The LiveTrak L-20 MORE BOARD. MORE MUSIC. The LiveTrak™ L-20 is the new digital console offering everything creators need to mix, monitor, and record complex productions. With 20 discrete audio channels and six individual custom monitor mixes, it’s built for bigger, bolder arrangements. 20 Inputs for Bigger Sound The LiveTrak L-20 is designed to mix bigger. It features 20 inputs(16 mono mic/line inputs and two stereo inputs), all with independent3-band mid-parametric EQ. The 16 mono inputs offer stand-alone compressor control. 22 Tracks of Recording Record 20 discrete channels plus a stereo mix directly to an SD card. The LiveTrak L-20 captures pristine audio in resolutions up to 24-bit/96 kHz.* At -128 dBu EIN with +60 dB maximum input gain, the L-20 is equipped with our quietest and most advanced preamps ever. Mix down finished songs on the L-20 or transfer your discrete tracks to a DAW to perfect later. *Effects, EQ, overdub, audio interface, and fader modes A-F are not available in 96 kHz. " I could unload two racks worth of gear and it still wouldn’t add up to everything the L-20 can do. It’s easy. It’s intuitive. It expands my abilities as an engineer." Joe Wohlmuth Sound Engineer: Shakira, Josh Groban, Celine Dion, Thirty Seconds to Mars Create Six Custom Monitor Mixes With six independent monitor outputs for musicians, each output can have its own custom mix, complete with effects, that can easily be switched from a powerful headphone output, to a balanced line output for stage monitors. And One for the House The LiveTrak L-20 features a dedicated 7th output for the FOH engineer. The sound engineer can monitor the main mix and any of the sub mixes, thus adjusting them to the musicians’ satisfaction. "What I love about the L-20 is the flexibility it gives you with 20 channels, preamp effects, six individual mixes and high-quality multi-mode recording. This little board is like the Swiss army knife of boards. 1000000000 hugs!" Carlitos Del Puerto Bassist- Chick Corea + Steve Gadd Band, Quincy Jones, Bruce Springsteen Big Beautiful Interface Although the LiveTrak L-20 is designed to work as a stand-alone recording and mixing console, it can also be used as a 22-in/4-out USB audio interface. Audio Interface mode lets you route inputs to any DAW or streaming software, even while recording to an SD card. Additionally, audio can be routed from your computer into the L-20 to be mixed with your live performance. Class compliant mode, which enables connection with iOS devices, is supported as well.* *Apple Lightning to USB Camera Adapter required. Wireless Mixing The LiveTrak L-20 offers wireless control* via a free iOS mobile app featuring most onboard functions, including Fader Levels and Modes, Scenes, EQ, EFX sends, returns, parameters, and more. You can even manage your Effects Library and Scene Library right from your device. Control it all on either large Monitor Out view with a mini transport, or a mini Monitor Out view with expanded Transport controls. * Zoom Bluetooth adapter (ex. BTA-1) required. Communication at up to 10 meters is possible in an unobstructed indoor space with BTA-1 units.Compatible with all iPad Air models, iPad Mini 2 and later, iPad Pro, and iPad (2017), running iOS 10.3.3 or newer. Add More To Your Mix What's in the Box Included with the L-20 LiveTrak L-20 AD-19 AC Adapter USB 2.0 Cable Quick Guide Optional Accessories RKL-12 Rack Mount Adapter BTA-1 Bluetooth Adapter FS-01 Momentary Footswitch CBL-20 Carrying Bag L-20 Features 20 discrete channels (16 mono plus 2 stereo) with XLR or ¼-inch connectivity 22-track simultaneous recording, 20-track playback 22-in/4-out USB audio interface connectivity Records up to 24bit/96kHz audio to SD card 48V phantom power Hi-Z connectivity (channels 1-2) 26dB pad (channels 3-16) Built-in compression control (Channels 1-16) Solo buttons for individual channels Variable frequency low-cut control Main outputs plus 6 customizable monitor outputs Dedicated headphone output for sound engineer Scene saving function, up to 9 scenes saved at a time 20 built-in chorus, delay and reverb effects with adjustable parameters Two effect busses Built-in slate mic Class-compliant mode (for iOS compatibility) Compatible with Remote Mixer app for iPad Automatic recording starting/stopping capability Pre-record function Import/export projects with USB 2.0 host port Compatible functions for ZOOM FS01 footswitch Automatic power-save function
