Legendary Zoom Effects A1 Four/A1X Four For Acoustic Guitar, Saxophone, Trumpet, Violin, Harmonica, Acoustic Bass, and More With specially engineered effects, built-in looper and drum machine, the A1/A1X FOUR is the firstMulti-Effects Processor designed for a variety of acoustic string and wind instruments. The Technology Popular effects such as Distortion, Chorus and Wah are typically designed to work with the electric guitar. The A1/A1X FOUR provide all-new effects that are engineered to process the unique signals generated by acoustic instruments. For example, with the sax and trumpet, original acoustic sounds are controlled by the musician blowing the horn with more or less intensity. As an example, the Wah effects are uniquely re-voiced in the A1/A1X FOUR by adding a Low Pass Filter (LPF) to best control the processed frequency response of the instrument. This allows musicians to hit the peak frequency points while still blowing naturally into the instrument, without losing any expected sonic response of attack and release. Another example is the violin. The bowing attack is key to the expression of the violinist. To recreate the electrified sensation of distortion without losing the bowing attack, the DIST effect for Violin shifts the clipping 1 octave higher, boosts the high frequency and reduces the lows. This creates a more balanced saturation that suits the sonic characteristics of the violin.
Legendary Zoom Effects A1 Four/A1X Four For Acoustic Guitar, Saxophone, Trumpet, Violin, Harmonica, Acoustic Bass, and More With specially engineered effects, built-in looper and drum machine, the A1/A1X FOUR is the firstMulti-Effects Processor designed for a variety of acoustic string and wind instruments. The Technology Popular effects such as Distortion, Chorus and Wah are typically designed to work with the electric guitar. The A1/A1X FOUR provide all-new effects that are engineered to process the unique signals generated by acoustic instruments. For example, with the sax and trumpet, original acoustic sounds are controlled by the musician blowing the horn with more or less intensity. As an example, the Wah effects are uniquely re-voiced in the A1/A1X FOUR by adding a Low Pass Filter (LPF) to best control the processed frequency response of the instrument. This allows musicians to hit the peak frequency points while still blowing naturally into the instrument, without losing any expected sonic response of attack and release. Another example is the violin. The bowing attack is key to the expression of the violinist. To recreate the electrified sensation of distortion without losing the bowing attack, the DIST effect for Violin shifts the clipping 1 octave higher, boosts the high frequency and reduces the lows. This creates a more balanced saturation that suits the sonic characteristics of the violin.
Your Acoustic Sound - Amplified THE ZOOM AC-2 Acoustic Creator Amplify your acoustic sound with the Zoom AC-2 Acoustic Creator. The AC-2 is a DI (direct box) that encompasses all you need to deliver natural guitar tone on stage or in the studio. The AC-2 automatically restores tone lost through acoustic pickups, so your sound is always lush, resonant, and faithful to the instrument you have in hand. Restore Your Acoustic Tone With 16 source guitar presets, the AC-2 recovers the sonic characteristics of a variety of guitar types and body shapes. You can choose from dreadnought, upright bass, nylon strings, 12 string, and more. Simply select your guitar of choice, then choose piezo or magnetic pickup. From there, the AC-2 is ready to reproduce and amplify your guitar’s tone with complete accuracy. Essential DI Features The AC-2 features a high-quality preamp which boosts your signal and helps restore your true acoustic sound. Add its natural-sounding reverb to increase your acoustic’s depth and width, and round out your desired tone with easy 3-band EQ adjustments. Volume Control The AC-2's Volume knob automatically controls the preamp’s input gain and output level, taking the guesswork out of adjusting sound levels to match. It’s all you need to make volume control and setup simple when you’re playing live on stage. Cut Feedback Automatically The AC-2 is also equipped with an anti-feedback button that automatically locates and eliminates problem frequencies —an essential for live performances. Balance In All The Right Places The AC-2’s balanced XLR output (with ground/lift and pre/post control) allows you to easily connect to any PA mixing board or studio console. It also includes two ¼” outputs for mono or stereo connection to amps, headphones, or audio interfaces. Tune on the Spot The AC-2’s built-in tuner with its large LED meter lets you easily see when you’re in tune. The Unique Sound of a 12 String There’s no mistaking the beautiful, shimmering sound of a 12 string guitar. With the AC-2, your guitar will retain its natural, chorus-filled tone whenever you're on stage. Up to 9 dB of