveTrak L-20 offers wireless control* via a free iOS mobile app featuring most onboard functions, including Fader Levels and Modes, Scenes, EQ, EFX sends, returns, parameters, and more. You can even manage your Effects Library and Scene Library right from your device. Control it all on either large Monitor Out view with a mini transport, or a mini Monitor Out view with expanded Transport controls. * Zoom Bluetooth adapter (ex. BTA-1) required. Communication at up to 10 meters is possible in an unobstructed indoor space with BTA-1 units.Compatible with all iPad Air models, iPad Mini 2 and later, iPad Pro, and iPad (2017), running iOS 10.3.3 or newer. Add More To Your Mix What's in the Box Included with the L-20 LiveTrak L-20 AD-19 AC Adapter USB 2.0 Cable Quick Guide Optional Accessories RKL-12 Rack Mount Adapter BTA-1 Bluetooth Adapter FS-01 Momentary Footswitch CBL-20 Carrying Bag L-20 Features 20 discrete channels (16 mono plus 2 stereo) with XLR or ¼-inch connectivity 22-track simultaneous recording, 20-track playback 22-in/4-out USB audio interface connectivity Records up to 24bit/96kHz audio to SD card 48V phantom power Hi-Z connectivity (channels 1-2) 26dB pad (channels 3-16) Built-in compression control (Channels 1-16) Solo buttons for individual channels Variable frequency low-cut control Main outputs plus 6 customizable monitor outputs Dedicated headphone output for sound engineer Scene saving function, up to 9 scenes saved at a time 20 built-in chorus, delay and reverb effects with adjustable parameters Two effect busses Built-in slate mic Class-compliant mode (for iOS compatibility) Compatible with Remote Mixer app for iPad Automatic recording starting/stopping capability Pre-record function Import/export projects with USB 2.0 host port Compatible functions for ZOOM FS01 footswitch Automatic power-save function
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