The ZOOM LIVETRAK L-8 Podcasting, Music and Beyond The Board for Creators Creators are evolving—and so are we. Zoom LiveTrak L-8 makes it easier than ever to mix, monitor and record professional-sounding podcasts and music performances in one portable, affordable package. Power to the Podcast Podcast creators are a special breed. They require a unique set of audio features, along with the flexibility of a proper mixing console. The LiveTrak L-8 combines Zoom’s famous audio performance with features made for podcasters. Sound Pad Magic Just press a button to play intros, outros, jingles, ads and sound effects. With 6 easily-assignable Sound Pads, the right sound is at your fingertips. First-Time Caller, Long-Time Listener Remote interviews are a snap with the L-8; just connect your phone via the provided TRRS cable. The Mix-Minus function automatically prevents echo and feedback to and from the caller. Or use the USB connection to route audio from Skype, Facetime, Hangouts, Slack and more. Freedom of Speech Zoom’s preamps are famous for a good reason: they’re transparent, powerful and ultra-reliable. The L-8 features six independent Zoom preamps, built to handle anything from a whisper to a raucous debate. A Track for Everyone The pros know that when you record everyone on their own separate track it just sounds better and provides more flexibility in the edit. The L-8 records separate tracks directly to your SD card, enabling you to edit them later. Hear Yourself Talk If you can’t hear yourself, how are you supposed to speak your mind? The L-8 is equipped with four headphone outputs, so that each participant can clearly hear what is going on. On Air, On the Move The Zoom LiveTrak L-8 can run up to 1 ½ hours with just four AA batteries, or on a USB battery, so you can podcast from anywhere. Record Twice, Once Used as an audio interface, the L-8 can record full episodes directly to your computer and an SD card simultaneously. You can also live stream while recording. L-8 is class compliant, enabling connection with iOS devices. Apple Lightning to USB Camera Adapter required. Save Settings.Save Time. Once you’ve dialed in your mix…save it! The L-8 lets you save up to 7 show “scenes” that can be saved and instantly recalled at the press of a button "The L-8 is a game-changer for podcasters." Ming Chen A Shared Universe Podcast Studio, Podcaster, Entrepreneur and Creator The Board for Musicians Small in Size Big on Sound From singer-songwriters to small bands, the L-8 is the ideal mixer and recorder for musicians who may be small in number, but big on sound. Coming Through Loud & Clear The L-8 features six high performance preamps each with phantom power, a low noise floor (-121dBU EIN), and maximum input gain of +54dB. Additionally there are two each Hi-Z, line-level and USB inputs. You can also fine-tune each channel with EQ and onboard effects. True Multi-Track Recording The L-8 lets you record up to 10 discrete tracks plus a stereo mix directly to an SD card at resolutions up to 24-bit/96 kHz*. You can punch-in and overdub with ease, then transfer your work to your favorite DAW for fine tuning. *Effects, EQ, overdub, and audio interface are not available in 96 kHz. Go Out & Play No outlet? No worries. Get up to 1 ½ hours of power from just four AA batteries. You can also power using a USB battery, and with the L-8’s unique USB connection design, you never have to worry about accidentally disconnecting. Individual Monitor Mixes Never settle for that “compromise” monitor mix again. The L-8 provides three custom monitor mixes, so no matter where you are on stage, you hear exactly what you need. WHAT'S INCLUDED LiveTrak L-8 Mixer/Recorder TRRS Cable USB Cable AD-17 AC Adapter Quick Guide Features: 8-channel mixer (6 combo, plus 2 TS) 12-track simultaneous recording, 10-track playback Mix-Minus function preventing audio feedback from dial-in guests TRRS connection and included TRRS cable for phone connectivity 6 assignable Sound Pads, with 13 preset sounds 4 headphone outputs, consisting of 3 custom monitor mixes, plus one main mix 3-band EQ and a low-cut function 7 scene memories for storing mixes 12-in / 4-out USB audio interface Class-compliant mode (for iOS compatibility) Battery operated with four AA batteries or a USB power supply Record up to 24-bit/96kHz, record up to 48kHZ to computer and SD card simultaneously INPUTS AND OUTPUTS / NUMBER OF CHANNELS Inputs: MIC/LINE : 6 LINE : 2Output: MASTER OUT : 1 MASTER OUT (PHONES) : 1 MONITOR OUT (PHONES) : 3 INPUTS MIC/LINE: Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT) Input gain: +10 – +54 dB/–3 – +41 dB (when Hi-Z ON) Input impedance: XLR: 3 kΩ Input impedance: TRS: 3 kΩ/1 MΩ (when Hi-Z ON) Maximum input level: –2 dBu when –26dB switch OFF (at 0 dBFS) Maximum input level: +24 dBu when –26dB switch ON (at 0 dBFS) Phantom power: +48 VLINE: Type: TS phone jack Input impedance: 10 kΩ Maximum input level: +3 dBuSmartphone connection jack: Type: TRRS mini jack (4-contact/TIP: L, RING 1: R, RING 2: GND, SLEEVE: MIC) Input impedance: 10 kΩ Maximum input level: +3 dBu OUTPUT MASTER OUT: Type: XLR jacks (balanced) Maximum output level: +14.5 dBu Output impedance: 100 ΩMASTER OUT (PHONES): Type: Standard stereo phone jack Maximum output level: 10 mW + 10 mW (60Ω load) Output impedance: 10 ΩMONITOR OUT (PHONES): Type: Standard stereo phone jack Maximum output level: 10 mW + 10 mW (60Ω load) Output impedance: 10 Ω BUSES MASTER: 1MONITOR: 3SEND EFX: 1 CHANNEL STRIP LOW CUT: 75 Hz, 12 dB/OCTEQ: HIGH: 10 kHz, ±15 dB, shelving MID: 2.5 kHz, ±15 dB, peaking LOW: 100 Hz, ±15 dB, shelving Level meter: 9 segmentsSend effects: 8 types RECORDER Maximum simultaneous recording tracks: 12 at 44.1/48/96 kHzMaximum simultaneous playback tracks: 10Recording format: WAV 44.1/48/96 kHz, 16/24-bit, mono/stereoRecording media: 4GB–32GB SDHC-compliant cards (Class 10 or higher) 64GB–512GB SDXC-compliant cards (Class 10 or higher) AUDIO INTERFACE 44.1/48 kHz: Recording: 12 channels Playback: 4 channelsBit depth: 24-bitInterface: USB 2.0