Additional Gain You can also add 9 dB of gain with the tap of your foot using the AC-2's boost function, allowing you to switch from strumming to finger-picking without ever losing a note. Three Ways to Power Up Since the AC-2 is designed to enhance your acoustic performances in all environments, it offers a variety of power options. Two AA batteries provide up to three hours of continuous power. Alternatively, you can use the Zoom AD-16 AC adapter for power, or the micro USB port to bus power the AC-2 via your computer. Features at a Glance 16 source guitar type/body presets for accurate tone reproduction ¼” input XLR balanced out Two ¼” outputs for mono or stereo connection to guitar amps, headphones, and audio interfaces Reverb effect High-quality, low noise preamp Piezo/magnetic input pickup select 3-band equalizer Input and output gain/sensitivity adjustable via single volume knob (patent pending) Anti-feedback control Boost switch for up to 9 dB of additional gain Built-in chromatic visual-LED tuner USB connection for firmware updates Dual output jacks for connection to guitar amps and mono or stereo PA systems Three power options: 2 x AA batteries, the included Zoom AD-16 power adapter (9V DC in), or bus power via micro-USB port
Your Acoustic Sound—Reimagined THE ZOOM AC-3 Meet the AC-2's Big Brother Like its little brother, the AC-3 Acoustic Creator is an enhanced direct box with essential DI features that help you achieve great tone no matter where you play. The AC-3 is equipped with an effects generator, stereo outputs, and a compressor. With these features plus the same high-quality preamp and 3-band EQ as the AC-2, the AC-3 is an all-in-one acoustic toolkit that’s perfect for live performance and studio. Acoustic Creator Series Click here for more about AC-2 The Essential Acoustic DI The AC-3 puts essential DI features right at your fingertips. Its high-quality preamp boosts your signal and helps restore your true acoustic sound. Plus, its 3-band EQ lets you quickly make the perfect adjustments to refine your tone. To add depth and color to your tone, AC-3 also features the best effects we’ve ever designed for acoustics. Choose from 9 different effects such as delay, chorus, and reverb, each of which has with adjustable parameters for fine-tuning your sound. Dial In Your Source... With 16 source guitar presets, the AC-3 recovers the sonic characteristics of a variety of guitar types and body shapes. You can choose from dreadnought, upright bass, nylon strings, 12 string, and more.Simply select your guitar of choice, then choose piezo or magnetic pickup. From there, the AC-3 is ready to reproduce and amplify your guitar’s tone with complete accuracy. ...and Target The AC-3 also comes with 15 additional target guitar* presets that you can use to more accurately match your guitar’s tone. For example, when using a Martin D-18 dreadnought, you can choose the Dreadnought source guitar preset and the D-Eighteen target guitar preset to more closely match the unique sound of your instrument. Or if you’re playing a square shoulder guitar, choose the Square Shoulder source preset, then use the Humming Bird target preset to recreate your tone more accurately.*Not all target guitars are available from all source guitars. For instance, when plugging in a Resonator, you would turn your target guitar to “Off.” Please see page 10 of the operation manual for compatibility. Ultra Smooth Compression Whether you’re lightly strumming or playing with a little more intensity, the AC-3’s single-knob compressor is one of the finest you’ve ever heard. Zoom's single-knob compressor makes it easy to smooth out and control your guitar’s dynamics for a full, balanced sound. Plus, the compressor’s LED indicator makes it simple to adjust dynamics parameters during a live set. Stereo Outputs Times Two The AC-3’s balanced XLR mono/stereo outputs with pre/post control allow you to connect to any PA mixing board or studio console. It also includes two ¼” outputs for simultaneous mono/stereo connection to amps, headphones, or audio interfaces. This allows audiences to hear the full character of stereo or delay effects. Cut Feedback Automatically The AC-3 is equipped with an anti-feedback button which can also be activated with Zoom’s FS-01 footswitch (sold separately). This automatically locates and eliminates problem frequencies—an essential for live performance. Ground/Lift To eliminate unwanted hum or buzz from mics or speakers, the AC-3 includes a ground/lift switch that interrupts ground loops between equipment. Studio Magic Thanks to the AC-3’s all-in-one design, you can record the rich, acoustic sound you love without the need for heavy post-production processing. Watch the clip below to see Kyle Bolden record directly from the AC-3 to his computer DAW. Volume Control The AC-3's Volume control automatically controls both the preamp's input gain and output level, taking the guesswork out of adjusting sound