THE L-20R The Portable Mixer/Recorder That Does it All The Zoom LiveTrak™ L-20R is a rack-mountable digital mixer that allows musicians to control their live mix right from the stage with the use of an iPad. With wireless control, 20 discrete channels, 22 tracks of recording and six custom monitor mixes, the L-20R offers a complete solution for any venue. Portable and Powerful Featuring 16 mono mic/line inputs and two stereo inputs, the L-20R can handle the most demanding stages. The L-20R offers two EFX busses and each channel includes a 3-band EQ, pan controls and compressor. 22 Tracks of Recording During your live performance, record 20 channels plus a stereo mix directly to an SD card, then transfer your tracks to your DAW for your final edit. *Effects, EQ, overdub, audio interface, and fader modes A-F are not available in 96 kHz. It’s Your Monitor Make It Your Mix With six independent monitor outputs, the L-20R enables musicians to create their own custom mix. A dedicated output enables the FOH engineer to easily switch between monitoring the main and sub mixes. iPad Control With iPads, the FOH engineer and 6 musicians can control their own mix from anywhere in the venue. *Compatible with all iPad Air models, iPad Mini 2 and later, iPad Pro, and iPad (2017), running iOS 10.3.3 or newer. “In the New York City club scene, the L-20R’s size and features make my life a lot easier. It’s got plenty of inputs. It’s got wireless control. It’s got all I need.” Dennis McCalla Engineer , The Kennedy Administration Scene Recall With the LiveTrak L-20R’s Scene Recall feature, you can instantly recall up to nine different scenes with monitor mixes, EQ settings, effects, and more. Accessible The L-20R’s versatile design provides easy access for plugging in your cables. A Robust Audio Interface The L-20R is a 22-in/4-out USB audio interface. Route inputs to any DAW, streaming software, or iOS device*—even while recording to an SD card. *Apple Lightning to USB Camera Adapter required. What's in the Box Included with the L-20R LiveTrak L-20R AD-19 AC Adapter BTA-1 Bluetooth Adapter Rack Ears Quick Guide Optional Accessories FS01 Momentary Footswitch Features: ● 20 discrete channels (16 mono plus 2 stereo) with XLR or ¼-inch connectivity ● 22-track simultaneous recording, 20-track playback ● 22-in/4-out USB audio interface connectivity ● Records up to 24bit/96kHz audio to SD card ● Built-in compression control (Channels 1-16) ● Main outputs plus 6 customizable monitor outputs ● Dedicated headphone output for sound engineer ● Scene saving function, up to 9 scenes saved at a time ● 20 built-in chorus, delay and reverb effects with adjustable parameters ● Compatible with Remote Mixer app for iPad SPECS NUMBER OF INPUT AND OUTPUT CHANNELS Inputs: Mono (MIC/LINE): 16 Stereo (LINE): 2 Output: MASTER OUT: 1 MONITOR OUT: 6 PHONES : 1 INPUTS 1-16 Mono (MIC/LINE): Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT) Input gain PAD OFF: +16 – +60dB PAD ON: − 10 – +34 dB Hi-Z ON: +6 – +50 dB Input impedance XLR: 3 k Ω TRS: 10 k Ω /1 M Ω (when Hi-Z ON) Maximum input level PAD OFF: 0 dBu (at 0 dBFS) PAD ON: +26 dBu (at 0 dBFS) Phantom power +48 V Stereo (LINE): Type: TS phone/RCA pin (unbalanced) jacks Maximum input level : +10 dBu OUTPUTS MASTER OUT: Type: XLR jacks (balanced) Maximum output level :+14.5 dBu Output impedance: 100 Ω MONITOR OUT A–F (with balanced output) connected to monitor speakers: Type: TRS phone jacks (balanced) Maximum output level: +14.5 dBu Output impedance: 100 Ω MONITOR OUT A– F (with unbalanced output) connected to headphones: Type: Standard stereo phone jacks Maximum output level: 42 mW + 42 mW at 60 Ω Output impedance: 100 Ω PHONES: Type: Standard stereo phone jacks Maximum output level: 42 mW + 42 mW at 60 Ω Output impedance: 100 Ω BUSES MASTER: 1 MONITOR: 6 SEND EFX: 2 CHANNEL STRIP COMP: LOW CUT: 40–600 Hz, 12dB/OCT EQ: HIGH: 10 kHz, ± 15 dB, shelving MID: 100 Hz – 8 kHz, ± 15 dB, peaking LOW: 100 Hz, ± 15 dB, shelving PHASE: LEVEL METERS Level segments: 12 SEND EFFECTS Effects: 20 types: EFX 1 Hall 1 (Reverb) Hall 2 (Reverb) Room 1 (Reverb) Plate (Reverb) Church (Reverb) DrumAmb (Reverb) GateRev (Reverb) Vocal 1 (Delay + Hall Reverb) Vocal 2 (Delay + Mono Reverb) Vocal 3 (Delay + Plate Reverb) EFX 2 Hall 3 (Reverb) Room 2 (Reverb) Spring (Reverb) Delay (Delay) Analog (Delay) P-P Dly (Delay) Vocal 4 (Delay + Room Reverb) Chorus 1 (Stereo Chorus) Chorus 2 (Mono Chorus) Cho+Dly (Chorus + Delay) RECORDER Maximum simultaneous recording tracks: 22 at 44.1/48/96 kHz Maximum simultaneous playback tracks: 20 Recording format: WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo Recording media: 4 GB – 32 GB SDHC cards (Class 10 or higher) 64 GB – 512 GB SDXC cards (Class 10 or higher) AUDIO INTERFACE 44.1/48 kHz: Recording: 22 channels Playback: 4 channels Bit depth: 24-bit Interface: USB 2.0 SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE Windows: OS： Windows® 7 SP1 or later / 8.1 / 10 (32bit/64bit) CPU: Intel® Core i3 or faster* USB: USB 3.0/USB 2.0** * Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD. ** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards. Mac: OS： Mac® OS X 10.11 / 10.12 / 10.13 / 10.14 CPU: Intel® Core i3 or faster USB: USB 3.0/USB 2.0* * Operation is not guaranteed when used with USB hubs or expansion cards. iPhone/iPad: OS： iOS 9 / 10 / 11 * Apple Lightning-to-USB Camera Adapter required. CARD READER Class: Class USB HOST Class: USB 2.0 High Speed Sampling frequency: 44.1/48/96 kHz Frequency characteristics: 44.1 kHz: −1.0 dB, 20 Hz – 20 kHz 96 kHz: −3.0 dB, 20 Hz – 40 kHz Equivalent input noise: Actual measurements: −128dB EIN (IHF-A) at +60dB/150Ω input Display: LCD with backlight (128×64 resolution) Power: AD-19 AC adapter (DC12V 2A) Power consumption: 24 W maximum External dimensions: 445 mm (W) × 388.4 mm (D) × 82.6 mm (H) Weight (main unit only): 3.71 kg
Choose from 55 classic effects and famous amps With the size and weight of a typical single stompbox, the MS-50G includes a thorough lineup of high-quality effects types. It features 47 stompbox effects and 8 amp models. Along with distortion, reverb, modulation and other classic effects, its amp models simulate some of the most prized pieces of live and studio gear. Intuitive, easy to use user interface We have further refined the simple user interface that was revolutionary in our G3 and G5. The LCD shows the current effect in use, while the scrolling function allows you to easily view the flow of your effects chain. With this intuitive, easy-to-use interface, creating amazing sounds is a breeze. Use up to six effects all at once The MS-50G allows you to utilize up to six effects simultaneously, as well as arrange them in any combination. This gives you the ability to craft classic sounds, as well as lush, complex tones. Leave the rules you learned behind and enjoy creative freedom with the MS-50G. Add 55 effects to your pedalboard Cut down the size of your pedalboard by adding in MS-50G to the mix. From a single pedal, you'll have 55 effects types waiting at your feet to be called-up no matter have often you need them. Tweak your settings with ease The MS-50G's front panel features three parameter knobs, which also function as buttons. These buttons can be used to open various menus, where you can then use the parameter knobs to tweak your effects settings to your liking. Remove and/or rearrange effect units, turn the AUTO-SAVE function ON and OFF, recall patches and more with ease and efficiency. Realistic, high-quality audio design The cutting-edge ZFX-IV DSP processor can execute sophisticated algorithms using 32-bit floating-point calculations. A sigmoid curve clipper helps create the smoothly clipped waveform characteristics of tubes, providing the most realistic modeling sounds and richest harmonic components to date. Onboard auto-chromatic guitar tuner Hold the footswitch down to activate the built-in chromatic tuner in an instant. Even on stage during a performance, all you need to do is move your foot to enable tuning. You can choose between a BYPASS mode that turns all the effects off and a MUTE mode that allows you to tune silently Tap the tempo using the footswitch Use the Tap Tempo feature to set the tempo in real-time to the rhythm of a song as you play guitar. You can also use it to for delay times and modulation effect frequencies. * The tuner cannot be used when the tap tempo function is active. Program the order of your patches With the MS-50G, you can program which patches are recalled and the order in which they appear. For example, you could select three patches-(Ａ) CLEAN TONE, (B) HEAVY RIFF and (C) LEAD SOLO-so that you can cycle through them each time you press the footswitch. You can create and save up to 50 original tones in this way. Presets that are available right out of the box The MS-50G includes 30 preset patches that can be used to get great guitar tones the moment you open the box. These patches offer a wide variety of guitar sounds that use famous stompbox/amp models and settings. You can use these. Support for line recording In addition to the 8 amp models from the G3 and G5, studio-level compressor and reverb effects are also built in to the MS-50G. The pedal's stereo output jacks allow you to use line connections for direct recording of its powerful guitar sounds. Output modes for stage and studio Different output modes for the amp modeling function allow you to optimize the MS-50G's tones based on how you connect it to your rig. In addition to having modes for the front inputs of combo and stack amps, the MS-50G can be used as a preamp when connected to a power amp input. You can also achieve realistic amp sounds optimal for recording by selecting the direct mode for line connections. 7 hours operation on batteries Using two AA alkaline batteries, you can operate the MS-50G for up to 7 hours continuously. From rehearsal to the main stage, you can use the MS-50G with confidence. Power the pedal via AC adapter (sold separately) or USB bus, if you want to use it longer without worrying about battery life. Stay up to date via USB When connected to your computer and Zoom's website via USB, you can perform system firmware updates to keep the functions of your MS-50G on the cutting-edge.