levels to match. Up to 9 dB of Additional Gain You can also add up to 9 dB of gain with the tap of your foot using the AC-3's boost function, allowing you to switch from strumming to finger-picking without ever missing a note. Three Ways to Power Up Two AA batteries provide up to three hours of continuous power. Alternatively, you can use the included Zoom AD-16 AC adapter for plug-in power, or the micro USB port to bus power the AC-3 via your computer. Features at a Glance 16 source guitar type/body presets for accurate tone re-creation 15 target guitar type/body presets for tonal refinement ¼” input Two XLR balanced outs Two ¼” outputs for mono or stereo connection to guitar amps, headphones, and audio interfaces High-quality, low noise preamp 9 effects with adjustable parameters Piezo/magnetic input pickup select Built-in compressor 3-band equalizer Input and output gain/sensitivity adjustable via single volume knob (patent pending) Clipping indicator Anti-feedback control Boost switch for up to 9 dB of additional gain Built-in chromatic visual-LED tuner USB connection for firmware updates Dual output jacks for connection to guitar amps and mono or stereo PA systems Three power options: 2 x AA batteries, the included Zoom AD-16 power adapter (9V DC in), or bus power via micro-USB port
The Zoom APH-1 package includes six additional accessories for the H1. The package includes a windscreen, a mic stand clip adapter, an adjustable desktop tripod, a soft case, an AC adapter (USB type) and a USB cable.
Here at Zoom we've been leading the way in multi-effects processing for the past twenty-five years. We're especially proud that our innovations in stomp-box effects pedals have become the tools of choice for bassists and guitarists the world over. Now, with the release of the B1on and B1Xon, we're taking bass effects to new heights-and at an astonishingly affordable price. Whatever your level of expertise, whatever your style of music, the B1on/B1Xon is sure to become an instant favorite in your pedalboard. Amazing effects, amazing features, amazing sound. The B1on offers 75 bass effects, including a variety of distortion, compression, modulation, delay, reverb and amp models. The B1Xon offers 5 additional pedal-controlled effects. Up to 5 effects can be used simultaneously, chained together any way you like. In addition, there are 68 built-in rhythm accompaniment patterns, and you can connect headphones to the output jack (as well as portable music players to the auxiliary input jack) for silent practice sessions. An onboard chromatic tuner supports all standard bass tunings, and a Looper feature enables you to record up to 30 seconds of CD-quality audio. Loop length can be set either manually or to a preset number of quarter notes, and you can loop to any rhythm pattern, with automatic quantization that ensures seamless start and end times. Programming is simple and straightforward, thanks to a streamlined user interface and the large backlit LCD screen. Advanced editing features such as Swap, Auto-Save and Pre-Select make it easy to organize your patches for live performance and allow you to scroll through patches silently while keeping the current patch operational. In addition, the B1Xon's built-in expression pedal enables you to control input level, output level, or any selected effect parameter in real time. Dozens of different ways to make you a Bass Hero Both the B1on and the B1Xon allow you to choose from 75 different onboard DSP effects. (The B1Xon offers 5 additional pedal-controlled effects.) These include compressors, noise gates, filters, equalizers and octave dividers, as well as boosters, overdrives, fuzzes, phasers and flangers, plus chorus, pitch shift, tremolo, vibrato, a sub-octave generator and an intelligent bass synthesizer that plays along in key-even a DeFret effect that changes the tone of a fretted bass into that of a fretless. There are simulations of both classic and contemporary pedals such as the Aphex Punch Factory, MXR DynaComp, dbx 160A, BBE Sonic Maximizer, Moog MF-101 and Z. Vex Seek-Wah, as well as the Xotic EP Booster and Bass BB Preamp, Electro-Harmonix Bass Big Muff, SansAmp Bass Driver DI, MXR Bass D.I.+, Avalon Design U5, plus the ADA Flanger, tc Electronic Corona Tri-Chorus and BOSS ODB-3, DS-1 and Metal Zone. Original effects include Zoom's Noise Reduction (ZNR) algorithm, a bass frequency-specific Auto-Wah and a "talking" modulator. You'll also find more than a dozen delays and natural-sounding reverbs here, including rooms, halls, plates and an emulation of the Line6 M9 Particle Verb. The dozen amp models include emulations of classic tube amplifiers like the Ampeg SVT, Ampeg B-15, Fender Bassman and acoustic 360, as well as the contemporary sounds of the Hartke HA3500, SWR SM-900, Aguilar DB750, Polytone Mini-Brute III, Marshall Super Bass, Gallien-Krueger 800RB, Eden WT-800 and Italian Markbass Little Mark III, each with its own distinct cabinet