Choose from 58 classic bass effects and famous amps With the size and weight of a typical single stompbox, the MS-60B includes a thorough lineup of high-quality bass effects types. It features 52 stompbox effects and 6 amp models. Along with distortion, reverb, modulation and other classic effects, its amp models simulate some of the most prized pieces of live and studio bass gear. Intuitive easy to use user interface We have further refined the simple user interface that was revolutionary in our B3. The LCD shows the current effect in use, while the scrolling function allows you to easily view the flow of your effects chain. With this intuitive, easy-to-use interface, creating amazing sounds is a breeze. Use up to four effects all at once The MS-60B allows you to utilize up to four effects simultaneously, as well as arrange them in any combination. This gives you the ability to craft classic sounds, as well as lush, complex tones. Leave the rules you learned behind and enjoy creative freedom with the MS-60B. Add 58 effects to your pedalboard Cut down the size of your pedalboard by adding in MS-60B to the mix. From a single pedal, you'll have 58 effects types waiting at your feet to be called-up no matter have often you need them. Tweak your settings with ease The MS-60B's front panel features three parameter knobs, which also function as buttons. These buttons can be used to open various menus, where you can then use the parameter knobs to tweak your effects settings to your liking. Remove and/or rearrange effect units, turn the AUTO-SAVE function ON and OFF, recall patches and more with ease and efficiency. Realistic, high-quality audio design The cutting-edge ZFX-IV DSP processor can execute sophisticated algorithms using 32-bit floating-point calculations. A sigmoid curve clipper helps create the smoothly clipped waveform characteristics of tubes, providing the most realistic modeling sounds and richest harmonic components to date. Onboard auto-chromatic bass tuner Hold the footswitch down to activate the built-in chromatic tuner in an instant. Even on stage during a performance, all you need to do is move your foot to enable tuning. You can choose between a BYPASS mode that turns all the effects off and a MUTE mode that allows you to tune silently. Tap the tempo using the footswitch Use the Tap Tempo feature to set the tempo in real-time to the rhythm of a song as you play the bass. You can also use it to for delay times and modulation effect frequencies.** The tuner cannot be used when the tap tempo function is active. Program the order of your patches With the MS-60B, you can program which patches are recalled and the order in which they appear. For example, you could select three patches-(Ａ) ROCK BASS, (B) FUNKY SLAP and (C) BASS SYNTH-so that you can cycle through them each time you press the footswitch. You can create and save up to 50 original tones in this way. * You can program the recall order of up to 26 patches (A-Z). Presets that are available right out of the box Right out-of-the-box, the MS-60B allows you to create and store up to 50 of your original patches. To get you started, 30 of these patches are preprogrammed and form a versatile collection of bass sounds that include some of the most popular stompbox and amp effects, as well as patches personally designed by some of the world's top bassists. Support for line recording In addition to the 6 amp models from the B3, studio-level compressor and reverb effects are also built in to the MS-60B. The pedal's stereo output jacks allow you to use line connections for direct recording of its powerful bass guitar sounds. 7 Hours operation on batteries Using two AA alkaline batteries, you can operate the MS-60B for up to 7 hours continuously. From rehearsal to the main stage, you can use the MS-60B with confidence. Power the pedal via AC adapter (sold separately) or USB bus, if you want to use it longer without worrying about battery life. Stay up to date via USB When connected to your computer and Zoom's website via USB, you can perform system firmware updates to keep the functions of your MS-60B on the cutting-edge.
It's all here From a warm, vintage sound to a clear, modern tone, the MS-70CDR can do it all. Its powerful line-up of 86 diverse effects includes 16 chorus, 26 delay and 29 reverbs, including classic models from famous brands. In addition, there are more than a dozen flangers, tremolos, vibratos, phasers and other modulation effects-everything you'll ever need, all in one stompbox. Intuitive and easy to use. Every MultiStomp pedal features an easy-to-use graphic interface with a large LCD, a single footswitch, and analog-style parameter knobs that double as buttons. This intuitive design makes creating, saving and rearranging effects and effects chains a breeze and allows easy navigation in both live and studio settings. Stacking and Chaining With the MS-70CDR, you can use up to six effects simultaneously and arrange them in any order you like. This gives you the freedom to build complex tones, as well as the ability to bring individual effects in and out of the chain as desired. 1 Pedal, 86 Effects Cut down the size of your pedalboard by adding an MS-70CDR. From a single pedal, you'll have 86 effects waiting at your feet, ready to be called up whenever you need them. Tweak away The MS-70CDR's three parameter knobs double as selection buttons. These can be used to open various menus, which allow you to tweak effects settings to your heart's content and to easily remove and/or rearrange effect parameters, turn the AUTO-SAVE function ON and OFF, recall patches, and more. Natural reverb tails Our unique Tail function allows delay or reverb effects to fade away naturally, even through the next played phrase. For example, after playing a solo using a delay effect, even if you switch to a rhythm tone without delay, you'll continue to hear the sound of the solo delay fading away. Bring the studio to the stage Our cutting-edge ZFX-IV DSP microchip uses 32-bit floating-point calculations, giving it the ability to create sophisticated studio-quality effects such as rich, dense reverbs and realistic spatial simulations. Getting in tune Simply hold the footswitch down to instantly activate the built-in chromatic tuner, even in the middle of a performance. You can choose between a BYPASS mode that turns all the effects off and a MUTE mode that allows you to tune silently. Tap the Tempo Use the Tap Tempo feature to set the tempo in real time to the rhythm of the song you're playing. Tap Tempo can also be used to set delay times and modulation effect frequencies.* The tuner cannot be used when the tap tempo function is active. Presets galore The MS-70CDR allows you to create and store up to 50 of your original patches. There are also 30 preprogrammed patches which form a versatile collection that includes some of the most popular guitar stompbox sounds, as well as effects personally designed by some of the world's top musicians. Bring order to your patches Want to be able to cycle through selected effects each time you press the footswitch? No problem: The MS-70CDR gives you the ability to program the order in which patches appear. You can create and save up to 50 original chains this way. Stereo line-level output and input Stereo output jacks allow you to record the MS-70CDR's many sounds via line-level connectors. In addition, stereo inputs enable you to use the pedal with not only guitars, but also stereo instruments such as synthesizers and samplers, as well as other effects devices. Long battery life = confidence onstage The MS-70CDR can operate for up to 7 hours continuously on two AA alkaline batteries, allowing you to use it with confidence from rehearsal to the main stage. Alternatively, you can power the pedal via an AC adapter (sold separately) or USB bus. Stay up to date via USB When connected to your computer and Zoom's website via USB, system updates can easily be performed to ensure that your MS-70CDR is always operating with the very latest firmware.
The PodTrak P4 Podcast Recorder The Ultimate Recorder for Podcasting Compact, affordable, and loaded with features, the PodTrak™ P4 makes it easy to capture professional audio wherever you’re recording your podcasts. High Quality Mic Inputs The P4’s mic inputs feature Zoom’s professional quality preamps. Providing up to 70dB of gain, the P4 can be used with the most demanding microphones. Headphones for Everyone With 4 independent headphone outputs, each with a dedicated volume control, everyone can hear it all. Call-In Guests You and your guests are not always together. That’s why the P4 makes it easy to incorporate remote interviews. Just connect your phone to the P4 with a TRRS cable. Or connect your computer via USB, using your favorite conferencing software. With the P4’s built-in mix-minus feature, distracting echo and feedback will automatically be eliminated. Wireless Connectivity You can also use the optional Zoom BTA-2* Bluetooth Receiver to wirelessly connect your phone to record remote guests. *BTA-2 available separately. Produce Like a Pro The P4’s customizable Sound Pads can instantly trigger music, ads, jingles, and even pre-recorded interviews. Easily load your own sounds or choose from 11 pre-recorded presets. Go Where the Story Takes You The P4 operates up to 4 hours on 2 AA batteries, or you can also use a USB battery for extended recording time. Audio Interface The P4 can serve as a 2-input, 2-output audio interface, allowing you to record directly to your computer, Android or iOS* device. With the P4 you can also live-stream your podcast. * Apple Lightning to USB camera adapter required. What’s in the Box • PodTrak P4• AA Batteries (x2)• Quick Start Guide PodTrak P4 Features Four mic inputs with XLR connectors Four headphone outputs with individual volume control Gain control knobs and mute buttons for each input Phantom power for all XLR inputs Automatically prevent feedback from call audio using the Mix-Minus function Easily connect your phone using the TRRS connection Trigger sound effects using four assignable Sound Pads with 11preset sounds All input sources can be recorded on separate tracks 16-bit /44.1kHz audio WAV Records directly to SD, SDHC and SDXC cards up to 512 GB 2-input, 2-output USB audio interface Class-compliant mode for iOS compatibility Up to four hours of use with just two AA batteries or a USB power supply Specs INPUTS & OUTPUTS Number of input channels: 4 (mono/stereo) Number of output channels: 1 (headphone x 4) CONNECTORS MIC XLR jacks (2: HOT) Smartphone connection jack TRRS mini jack (4 contacts, TIP: L, RING1: R,RING2: GND, SLEEVE: MIC) USB USB Type-C (audio interface and mass storage functions) Note: Use a USB cable that supports data transfer. USB bus power is supported. DC 5 V USB Type-C (for power supply) Headphones 3.5 mm stereo mini PHANTOM POWER Phantom power +48 V RECORDER Recorder Formats: WAV 44.1 kHz, 16-bit, mono/stereo Recording media: 4 GB−32 GB SDHC-compliant cards (Class 10 or higher); 64 GB−512 GB SDXC-compliant cards (Class 10 or higher) AUDIO INTERFACE Audio interface 44.1 kHz, 16-bit, 2-in/2-out SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE Windows OS: Windows® 10 Version 1703 or later (32bit, 64bit) CPU: Intel® Core i3 or faster* USB: USB 3.0 / 2.0** * Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD. ** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards. Mac OS： macOS 10.13 ~ 11 CPU: Intel® Core i3 or faster USB: USB 3.0/USB 2.0* * Operation is not guaranteed when used with USB hubs or expansion cards. iPhone / iPad OS： iOS 12 ~ 14 * Apple Lightning-to-USB Camera Adapter required. Android OS： Android OS 7 / 8 / 9 / 10 * Please refer to the compatible android device list. POWER Power 2 AA batteries (alkaline, NiMH or lithium) • We recommend using NiMH AC adapter (ZOOM AD-17): DC 5 V/1 A (USB bus power is supported.) Est. continuous operation time using batteries Recording 44.1 kHz/16-bit/4ch audio to SD card (when 48 V is OFF and headphone impedance is 63 Ω) Alkaline batteries: about 4 hours NiMH batteries (1900 mAh): about 4.5 hours Lithium batteries: about 9 hours • The above values are approximate. • Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions. MISC. External dimensions 112 mm (W) × 155 mm (D) × 47 mm (H) Weight (unit only) 290 g
PodTrak P8 SET IT. EDIT. CAST. SIMPLE. Podcasting Simplified The Zoom PodTrak P8 is easy to use and can handle the most ambitious podcasts. With all the functions you need to record, edit and mix, the PodTrak P8 is your complete podcast studio. Touchscreen Controls The color touchscreen interface makes monitoring, adjusting and onboard editing seamless. Everything you need is a touch away. Mic Preamp Slider The Mic Preamp Slider allows you to dial in the level or gain of each mic. Make adjustments until the signal is peaking in the “Good Range”. Peaking in the “Over Range” section can cause distortion in your sound. Limiter The Limiter is used to prevent distortion if the volume suddenly gets too loud. Low Cut The Low Cut reduces low frequency noise that is present in almost any recording environment, whether it’s air conditioning, street sounds, vibrations, and other sources. Tone Adjustment The Tone Adjustment can make your voice darker or brighter, for that perfect podcast voice. Compressor/DeEsser Compressor/DeEsser enables your voice to have more presence for that perfect studio podcast sound. Noise Reduction In the On Air screen select Noise Reduction to decrease background noise by automatically turning down the mic levels for tracks not in use. It Speaks Your Language The P8’s touchscreen display can be set to any one of six languages. Choose from English, French, German, Spanish, Italian or Japanese Color-Coded The P8’s color-coded inputs, outputs, and controls make on-the-fly adjustments a breeze, keeping you focused on the discussion. Crystal-Clear Recording The PodTrak P8 features six of Zoom’s best-sounding mic inputs, providing pristine audio for you and your guests. With up to 70dB of gain the P8 can handle the most demanding microphones.