modeling that can be used to further alter the tonal quality. What's more, you can pair any amp model to any cabinet model for unusual, and often striking, effects. Click here for a full list of all the B1on/B1Xon effects, along with a list of their editable parameters. NOTE: Manufacturer names and product names are trademarks or registered trademarks of their respective owners. The names are used only to illustrate sonic characteristics and do not indicate any affiliation with the Zoom Corporation or Zoom North America. B1on/B1Xon Features The B1on/B1Xon offers a wealth of features that make it easy to dial in the exact sound you want. Effects Chaining Complex multi-rffects made easy Question: When is an effects pedal not just an effects pedal?Answer: When it's a multi-effects pedal. The B1on/B1Xon not only allows you to select and edit any of its onboard effects, it enables you to use up to 5 of them simultaneously, chained together in any order you like. This kind of power and flexibility means that you can create rich, complex effects within the unit itself instead of having to use multiple pedals. Stompbox chains typically start with dynamics effects such as compression, before routing the signal to wah, EQ, distortion and/or overdrive effects. Modulation and spatial effects such as chorus, delay and reverb are usually placed at the end of the chain. However, there are no hard and fast rules on how to chain effects. Exciting new sounds can easily be discovered with a little experimentation and some imaginative effect chaining. The B1on/B1Xon gives you the ability to get creative with your effects chaining. You can also easily edit chains you've previously created. Simple changes in the order of effects can alter sounds dramatically. For example, an EQ set before an amp model can result in a radically different sound than having the EQ set after the amp model. That's because putting the EQ before the amp model serves to not only alter the tonal characteristic of the sound but to act as a signal booster as well. All this can be done internally with the B1on/B1Xon-much easier than physically changing the order of stompboxes. Tuner Stayin' in tune Bassists know the importance of playing in tune. But it's not just about getting your instrument in tune; it's about keeping it in tune all night. That's no problem if you're using a B1on/B1Xon, because its built-in Tuner makes the task totally stress-free, even under the pressure of a live gig and the heat of stage lighting. The B1on/B1Xon Tuner is instantly accessible at all times and shows you whether the note you're playing is sharp, flat, or dead on. You can opt to either bypass the currently selected effect (thus giving you a clean, unaffected sound) when tuning, or to mute the signal altogether, allowing you to tune in silence. The B1on/B1Xon Tuner is incredibly flexible, too: It can be set to a reference of A=440, or any value between 435 and 445, and can be used chromatically or in a variety of standard bass tunings. Rhythms The perfect accompaniments Rhythm training is an important part of every bassist's craft. The B1on/B1Xon Rhythm function makes it easy and fun to do. 68 realistic-sounding rhythms are at your fingertips: PCM samples of actual drums playing real-life patterns in a variety of different genres-everything from rock to jazz, from Emo to Motown. Dozens of quarter-note, eighth-note and sixteenth-note rhythms are provided, in 4/4, 6/8 (shuffle) and 3/4 (waltz time); for the adventurous, there's even a 5/4 groove! The Rhythm function can also be used in conjunction with the Looper function (see below), allowing you to craft complex orchestrations overlaying the pattern of your choice. Looper Build a complete performance Got a great lick that you'd like to expand on, or a distinctive chord progression that you think could serve as the foundation for an exciting improvisation or an inspired solo? Explore your creativity to its fullest with the B1on/B1Xon Looper function, which allows you to layer up to 30 seconds of performance (through the effect or effects of your choice) in high quality audio (16-bit 44.1kHz). Recording time can either be set manually or to a preset number of quarter notes, up to 64 beats, and starting and stopping the Looper (as well as readying it for an overdub or clearing its memory altogether) is as easy as pressing a pedal-no hands required. The B1on/B1Xon Looper can also be used in conjunction with the Rhythm function, allowing you to play along with the pattern of your choice. Auto Save Edits saved. All the time. Finally got that perfect effect crafted, but afraid you'll lose it? It'll never happen when you use the B1on/B1Xon's handy Auto Save function. When switched on, whatever you change will automatically be saved. Alternatively, if you'd prefer the insurance of a safety net (so that you never accidentally overwrite a patch), simply leave Auto Save off. The B1on/B1Xon will then politely ask you