* *Including the Shure® SM7B and Heil® PR 40. This Call Will Be Recorded The P8 features a dedicated channel for recording phone calls. Channel six can be switched to USB mode to record your guests from your computer. Both options include a Mix-Minus feature to prevent echo and feedback for the caller. On Air Button When a channel’s ON AIR is disabled, you can still hear the tracks through your headphones, but they won’t be recorded, or go through speakers or USB. Helpful when having sidebar conversations or prepping your guests during breaks. Wireless Connectivity Use the optional Zoom BTA-2* Bluetooth Adapter to wirelessly connect your phone to record remote guests. *BTA-2 available separately. Added Production Value Make your podcast sound professional by triggering sound effects, intro music, jingles, pre-recorded interviews and more, with nine multi-colored sound pads. Choose from 13 pre-loaded sounds or load your own. Create up to four banks of sounds for a total of 36 sound clips at your fingertips. Outputs For Every Occasion The P8 features six independent headphone outputs, each with individual volume control. For professional playback, the P8’s main outputs allow you to connect your studio monitors. Editing Options With the P8’s onboard editing, easily trim, split and fade audio clips to produce a finished episode. You can also transfer track files to your computer for a final mix. Take Your Studio With You When recording outside the studio, the P8 provides up to two hours of recording with four AA batteries, or connect a USB power supply for extended use. Audio Interface A USB-C port allows the PodTrak P8 to function as an audio interface when connected to a computer for recording and live streaming. What’s in the Box Here’s what you’ll find in the box: PodTrak P8 AD-14 AC Adapter Quick Guide Features · Full-colour LCD touchscreen display · Record up to 13 tracks simultaneously · Six mic inputs with XLR connectors and optional phantom power · Individual volume sliders, mute buttons and "on air” indicators for each channel · Dedicated channel for recording phone interviews · Optional BTA-2 Bluetooth enables wireless call recording · Mix-Minus function automatically prevents echo and feedback from call audio · Nine assignable Sound Pads with four banks · 13 pre-loaded sounds including applause, laugh track and more · Six headphone outputs with individual volume controls let everyone hear clearly · Onboard editing · 13-input, 2-output USB audio interface · Class-compliant mode for iOS compatibility · Battery power provides up to two hours of use with four AA batteries · Records directly to SD, SDHC and SDXC cards up to 512GB · Up to 16-bit /44.1kHz audio in BWF-compliant WAV or a variety of MP3 formats Specs INPUTS & OUTPUTS NUMBER OF INPUT CHANNELS: Mic inputs: 6 (mono) Smartphone input: 1 (stereo) NUMBER OF OUTPUT CHANNELS: 2 (6 headphones and L/R speaker outputs) CONNECTORS MIC: Type XLR jacks (2: HOT) Input gain 0 + 70 dB Input impedance XLR：3 kΩ Maximum input level +5 dBu (@0dBFS) Phantom power +48 V SMARTPHONE CONNECTION JACK: Type TRRS mini jack (4 contacts, TIP: L, RING 1: R, RING 2: GND, SLEEVE: MIC) Input impedance 3 kΩ Maximum input level +2.5 dBu USB: USB Type-C (audio interface and mass storage functions). • Use a USB cable that supports data transfer. USB bus power is supported. HEADPHONES: Type 3.5mm stereo mini Maximum output level 20 mW + 20 mW @32 Ω Output impedance 27 Ω SPEAKER OUTPUT: Type TRS jacks (balanced) Maximum output level +5.5 dBu Output impedance 320 Ω AC ADAPTER Power supply connector for AD-14 AUDIO INTERFACE Audio interface 44.1 kHz、16-bit、6 in / 2 out SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE Windows OS: Windows® 10 Version 1703 ~ 11 (32bit, 64bit) CPU: Intel® Core i3 or faster* USB: USB 3.0 / 2.0** * Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD. ** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards. Mac OS： macOS 10.13 ~ 11 CPU: Intel® Core i3 or faster USB: USB 3.0/USB 2.0* * Operation is not guaranteed when used with USB hubs or expansion cards. iPhone / iPad OS： iOS 12 ~ 14 * Apple Lightning-to-USB Camera Adapter required. Android OS： Android OS 7 / 8 / 9 / 10 * Please refer to the compatible android device list. Format WAV 44.1kHz, 16-bit, mono/stereo Recording media 4–32 GB cards compatible with the SDHC specification (class 10 or higher) 64–512 GB cards compatible with the SDXC specification (class 10 or higher) Frequency response -1.0 dB: 20 Hz ～ 20 kHz @44.1 kHz Equivalent input noise EIN -124 dBu (IHF-A) @+70 dB, 150 Ω input Display 4.3" (480×272) full-color touchscreen LCD Power supply 4 AA batteries (alkaline, lithium, or rechargeable NiMH) AC adapter (ZOOM AD-14): DC 5 V/1 A (supports USB bus power) Estimated continuous operation time using batteries Recording 44.1kHz/16-bit/4ch audio to SD card (when +48 V is OFF and headphone impedance is 32 Ω)Alkaline batteries: about 2 hoursNiMH batteries (1900 mAh): about 3.5 hoursLithium batteries: about 6.5 hours• The above values are approximate. Power consumption 5 W External dimensions 295 mm (W) × 248 mm (D) × 61 mm (H) Weight (unit only) 1.43 kg