if you want to save your edits whenever you move on to a different patch. Settings can be saved to the currently selected memory area, or to any other area, allowing you to place it where it's most convenient. The B1on/B1Xon makes naming patches a breeze, too-simply use the parameter knob to dial in the characters you want. Patch names can be up to ten characters long, and each patch can be assigned its own level as well, allowing you to ensure consistent volume even when going from a gentle acoustic sound to heavy metal overdrive. Pre Select Choose the effect you want before the audience hears it Normally, you'll want to store your custom B1on/B1Xon patches adjacent to one another so that stepping on the pedal will scroll through them in the order needed-something that's easily accomplished using the handy Swap function. In that circumstance, you'll also want the sound to change immediately, and this is the way the B1on/B1Xon normally operates. However, if you haven't stored your patches in adjacent memory locations, or if you simply get the urge to experiment and change things up in the middle of a performance, just turn on the B1on/B1Xon Pre Select function. This allows you to scroll through patches silently, with the current sound remaining unchanged as you do so. Power Functions More power to you. The B1on/B1Xon runs on just 4 AA batteries-either alkaline or rechargeable NiMH. Alternatively, it can be powered from an AC adapter (sold separately) or via USB. When running on batteries, the B1on/B1Xon powers up automatically when a jack is inserted into its input connector, and a unique "eco" function can be used to automatically power the unit off if unused for 10 hours. Battery life (when using alkaline batteries) is more than 20 hours, even during continuous use, and a handy "battery remaining" display shows you how much power is remaining. To extend battery life further still, you can opt to have the backlit LCD display turn off automatically after 15 or 30 seconds after the pedal was last used. The B1Xon expression pedal Express yourself. The B1Xon adds an expression pedal to the two main pedals, allowing you to alter any selected parameter in real time. You can use it for gain drive or volume (affecting either input or output level), to add wah or filtering, to affect delay time or modulation speed, or a variety of other parameters. In addition, the pedal range can be independently adjusted for every patch-you can even set the minimum value higher than the maximum value for reverse pedaling effects. There's also a simple calibration procedure that enables you to customize pedal sensitivity. Whether you're a feather-light player or a real lead-foot, the B1Xon can adapt to your particular pedaling style.
We're putting our foot downZoom's B3 Bass Effects and Amp Simulator combines the ease of a stompbox pedalboard with the power of a multi-effects processor and a USB audio interface. With complete control over individual effects and amp modeling, you can change your tones on the fly for both stage and studio. Three stomps. One pedal. The B3 offers three large LCD displays and corresponding footswitches that form a graphical interface, allowing you to utilize up to three stompbox and amp effects simultaneously. The interface has also been simplified with three control knobs for each display. This intuitive design makes creating, saving and rearranging the effect chain of your sounds a breeze and provides easy navigation in live and studio settings. Evolution of tube amp simulation. A newly developed sigmoid curve clipper re-creates the smooth clipping of a tube amp's waveform. From the warm, fat sound of R&B to the intense, aggressive tone of metal, the B3 can simulate amplifier sounds that are authentic to the original models while maintaining the nuances of fingering and picking techniques. Super-real amp modeling. The B3's 12 super-real amp models range from vintage to the latest trends in amp technology, each with its own distinct cabinet modeling that can be used to alter its tone characteristics. By combining different amplifiers and cabinets, you can digitally create your own custom rig. The B3's modeling technology provides the best tone for both live performance and direct recording. [Modeled bass amplifiers]AMPEG SVT / FENDER BASSMAN 100 / HARTKE HA3500 / SWR SM-900 / AMPEG B-15 / ACOUSTIC 360 / AGUILAR DB750 / POLYTONE MINI BRUITE III / MARSHALL SUPER BASS / GALLIEN KRUEGER 800RB / EDEN WT-800 / MARK BASS LITTLE MARK III 99 world-renowned stompbox effects. The B3 offers 99 diverse types of stompbox effects, including some of the world's most popular bass pedals and rack-mounted processors. You can use up to three effects in any combination, as well as its high-quality stereo tube presets and bass synthesizers. It also includes patches personally designed by four of the world's top bassists: Victor Wooten (Bela Fleck & the Flecktones), David Ellefson (Megadeth), Frank Bello (Anthrax) and Doug Wimbish (Living Colour). In addition, the B3 can store up to 100 of your original creations without a hitch. The newest generation of DSP: ZFX-IV. The all-new ZFX-IV DSP effects processor boasts amazing power and clarity, upgrading everything from sound to functionality and operability over previous ZFX versions. By using 32-bit floating-point processing, the B3 can produce amplifier sounds that are more realistic than ever before. Looper function with 40-second phrase recording/overdubbing. The B3's Looper capabilities include 40 seconds of phrase recording and overdubbing. The "sound-on-sound" function allows you to layer bass sounds as many times as you want in real time and use looped sounds as simple backing tracks. You can even create a"full band"feel with the built-in drum machine and DSP effects for a live solo.Note: When the UNDO/REDO function is enabled, the recording time is limited to 20 seconds. USB audio interface for DAW recording. The B3 operates as an audio interface, letting you record directly to your computer via USB. All of your sound settings used during rehearsals or live performances can be recorded to your favorite DAW such as the included Steinberg Sequel LE recording software. The pedal's direct monitoring capability eliminates latency issues, assuring realistic studio conditions and hassle-free operation. Your personal drummer. Every bassist needs a drummer, and with the B3 you can choose from 40 different rhythm patterns, including 4, 8 and 16-beat, shuffle and many others. The tap key also makes it easy to set the tempo and start a one-man jam session anytime. Balanced XLR output for DI use. With its built-in XLR output, you can avoid DI boxes completely and connect the B3 directly to any mixing console to maintain a balanced, high quality signal. Its convenient Pre/Post switch can direct an effected sound to the main outputs while sending the original analog bass guitar signal directly to the XLR output without passing through an A/D converter. Add a B3 to your pedalboard. The B3 is perfect for use in combination with traditional stompboxes. By adding a B3 to your pedalboard, you can decrease the size and complexity of your setup, while expanding your system's effects and modeling capabilities. Accurate, real-time Tuner function. The pedal's Tuner function offers smooth, real-time response with precise bass tuning accuracy. Whether you're in the middle of a performance or practicing alone in your room, simply hold down the pedal's center footswitch to start getting your strings back in tune. In addition, the B3's LCD displays and LED indicators make the Tuner easy to see on a dark stage, where you can also mute the output to tune silently. World's fastest patch change speed: 1ms. With the B3's amazing 1ms patch change speed, you'll never miss a beat. Change from rhythm playing to a solo in an instant by simply tapping a switch. Runs on batteries, AC adapter, or USB power. The B3 can operate on three different power sources: AC adaptor (included), batteries or USB bus power when plugged into your computer. Four AA/LR6 alkaline batteries provide over six hours of continuous use. Whether on stage or in the studio, the B3 gives you reliable power options. Super-low noise design. The B3's"noise floor"of -100dBm virtually eliminates background noise and the ZNR noise reduction removes feedback and other unwanted sounds, providing you with clear tones, along with natural release decay and reverb tails. Optional expression pedal and footswitch. Connect an optional FP02 expression pedal to the B3 and control effect parameters such as wah, pitch shift, volume, drive gain, modulation rate and delay/reverb mix in real time. Use an optional FS01 footswitch to tap the tempo used for the drum machine, looper and effects. You can also use an FS01 to mute the Delay/Reverb input or turn Delay Hold on or off. Free Edit&Share software for Mac/PC. Zoom's Edit&Share software, which is available as a free download, allows you to create, edit and save your personalized amp and effect settings on your computer. Use its "radar charts" to access visual representations of each preset's tone characteristics, the "amp/effect" sorting feature to easily locate your sounds and drag-and-drop options to rearrange patches for editing. With Edit&Share, you can download the latest patches online, as well as share your patches with others.
Connect the FP02 expression pedal and you will be able to use it to control desired effect parameters in real time. In addition to volume, wah and pitch, you can also use the pedal to control the gain of distortion effects, modulation rates, and delay and reverb levels with your foot as you play the bass guitar.
Use this footswitch for a variety of purposes. It is designed for use with a variety of Zoom multi-effects models and R series recorders. Also works with the RT223 drum machine.
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