THE ULTIMATE CAMERA FOR MUSICIANS The Zoom Q2n Handy Video Recorder If you’re an aspiring musician, video plays an important role in helping you reach a wider fan base. It’s a digital world and that means an inspiring performance can take the Internet by storm. But you can’t capture your music with just any camera. You need one that records incredible audio. The Zoom Q2n gives you a fast and easy way to create HD videos with high-impact audio. The built-in X/Y microphones capture sound with beautiful stereo imaging. And the 160-degree wide-angle lens excels in an array of lighting conditions—whether you’re filming at home, in a rehearsal space, or at a club. Experience Legendary Sound As the camera for musicians, the Q2n gives legends like Steve Gadd the ability to get up close and personal with his fans. The Q2n’s audio and video quality make it simple for Steve to capture the essence of his performances so fans can enjoy them time and time again... A Portable Camera ThatSounds Great High-resolution 24-bit/96 kHz audio delivers studio-quality recording, no matter where you’re filming. And the camera’s built-in X/Y microphones can handle sound pressure levels up to 120 dB SPL, for distortion-free recording. It Can Handle the Pressure Since the Q2n can handle high sound pressure levels, it records loud music without distortion or clipping. Famed drummer Dave Weckl relies on his Q2n to capture full and beautifully balanced snare, bass, tom, and cymbal detail. Capture Your Best Momentsin Any Lighting Ten "Scene" presets allow you to record in a wide range of environments, including low-light locations where the Q2n is designed to thrive. The presets range from "Concert Light"—which automatically adjusts for changing lighting conditions—to "Concert Lo-Lit" for dimly lit rooms. And there are scene settings tailored specifically for filming in jazz clubs and rehearsal studios, as well as outdoors. Up Close and Personal The Q2n features a 160-degree wide-angle lens that captures stunning video. And it records in 720p or 1080p HD resolution, using the same 24 fps or 30 fps frame rate used in film. An F2.0 aperture makes the Q2n perfect for musicians who perform in a wide variety of lighting environments. Capture the full band or focus on an individual performer using five field of view (FOV) settings. Plus, a color LCD screen makes it easy to create the perfect shot or review your videos. Small Enough to Go Everywhere The Q2n is small enough to carry anywhere, so you’ll always be prepared to capture impromptu performances or record new ideas. It records up to two hours of footage on two standard AA batteries, providing more than enough juice for concerts, rehearsals, jam sessions, and more. Capture the Essence of Your Music For an acoustic guitarist, nothing's more important than mic placement. Placing the Q2n ten feet away from your guitar achieves beautiful stereo sound. For more nuanced string sound and finger/neck detail, place the Q2n within three feet of your guitar. Don’t Let TechnologyGet in Your Way Intuitive controls and simple one-button recording make the Q2n easy to use. Just power it up and start recording. RecordAudio Only The Q2n is also capable of recording audio only. Simply use the ‘Camera Off’ setting to capture demos or live performances in stereo sound using the built-in X/Y mics. Enjoy the Clarity of Sound If you’re like renowned pianist Kenneth Crouch, you strive for clarity in your videos. The Q2n captures a full range of frequencies—from delicate to more thunderous sounds—so fans can re-experience your performances with the same detail and accuracy as if they were hearing them live. Connectand Listen The Q2n features a 1/8" stereo input jack that lets you connect external mics and other audio devices. And the 1/8” stereo output jack makes it simple to listen to audio with headphones or on your home stereo. Play it Back on TV To view your video recording in high definition, you can connect to an HDMI TV using the HDMI micro Type D video output. A USB port allows for connection to any computer or iOS device* so you can use the Q2n as a web camera for live streaming, as a USB microphone for podcasts, or as a card reader to transfer recordings**. * iPad Camera Connection Kit or Lightning to USB Camera Adapter required (sold separately)** Computer connection only Files Types and Recording Times Video and audio file typesVideo (with audio) is recorded as MPEG-4 (MOV) files. When using “Audio Recording” mode (without video), audio data is saved in uncompressed WAV (up to 24-bit/96 kHz) format. Extended recording timesThe Q2n records directly to micro SD/SDHC/SDXC cards up to 128 GB. It’s perfect for podcasts, blogs, and capturing performances. Features at a Glance... High-quality 160° wide-angle lens (F2.0/16.6 mm) 10 "Scene" options for use in different lighting environments,plus ‘Auto’ setting for automatically adjusting how the cameracaptures specific scene conditions Built-in X/Y stereo microphones capable of handling soundlevels up to 120 dB SPL Can be used as standalone audio recorder, with data savedin WAV format, up to 24-bit/96 kHz 5 field of view (FOV) settings Records directly to micro SD/SDHC/SDXC cards up to 128 GBfor extended recording times Easy one-button recording Color LCD Support for two HD video modes, 720p and 1080p Video bitrates up to 24 Mbps for improved image quality Frame rates: 1080p/30fps HD, 1080p/24fps HD, 720p/30fps HD,720p/24fps HD HDMI video output for connection to HDTVs, selectable betweenNTSC and PAL Records video (with audio) in MOV format Analog-style level control with onscreen level metering and2-color status LCD on lens Auto Gain function automatic control over audio input level Stereo input for use with external devices plus support forplug-in power Headphone/line-level for fast audio monitoring Low-cut filter for the elimination of low-frequency noiseand rumble USB interface for live streaming and data transfer Compatible with USTREAM Producer, Flash Live Media Encoder,Skype, and other popular streaming applications Webcam and USB mic function (with direct monitoring) whenused with computers and iOS devices (Apple Camera Connection Kitor Lightning to USB Camera Adapter required for use with iOS devices) Operates with two AA batteries for approximately two hours Built-in standard tripod mount Accessories Here's what’s included with the Q2n: 2 x AA batteries Operation manual Optional Q2n accessories: WSU-1 universal hairy windscreen HS-1 hot shoe mount MA-2 tripod to mic stand adapter for Handy Recorders Zoom AD-17 AC adapter LHQ-2n lens hood and lens cover Q2n Accessory Package(APQ-2n)* includes: WSU-1 Universal Hairy Windscreen Lens hood Lens cover 3-prong action camera mount adapter USB to mini-USB cable Padded-shell case MA-2 mic clip adapter *Q2n Accessory Package sold separately
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